Böcker av Mark Twain

Presents passages from all five of Mark Twain's travel narratives: ""The Innocents Abroad"", ""Roughing It"", ""A Tramp Abroad"", ""Life on the Mississippi"", and ""Following the Equator"".

Impish, daring young Tom Sawyer is the bane of the old, the hero of the young. During one hot summer, Tom witnesses a murder, runs away to be a pirate, attends his own funeral, rescues an innocent man from the gallows, searches for treasure in a haunted house, foils a devilish plot and discovers a box of gold.

And wouldn't you know, Huck's no-good Pap is also after him and he locks Huck up in his cabin in the woods. But Huck won't stand too much of this, and after a daring escape, he takes off down the Mississppi on a raft with an runaway slave called Jim.

One of the most irrepressible and exuberant characters in the history of literature, Tom Sawyer explodes onto the page in a whirl of bad behaviour and incredible adventures. Whether he is heaving clods of earth at his brother, faking a gangrenous toe, or trying to convince the world that he is dead, Tom's infectious energy and good humour shine through.This beautiful Macmillan Collector's Library edition of The Adventures of Tom Sawyer features an afterword by playwright and screenwriter Peter Harness.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

Rather than be 'sivilized' by the Widow Douglas, Huckleberry Finn - the grubby but good-natured son of a local drunk - sets off with Jim, an escaped slave, to find freedom on the Mississippi river. With the law on their tail, they navigate a world of robbers, slave hunters and con men, and Huck must choose between what society says is 'right' and his own burgeoning understanding of Jim's friendship and humanity.Nostalgic and melancholy in equal measure, The Adventures of Huckleberry Finn by Mark Twain is a razor-sharp satire of the antebellum South that, despite beginning life as a sequel to The Adventures of Tom Sawyer, is now seen in its own right as one of the most important of all American novels.This beautiful Macmillan Collector's Library edition of The Adventures of Huckleberry Finn features an afterword by playwright and screenwriter Peter Harness.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

This collection of correspondence between Clemens and Rogers may be thought of as a continuation of Mark Twains Letters to His Publishers, 1867-1894, edited by Hamlin Hill. It completes the story begun there of Samuel Clemenss business affairs, especially insofar as they concern dealings with publishers; and it documents Clemenss progress from financial disaster, with the Paige typesetter and Webster & Company, to renewed prosperity under the steady, skillful hand of H. H. Rogers.But Clemens's correspondence with Rogers reveals more than a business relationship. It illuminates a friendship which Clemens came to value above all others, and it suggests a profound change in his patterns of living. He who during the Hartford years had been a devoted family man, content with a discrete circle of intimates, now became again (as he had been during the Nevada and California years) a man among sporting men, enjoying prizefights and professional billiard matches in public, andin privatelong days of poker, gruff jest, and good Scotch whisky aboard Rogers's magnificent yacht.

The surprising final chapter of a great American life. When the first volume of Mark Twain's uncensored Autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist's life and times. This third and final volume crowns and completes his life's work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads. Created from March 1907 to December 1909, these dictations present Mark Twain at the end of his life: receiving an honorary degree from Oxford University; railing against Theodore Roosevelt; founding numerous clubs; incredulous at an exhibition of the Holy Grail; credulous about the authorship of Shakespeare's plays; relaxing in Bermuda; observing (and investing in) new technologies. The Autobiography's "e;Closing Words"e; movingly commemorate his daughter Jean, who died on Christmas Eve 1909. Also included in this volume is the previously unpublished "e;Ashcroft-Lyon Manuscript,"e; Mark Twain's caustic indictment of his "e;putrescent pair"e; of secretaries and the havoc that erupted in his house during their residency. Fitfully published in fragments at intervals throughout the twentieth century, Autobiography of Mark Twain has now been critically reconstructed and made available as it was intended to be read. Fully annotated by the editors of the Mark Twain Project, the complete Autobiography emerges as a landmark publication in American literature. Editors: Benjamin Griffin and Harriet Elinor Smith Associate Editors: Victor Fischer, Michael B. Frank, Amanda Gagel, Sharon K. Goetz, Leslie Diane Myrick, Christopher M. Ohge

This book publishes, for the first time in full, the two most revealing of Mark Twain's private writings. Here he turns his mind to the daily life he shared with his wife Livy, their three daughters, a great many servants, and an imposing array of pets. These first-hand accounts display this gifted and loving family in the period of its flourishing. Mark Twain began to write "e;A Family Sketch"e; in response to the early death of his eldest daughter, Susy, but the manuscript grew under his hands to become an exuberant account of the entire household. His record of the childrens' sayings-"e;Small Foolishnesses"e;-is next, followed by the related manuscript "e;At the Farm."e; Also included are selections from Livy's 1885 diary and an authoritative edition of Susy's biography of her father, written when she was a teenager. Newly edited from the original manuscripts, this anthology is a unique record of a fascinating family.

