Böcker av Joseph Conrad

Joseph Conrad's hauntingly beautiful masterpiece in a hardback gift edition featuring an afterword by Dr Keith Carabine.

During the Carlist war, a sailor, the unnamed protagonist, joins the champions of Don Carlos de Bourbon, pretender to the throne of Spain. The Carlists use the youth's attraction to the sea to persuade him to run perilous enterprises for their cause, ventures he later learns have been financed by the mistress and heiress of a rich man's fortune.

"[A] masterly study of the inner workings of the disordered minds whose aim is destruction, violence, and the overturning of law and order by means of bombs."-The Observer (1907)

Victory: An Island Tale is the latest volume in the widely praised The Cambridge Edition of the Works of Joseph Conrad. Like its predecessors, this volume offers scholars an authoritative text, free from the interference of Conrad's typists, compositors and editors; a full scholarly introduction, and textual and explanatory notes.

London, 1886 and Mr Adolf Verloc runs a sex shop in the heart of Soho. Unbeknown to his loyal wife Winnie, Verloc also works for the Russian embassy, spying on a group of London anarchists.The Russian government are furious with the English establishment s indifference to the anarchist threat gripping the rest of Europe. So Verloc is assigned a mission: Blow up the Greenwich Observatory and make it look like a terrorist attack to provoke a crackdown. Should he fail, Verloc s real identity as a spy will be exposed to his vicious comrades.Verloc is forced to turn to the volatile anarchist, The Professor, to supply explosives for his mission an act which attracts the attention of Chief Inspector Heat of Scotland Yard. Caught between the spy masters and the police, Verloc grooms Winnie s young and vulnerable brother Stevie as his unsuspecting accomplice. When the truth and consequences emerge, Verloc must face Winnie s wrath From the producers of the acclaimed Line of Duty, this riveting psychological thriller stars Toby Jones as Verloc and Line of Duty s Vicky McClure as Winnie, with Stephen Graham (Boardwalk Empire) and Ian Hart (The Last Kingdom). Adapted by BAFTA award-winning Tony Marchant (Great Expectations) and directed by Emmy award-winning Charles McDougall (Hillsborough, House of Cards, The Good Wife), The Secret Agent will be broadcast on BBC One this summer.

Axel Heyst, a dreamer and a restless drifter, believes he can avoid suffering by cutting himself off from others. Then he becomes involved in the operation of a coal company on a remote island in the Malay Archipelago, and when it fails he turns his back on humanity once more. But his life alters when he rescues a young English girl, Lena, from Zangiacomo's Ladies' Orchestra and the evil innkeeper Schomberg, taking her to his island retreat. The affair between Heyst and Lena begins with her release, but the relationship shifts as Lena struggles to save Heyst from detachment and isolation. Featuring arguably the most interesting hero created by Conrad, Victory is both a compelling tale of adventure and a perceptive study of the power of love.

An Outcast of the Islands is the latest volume in the widely praised Cambridge Edition of the Works of Joseph Conrad. Like its predecessors in this series, this volume offers scholars an authoritative text, free from the interference of early typists, compositors and editors, and comprehensive textual and explanatory notes.

Renowned for its stylistic boldness and dramatic descriptions, Heart of Darkness is a stark yet subtle examination of the powers of the subconscious and the workings of western imperialism.

These selected letters taken from the Cambridge edition illuminate Conrad's significance as the Polish-speaking child of political exiles, a deckhand who worked his way up to captain, and one of the major writers of the late nineteenth and early twentieth centuries.

Joseph Conrad's short novel The Shadow-Line: A Confession (1917) is one of the key works of early twentieth-century fiction. This edition, established through modern textual scholarship, and published as part of the Cambridge Edition of the Works of Joseph Conrad, presents Conrad's only major work written during the First World War and its 1920 preface in forms more authoritative than any so far printed. Correspondence reveals that the part- and chapter-divisions present in the historical editions lack authorial sanction, and this edition of The Shadow-Line offers a continuous text for the first time, restoring to the narrative a fluency and dramatic intensity not hitherto found in any printing. An Introduction and Explanatory Notes, as well as maps and illustrations, enrich this volume. The Appendices publish materials relevant to Conrad's maritime career and to the publishing of the American serial, and the Apparatus allows the reader to follow the creative process.

