Extending decolonial theory into greater conversation with race, sexuality, and Indigenous studies, Macarena Gomez-Barris traces the political, aesthetic, and performative practices of South American indigenous activists, intellectuals, and artists that emerge in opposition to the ruinous effects of extractive capital.
The 1973 military coup in Chile deposed the democratically elected Salvador Allende and installed a dictatorship that terrorized the country for almost twenty years. This title examines cultural sites and representations in postdictatorship Chile - what the author calls "memory symbolics" - to uncover the impact of state-sponsored violence.
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