William S. Burroughs, Allen Ginsberg, and Jack Kerouac were three of the most significant figures of the Beat Generation, whose writings have been adapted and appropriated for graphic novels, feature-length films, and other media. Adapting the Beat Poets looks at film versions of their writings-including Naked Lunch, Howl, and On the Road-and examines how these interpretations are linked to each other and how beat literature, which historically and artistically stakes itself on authenticity, can be significantly altered by such adaptations.
Drawing together elements from feminist studies, political science, public administration, sociology, and urban studies, Michael J. Prince examines mechanisms of exclusion and inclusion, public attitudes on disability, and policy-making processes in the context of disability.
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