Böcker av Kevin Donnelly

In these Orwellian times of language control and group think destroying free speech, rational thought and independent judgment it's time to strike a blow for rationality and reason and defend what is best in Western civilisation. Not a week goes by without yet another example of books being banned, ideas being censored, the past being rewritten, statues being demolished and authors and academics being vilified and publicly shamed. Now rebadged as being 'woke', political correctness represents an existential threat to Western societies including concepts like rationality and reason, freedom of expression and religious freedom. From A is for Ableism and Alt-right to Z for Ze and Zie--this is the only dictionary you'll need to navigate this Brave New World of political correctness and know all the words and terms to fight the woke invasion.

Stanley Kubrick's The Shining (1980) is both a successful mainstream horror film and an esoteric object for cult audiences who are convinced that the film means something totally different. This book investigates what has made The Shining a key cult film while also addressing the range of meanings and interpretations assigned to it.

Life was never meant to be easy, as a famous politician once said, and tragedy and loss can strike at any time. Losing a loved one unexpectedly and without reason, facing family hardship or a crisis at work are events that can touch anyone of us. But, there are ways to be resilient and to overcome adversity and pain and to lesson the impact of depression. In Taming the Black Dog, Kevin Donnelly writes how literature, religious faith and the love and comfort of family and friends can help one to find a safe shore after the storms and the rough seas. While there is no closure - there is hope and a chance to live life to the full. Dr Kevin Donnelly, author of Dumbing Down, Australia's Education Revolution and Educating your Child, is one of Australia's leading education authors and commentators. He taught for 18 years in government and non-government schools and is currently a Senior Research Fellow at the Australian Catholic University.

This book is a major new study - dealing with notions of film music as a device that desires to control its audience, using a most powerful thing: emotion.

Pop music "stars" in many of the most successful of British films, such as "Trainspotting" and "Human Traffic". It references all British feature films using pop music from the 1950s to the end of the 20th century. The book also illustrates and describes the changing ways of using pop in British film.