Kyung Hyun Kim considers the recent global success of Korean popular culture-the Korean wave of pop music, cinema, and television also known as hallyu-from a transnational and transcultural perspective.
A textual account of the hallyu (Korean wave) films popular internationally, especially in Asia, from the late 1990s until 200708.
Argues that although the last two decades of Korean history were a period of progress in political democratization, the country refused to part from a "masculine point of view" which is also mirrored in Korean cinema
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