No Japanese writer was more obsessed with desire than Tanizaki Jun'ichiro (1886-1965). This book argues that Tanizaki's novels do not merely end in the reification and contemplation of cultural ideals but rather problematize the desire behind such ideals.
This book examines how, at the turn of the 19th century, Japanese fiction used melodrama's binary morality-the battle between good and evil-to generate alternative models of family to answer the needs of a modernizing society.
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