Set in eastern Borneo during the 1880s, Almayer's Folley recreates the conflicts of imperial Europe with the colonised East Indies through Joseph Conrad's story of Kaspar Almayer's personal tragedy: his loss of both his daughter of mixed race to her native lover and his dream of finding enough gold to return to Amsterdam in triumph. The introduction gives the history of the composition over almost five years as Conrad went to the Congo, Australia, the Ukraine, Belgium, Switzerland, and France as a seaman and on holiday. The novel has suffered seven layers of unauthorised intervention by typists and publishers, as set out in the essay on the text and the apparatus. The notes explain Malay terms and historical references, and there are two regional maps. This is the text of Almayer's Folley, established through modern textual scholarship, as Conrad would have like it to have appeared in 1895.

Marlow, a seaman, tells of a journey up the Congo. His goal is the troubled European and ivory trader Kurtz. Worshipped and feared by invaders as well as natives, Kurtz has become a godlike figure, his presence pervading the jungle like a thick, obscuring mist.

Set in the tumultuous political world of Tsarist repression and revolutionary intrigue in St Petersburg and Geneva, Under Western Eyes (1911) renders with searing intensity the psychological torment of its Russian protagonist, a university student who, in betraying another, has betrayed himself. Based upon a comparison of the existing manuscript and other materials, this scholarly and first extensively annotated edition of Joseph Conrad's great novel Under Western Eyes differs from all previous printings by more accurately reflecting Conrad's writing process. The reading text is supported by new scholarly materials that are the result of fifteen years of investigation: essays on the textual and biographical history of the novel, extensive notes, appendices and maps, as well as a full listing of the thousands of textual variants in the early forms of the novel, including the 18,000 words that Conrad himself deleted.

'It was as if the sea, breaking down the wall protecting all the homes of the town, had sent a wave over her head'One of Conrad's most powerful, gripping storiesIntroducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Joseph Conrad (1857-1924). Conrad's Heart of Darkness, Lord Jim, Nostromo, The Secret Agent, The Secret Sharer and Other Stories, Typhoon and Other Stories and Under Western Eyes are available in Penguin Classics.

Within the Tides (1915) was the last volume of short stories published during Conrad's lifetime. In this book, the stories are published for the first time in a critical edition based upon a thorough analysis of the original documents, and the critical texts have been emended so as to include Conrad's later revisions. The introduction discusses Conrad's main sources and influences, places the stories in their contemporary contexts and traces the volume's contemporary reception. The essay on the texts and the 'Apparatus' document the history of composition and publication and detail the revisions that the texts underwent, demonstrating as well how editors and compositors shaped their presentation in serial form. Also included are explanatory notes glossing literary and historical allusions. Two glossaries - of nautical terms and of foreign words and phrases - further enrich the explanatory matter, as do a map and six illustrations.

Since its first appearance in Blackwood's Edinburgh Magazine in 1899 and 1900, Lord Jim (1900) has been acclaimed as a modernist masterwork. Its narrative innovations and psychological complexity make it one of the most influential fictions written in the twentieth century and it has challenged and stimulated generations of readers as well as writers on and of fiction. This edition, established through modern textual scholarship, presents Conrad's novel and its preface in a form more authoritative than any so far printed. The Introduction situates the novel in Conrad's career and traces its sources and contemporary reception. The explanatory notes identify literary and historical references and real-life places and indicate Conrad's main influences. Glossaries, maps and illustrations are provided for further context, as well as a new transcription of 'Tuan Jim: A Sketch', a partial draft of the novel, and appearing in print for the first time, Conrad's contract for the book.

The Secret Agent (1907) is a compelling tale of espionage and terrorism set in Edwardian London. Ironically subtitled 'A Simple Tale', it paints a terrifying portrait of revolutionaries and anarchists whose personal lives are as barren and futile as their public acts of violence. It concludes with the unwitting accomplice of a would-be terrorist blowing himself to bits with his own bomb, the terrorist's subsequent murder by his own wife, and the wife's own suicide. This new edition is based on a painstaking comparison of the original manuscript of the work with its first, truncated appearance in the American magazine Ridgeway's: A Militant Weekly for God and Country, and with all subsequent book-form publications overseen by Conrad himself. The result is a new text, purged of the printers' errors and editorial interventions that have been reproduced in all previous printings. There is also a critical introduction, an essay on the text, a textual apparatus, and helpful explanatory notes.

Dr Watts' 1969 edition of these letters to Cunninghame Graham are the most illuminating sequence of letters from Conrad to any of his correspondents. He struggles to define his philosophical and political beliefs in relation to Graham's radical and provocative opinions. The letters also provide comments on Conrad's work.

