"Both Apollo speaks from inside the bodies and binaries that are felt as constraints. Sometimes it tries to negotiate. It laments, celebrates, reasons, jokes, and occasionally begs. It runs into a wall and hugs it, offers it pizza, and speeds through the rotary of grammars and cities until dizziness catapults it from the grid. It tries to queer the echoes of its language in the hope that a queer rhyme might break the logic of either/or and give rise to both/and. It would rather evade than refuse. It would rather embrace than hold. It's basically a love poem to whatever has the grace to appear. But the battleground is not all battle, even if there is no safe place above the fray. Moments of humor and tenderness accompany the speaker with each act of crossing and circling back. If the poems hope, this is where and how they do it: quietly, at the boundary"--
Previous ed. has sub-title: Concepts and applications.
In The Labors of Modernism, Wilson analyzes the unrecognized role of domestic servants in the experimental forms and narratives of Modernist fiction by Virginia Woolf, Gertrude Stein, Nella Larsen and Jean Rhys. She shows that the liminal position of servants in these texts forces the reader to recognize servants not just as characters.
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