An introduction to the work of Robert Bresson, a respected and acclaimed director in the history of cinema. His films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.
Focuses on "La Regle du jeu" in the context of both the time in which it was made and the currents of intertextuality by which it is traversed. This book examines sequences from the film itself, its themes, reception and critical approaches and readings.
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