Böcker av Joseph Leo Koerner

"A study of the work of three monumental artists living during different historical periods, providing a rich understanding of the role of images created in dangerous times"--

In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us.Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch''s fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art historyΓÇÖs unexplored underside: the image itself as an enemy.An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artistsΓÇöincluding BoschΓÇÖs notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on KoernerΓÇÖs A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.

In this study, Joseph Koerner establishes the character of Renaissance art in Germany and examines how artists such as Albrecht Durer and Hans Baldung Grien reflected in their masterworks the changing status of the self in 16th-century Germany.

Caspar David Friedrich (1774 1840), the greatest painter of the Romantic movement in Germany, was perhaps Europe's first truly modern artist. This title offers a comprehensive account of this most fascinating of nineteenth-century masters.