The year 2010 marked the 100th anniversary of Mark Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press published Autobiography of Mark Twain, Volume 1, the first of a projected three-volume edition of the complete, uncensored autobiography. The book became an immediate bestseller and was hailed as the capstone of the life's work of America's favorite author.This Reader's Edition, a portable paperback in larger type, republishes the text of the hardcover Autobiography in a form that is convenient for the general reader, without the editorial explanatory notes. It includes a brief introduction describing the evolution of Mark Twain's ideas about writing his autobiography, as well as a chronology of his life, brief family biographies, and an excerpt from the forthcoming Autobiography of Mark Twain, Volume 2-a controversial but characteristically humorous attack on Christian doctrine.

These unjustly neglected works, among the most enjoyable of Mark Twain's novels, follow Tom, Huck, and Jim as they travel across the Atlantic in a balloon, then down the Mississippi to help solve a mysterious crime. Both with the original illustrations by Dan Beard and A.B. Frost."e;Do you reckon Tom Sawyer was satisfied after all them adventures? No, he wasn't. It only just pisoned him for more."e; So Huck declares at the start of these once-celebrated but now little-known sequels to his own adventures. Tom, Huck, and Jim set sail to Africa in a futuristic air balloon, where they survive encounters with lions, robbers, and fleas and see some of the world's greatest wonders.

This is a small sampling of Mark Twains life-long fulminations against the editors, printers, and proofreaders who, subtly or grossly, altered his work and shrouded his intentions as they transmitted his writing from manuscript to type. Through unauthorized changes and inadvertent errors, Mark Twains first publishers brought out texts full of thousands of errors in form and content. Later publishers then based their reprints on these corrupt editions and added errors of their own. It is the aim of the Iowa-California edition to strip away this accretion of error and present texts faithful to the authors intention.By comparing all the life-time version of Mark Twains works, the editors are able to isolate the authors revisions from the printers and publishers changes. The record of this comparison supplies not only the evidence for editorial decisions, but also the history of the authors efforts to shape his work. In addition, these volumes include previously uncollected work, work that has long been out of print, and such unpublished writing as related drafts, working notes, and marginalia.The texts are established at the Center for Textual Studies at the University of Iowa or at the Mark Twain Papers in The Bancroft Library at the University of California, Berkeley.The costs for editorial work have been met by generous support from the Editing Program of the National Endowment for the Humanities, an independent federal agency, and other institutional and private donors. The edition is published by the University of California Press with financial assistance from the Graduate College at the University of Iowa. All volumes are submitted to the Center for Editions of american Authors, or to its successor, the Committee for Scholarly Editions, for examination and approval

Longtime admirers of Mark Twain are aware of how integral animals were to his work as a writer, from his first stories through his final years, including many pieces that were left unpublished at his death. This beautiful volume, illustrated with 30 new images by master engraver Barry Moser, gathers writings from the full span of Mark Twain's career and elucidates his special attachment to and regard for animals. What may surprise even longtime readers and fans is that Twain was an early and ardent animal welfare advocate, the most prominent American of his day to take up that cause. Edited and selected by Shelley Fisher Fishkin, who has also supplied an introduction and afterword, Mark Twain's Book of Animals includes stories that are familiar along with those that are appearing in print for the first time.

This landmark anniversary edition contains a selection of Twain's hard-to-find letters and notes expressing his always-engaging opinions on the publication of Tom Sawyer.

"e;I've struck it!"e; Mark Twain wrote in a 1904 letter to a friend. "e;And I will give it away-to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography."e; Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "e;Final (and Right) Plan"e; for telling the story of his life. His innovative notion-to "e;talk only about the thing which interests you for the moment"e;-meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "e;dead, and unaware, and indifferent,"e; and that he was therefore free to speak his "e;whole frank mind."e; The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Editors: Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie Myrick

Mark Twain's complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author's death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain's career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions. The eagerly-awaited Volume 2 delves deeper into Mark Twain's life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Editors: Benjamin Griffin and Harriet E. Smith Associate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick

