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  • av MAMANG DAI
    339,-

    'A major voice in Indian English literature, and literature from North EastIndia...[Her] poems are like a race of butterflies bargaining with the night.'-Keki Daruwalla'Dai's poetic world is one of river, forest and mountain, a limpid and lyricalreflection of the terrain of her home state. Nature here is mysterious,verdant with myth, dense with sacred memory. There is magic to be foundeverywhere...But as you read closer, you [also] sense a more sinister undertow:this paradisiacal landscape is also one of "guns and gulls", punctuated by "thefootfall of soldiers". You also realize that the simplicity of Dai's verse is notwithout guile. It possesses a gentle persuasive riverine tug that can lead you tomoments of heart-stopping surprise.'For all its simplicity, Dai's poetry does not arrive at easy conclusions. There isno dishonest sense of anchor here, no blissful pastoral idyll. The poet describesher people as "foragers for a destiny" and her work is pervaded by a deepunease about erased histories and an uncertain future. And yet, implicit in herpoetics is the refusal to divorce protest from love. This seems to translate into acommitment to a poetry of quiet surges and eddies rather than gritty texturesand edges...[and] a tone that is hushed, wondering, thoughtful, reflective. Thestrength of this poetry is its unforced beauty and clarity, its ability to steer clearof easy flamboyance.'-Arundhathi Subramaniam

  • av MAMANG DAI
    295,-

    Set in the mid-nineteenth century, the action takes place in the Northeast-the region that spreads from Assam to Arunachal today. The East India Company is seeking to make inroads into the region and the local people-in particular the Abor and Mishmee tribes fear their coming and are doing all they can to keep them out of their territories.The author takes a recorded historical event-the mysterious disappearance of a French priest, Father Nicolas Krick in the 1850s and the execution of Kajinsha from the Mishmee tribe for his murder and woven a gripping, densely imagined work of fiction around it. And, even as the novel tells the story of an impossible journey and an elopement, it explores the themes of the lure of unknown worlds, the love people have for each other and their land and the forces of history.Gimur, a girl from the Abor tribe, runs away with Kajinsha from the Mishmee tribe and they settle down on his land near the Tibetan border. Father Krick's attempts to reach Tibet to set up a Jesuit mission are foiled repeatedly by the local people not because of any personal animus towards the priests or their work but because they feel rightly that once the priests come, the British, with their guns and their garrisons will follow. The story revolves around events in Gimur's and Kajinsha's villages and is also seen from the point of view of Father Krick, a gentle, intelligent man, devout but no bigot, whose determination to reach Tibet no matter what the cost, impacts tragically on all those who encounter him.

  • - Writings from Arunachal Pradesh
    av MAMANG DAI
    285,-

    Writings from Arunachal Pradesh. The first anthology of writings from a variety of debut and established writers in the state of Arunachal Pradesh, India.

  • av MAMANG DAI
    199,-

  • av MAMANG DAI
    199,-

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