Carves out a fresh area of inquiry at the intersection of feminism and critical geography, as well as globalization, postcolonial, and cultural studies. This issue begins with the premise that vernacular culture is an important tool through which communities assert their interests and identities within national and international politics.
A cultural history describing how folklore studies and the music industry helped to create a "musical color line" in the South, associating certain genres with particular racial and ethnic identities.
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