o Includes the authoritative texts for eleven pieces written between 1868 and 1902o Publishes, for the first time, the complete text of "e;Villagers of 1840-3,"e; Mark Twain's astounding feat of memoryo Features a biographical directory and notes that reflect extensive new research on Mark Twain's early life in MissouriThroughout his career, Mark Twain frequently turned for inspiration to memories of his youth in the Mississippi River town of Hannibal, Missouri. What has come to be known as the Matter of Hannibal inspired two of his most famous books, Tom Sawyer and Huckleberry Finn, and provided the basis for the eleven pieces reprinted here. Most of these selections (eight of them fiction and three of them autobiographical) were never completed, and all were left unpublished. Written between 1868 and 1902, they include a diverse assortment of adventures, satires, and reminiscences in which the characters of his own childhood and of his best-loved fiction, particularly Huck Finn and Tom Sawyer, come alive again. The autobiographical recollections culminate in an astounding feat of memory titled "e;Villagers of 1840-3"e; in which the author, writing for himself alone at the age of sixty-one, recalls with humor and pathos the characters of some one hundred and fifty people from his childhood. Accompanied by notes that reflect extensive new research on Mark Twain's early life in Missouri, the selections in this volume offer a revealing view of Mark Twain's varied and repeated attempts to give literary expression to the Matter of Hannibal.

This is the only authoritative text of this late novel. It reproduces the manuscript which Mark Twain wrote last, and the only one he finished or called the "e;The Mysterious Stranger."e; Albert Bigelow Paine's edition of the same name has been shown to be a textual fraud.

The University of California Press is delighted to announce the new publication of this three-act play by one of America's most important and well-loved writers. A highly entertaining comedy that has never appeared in print or on stage, Is He Dead? is finally available to the wide audience Mark Twain wished it to reach. Written in 1898 in Vienna as Twain emerged from one of the deepest depressions of his life, the play shows its author's superb gift for humor operating at its most energetic. The text of Is He Dead?, based on the manuscript in the Mark Twain Papers, appears here together with an illuminating essay by renowned Mark Twain scholar Shelley Fisher Fishkin and with Barry Moser's original woodcut illustrations in a volume that will surely become a treasured addition to the Mark Twain legacy. Richly intermingling elements of burlesque, farce, and social satire with a wry look at the world market in art, Is He Dead? centers on a group of poor artists in Barbizon, France, who stage the death of a friend to drive up the price of his paintings. In order to make this scheme succeed, the artists hatch some hilarious plots involving cross-dressing, a full-scale fake funeral, lovers' deceptions, and much more. Mark Twain was fascinated by the theater and made many attempts at playwriting, but this play is certainly his best. Is He Dead? may have been too "e;out there"e; for the Victorian 1890s, but today's readers will thoroughly enjoy Mark Twain's well-crafted dialogue, intriguing cast of characters, and above all, his characteristic ebullience and humor. In Shelley Fisher Fishkin's estimation, it is "e;a champagne cocktail of a play--not too dry, not too sweet, with just the right amount of bubbles and buzz."e;

In the summer of 1855, when the nineteen-year-old Sam Clements traveled from Saint Louis to Hannibal, Paris, and Florida, Missouri, and then to Keokuk, Iowa, he carried with him a notebook in which he entered French lessons, phrenological information, miscellaneous observations, and reminders about errands to be performed. This first notebook thus took the random form which would characterize most of those to follow.About the text: In order to avoid editorial misrepresentation and to preserve the texture of autograph documents, the entries are presented in their original, often unfinished, form with most of Clemens irregularities, inconsistencies, errors, and cancellations unchanged. Clemens cancellations are included in the text enclosed in angle brackets, thus <word>; editorially-supplied conjectural readings are in square brackets, thus [word]; hyphens within square brackets stand for unreadable letters, thus [--]; and editorial remarks are italicized and enclosed in square brackets, thus [blank page}- A slash separates alternative readings which Clemens left unresolved, thus word/word. The separation of entries is indicated on the printed page by extra space between lines; when the end of a manuscript entry coincides with the end of a page of the printed text, the symbol [#] follows the entry. A full discussion of textual procedures accompanies the tables of emendation and details of inscription in the Textual Apparatus at the end of each volume; specific textual problems are explained in headnotes or footnotes when unusual situations warrant.

With an Introduction and Notes by Stuart Hutchinson, University of Kent at Canterbury.Tom Sawyer, a shrewd and adventurous boy, is as much at home in the respectable world of his Aunt Polly as in the self-reliant and parentless world of his friend Huck Finn. The two enjoy a series of adventures, accidentally witnessing a murder, establishing the innocence of the man wrongly accused, as well as being hunted by Injun Joe, the true murderer, eventually escaping and finding the treasure that Joe had buried.Huckleberry Finn recounts the further adventures of Huck, who runs away from a drunken and brutal father, and meets up with the escaped slave Jim. They float down the Mississippi on a raft, participating in the lives of the characters they meet, witnessing corruption, moral decay and intellectual impoverishment.Sharing so much in background and character, these two stories, the best of Twain, indisputably belong together in one volume. Though originally written as adventure stories for young people, the vivid writing provides a profound commentary on provincial American life in the mid-nineteenth century and the institution of slavery.