Examining the whole range of J.G. Ballard's writings, from the early science fiction stories to Cocaine Nights (1996), Delville's study offers a critical and theoretically informed analysis of his achievements as a novelist and a commentator on contemporary culture.
A comparative account of the musical and cultural acts of Zappa and his cohort, collaborator and antagonist Captain Beefheart. Written in the iconoclastic spirit of Zappa's art, this book traces the mixed media experiments of California freakdom through the dada blues of Beefheart, mapping out the pleasures of imaginative excess.
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