Böcker av Katie Jones

With Hip to Be Square learn how to transform five simple granny squares into 20 bold and bright designs featuring size-inclusive garments, stylish accessories, and beautiful homewares. All five granny squares can be completed in a wide range of yarn weights, colours, and types; they can be extended to create bigger blocks, and they are interchangeable within the pattern designs, giving the reader unlimited options and inspiration. As well as the easy-to-follow instructions and step-by-step illustrations, Katie also includes tips on how to care for your makes, so they stand the test of time - the perfect antidote to fast fashion.

Sixteen-year-old Sophie Weston's life is turned upside down when her father inherits a dilapidated mansion in the Hamptons and her family leave their life in Brooklyn behind to renovate it. As a child, Sophie regularly visited her great-aunt Poppy and the house's other eccentric inhabitants, but why can she no longer recall her time there clear...

Disgust is a strong, immediate visceral reaction. While it may feel like a purely instinctive response, the cultural meanings ascribed to particular objects, bodies or behaviours play a significant role in determining whether or not they are experienced as disgusting. This interplay between bodies and ideas makes disgust a powerful source of metaphor in narrative fiction. For women's writing, disgust is particularly problematic due to a misogynistic tradition in which the female body has often been coded as disgusting. This book offers a comparative study of recently published texts by eight female authors writing in French and German - Marie Darrieussecq, Amelie Nothomb, Lorette Nobecourt, Alina Reyes, Sibylle Berg, Jenny Erpenbeck, Monika Maron and Charlotte Roche - in terms of an aesthetics of disgust and asks to what extent disgust can be seen as a useful tool for feminist criticism. Since the late 1990s there have been increasing levels of academic interest in disgust in various disciplines, ranging from clinical psychology to aesthetics and moral philosophy. As one of the first full-length studies to consider literary uses of disgust, this book both contributes to the emerging field of disgust theory and offers a new contribution to the study of women's writing.