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  • av Mark Kermode
    245,-

    How did a low-key prison drama which was considered a box-office flop on its original release become one of the most popular movies of all time? Mark Kermode traces the history of this unexpected audience favourite, from its source in Stephen King's novella Rita Hayworth and Shawshank Redemption, through the icy corridors of Ohio's Mansfield Reformatory (whose imposing gothic architecture dominates the film), to the television and video screens on which The Shawshank Redemption became a phenomenon. Kermode's account includes insights from writer/director Frank Darabont and leading players Tim Robbins and Morgan Freeman. He also explores the near-religious fervour that the film continues to inspire its huge number of devoted fans.This new edition, published to coincide with the 30th anniversary of Shawshank's release, includes a new foreword by Mark Kermode re-assessing the film's impact and legacy.

  • - A Life of Musical Misadventures
    av Mark Kermode
    149 - 255,-

    The hilarious, self-deprecating, blissfully nostalgic memoir of adored film critic Mark Kermode's riotous attempts to become a popstar

  • av Mark Kermode
    195 - 259,-

  • av Mark Kermode
    245,-

    A visually stunning and heartfelt riposte to the emotional sterility of Kubrick's 2001: A Space Odyssey, Douglas Trumbull's eco-themed Silent Running (1972) became one of the defining science-fiction films of the seventies.

  • - Love Movies, Hate Critics
    av Mark Kermode
    155,-

    'The finest film critic in Britain at the absolute top of his form' Stephen Fry'Entertainingly incendiary stuff' EmpireA hatchet job isn't just a bad review, it's a total trashing. Mark Kermode is famous for them - Pirates of the Caribbean, Sex and the City 2, the complete works of Michael Bay. Beginning with his favourite hatchet job ever, Mark tells us about the best bad reviews in history, why you have to be willing to tell a director face-to-face their movie sucks, and about the time he apologized to Steven Spielberg for badmouthing his work.But why do we love really bad reviews? Is it so much harder to be positive? And is the Internet ruining how we talk about cinema? The UK's most trusted film critic answers all these questions and more in this hilarious, fascinating and argumentative new book. 'A wry, robust and developed defence of accountable critical voices' Total Film'Very accessible, entertaining and relevant . . . warmly recommended' Den of Geek

  • av Mark Kermode
    155,-

    If blockbusters make money no matter how bad they are, then why not make a good one for a change?How can 3-D be the future of cinema when it's been giving audiences a headache for over a hundred years?

  • - Reel Life Adventures of a Film Obsessive
    av Mark Kermode
    155,-

    Join him as he gets lost in Russia on the trail of a low-budget horror flick, gasp as he's shot at in Hollywood while interviewing Bavarian director Werner Herzog, cheer as he gets thrown out of the Cannes film festival for heckling in very bad French, and cringe as he's handbagged by Helen Mirren at London's glitzy BAFTA Awards.

  • av Mark Kermode
    219,-

    Traces the history of The Shawshank Redemption, originally a low-key prison movie, from the pages of Stephen King's novella "Rita Hayworth and Shawshank Redemption" to the screens on which it became a phenomenon, as well as exploring the near-religious fervour that the film inspires in its devoted fans.

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