Published posthumously in 1925, Suspense is set in Genoa in early 1815. This edition of Conrad's last novel, established through modern textual scholarship, presents the text in a form more authoritative than any so far printed. The introduction situates the novel in Conrad's career and traces its sources and contemporary reception. The explanatory notes explain literary and historical references, identify real-life places and indicate Conrad's main research materials. A glossary of foreign words and phrases enriches the explanatory matter, as do four illustrations and a map. A notebook of Conrad's research for the novel and deleted drafts are published here for the first time. The essay on the text and apparatus lay out the history of the work's composition and publication and detail interventions in the text by Richard Curle, who, as Conrad's de facto literary executor, saw the novel into print, along with typists, compositors and editors.

Bringing together work composed from 1890 to 1924, the nineteen pieces collected in the posthumously published Last Essays (1926) serve as a primer to Conrad's wide interests and to the varieties of his style. This edition, supported by an extensive textual apparatus, brings together various prose pieces, including reminiscences, reviews, essays on the sea and politics, as well as several miscellaneous items, including his 'Congo Diary' and the other notebook he kept in Africa in 1890. The introduction situates these writings in Conrad's career, offers new perspectives on Conrad in the marketplace and as a writer of occasional prose and traces the contemporary reception of the volume. The notes explain literary and historical references, identify real-life places and indicate Conrad's main sources. Early drafts and notes for several essays are published here for the first time, making this authoritative critical edition a major contribution to Conrad studies.

'Youth', Heart of Darkness and 'The End of the Tether' make up Conrad's most celebrated collection of short narratives. Heart of Darkness forms its sombre centrepiece: set in the Congo of the 1890s, this haunting and widely influential Modernist masterpiece explores the limits of human experience as well as the nightmarish realities and consequences of imperialism. The Cambridge edition presents this trio of stories and Conrad's preface to the collection in forms more authoritative than any so far published. The introduction situates the stories in Conrad's publishing career, traces their sources and surveys contemporary reception. The edition includes detailed explanatory and contextual notes, a glossary of nautical terms, maps and illustrations. A textual essay and comprehensive apparatus reveal the history of each story's composition, revision and publication. This volume will allow scholars to see these familiar stories in a fresh light, by returning to Conrad's original texts.

`The reaches opened before us and closed behind, as if the forest had stepped leisurely across the water to bar the way for our return. We penetrated deeper and deeper into the heart of darkness.' At the peak of European Imperialism, steamboat captain Charles Marlow travels deep into the African Congo on his way to relieve the elusive Mr Kurtz, an ivory trader renowned for his fearsome reputation. On his journey into the unknown Marlow takes a terrifying trip into his own subconscious, overwhelmed by his menacing, perilous and horrifying surroundings. The landscape and the people he meets force him to reflect on human nature and society, and in turn Conrad writes revealingly about the dangers of imperialism.

This deeply atmospheric rendering of ConradâEUR(TM)s classic dees colonial trader, Marlow, recount his journey into the heart of Africa and his discovery of Kurtz, a company manager rumoured to have gone mad. As the details of Kurtz's dealings with the natives and his state of mind unfold, the lines between perception and interpretation of madness begin to blur. Continuing SelfMadeHero's acclaimed Eye Classics series, Heart of Darkness is revived for a new generation in a format perfect for the graphic novel genre.

One of Joseph Conrad's greatest novels, Lord Jim brilliantly combines adventure and analysis. Haunted by the memory of a moment of lost nerve during a disastrous voyage, Jim submits to condemnation by a Court of Inquiry. In the wake of his disgrace he travels to the exotic region of Patusan, and as the agent at this remote trading post comes to be revered as 'Tuan Jim.' Here he finds a measure of serenity and respect within himself. However, when a gang of thieves arrives on the island, the memory of his earlier disgrace comes again to the fore, and his relationship with the people of the island is jeopardized. This new Broadview edition is based on the first British edition of 1900, which provides the historical basis for the accompanying critical and contextual discussions. The appendices include a wide variety of Conrad's source material, documents concerning the scandal of the Jeddah, along with other materials such as a substantial selection of early critical comments.

The day I met him, however, something was troubling him greatly. He began to speak as soon as he saw me. Even though I had arrived at the camp after walking 35 kilometres that day, he did not even invite me to sit down. 'The situation', he told me, 'is very serious. The up-river stations must be relieved. We cannot wait'.