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Böcker av Jose Pardal Merza

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  • - New York
    av Jose Pardal Merza
    175,-

    stretching of the arms, legs, back, chest, face and neck should be done. Practice basic, o and advanced yoga. Likewise, practice with the mouthpiece before practicing with the trombone. Joseph Pardal

  • - Tokyo
    av Jose Pardal Merza
    319,-

    This exercise book is useful for playing different rhythms and articulations on the bass trombone. Joseph Pardal

  • - New York
    av Jose Pardal Merza
    245,-

    Book of technical studies of flexibility, applied to improvisation in the trombone. Joseph Pardal

  • - San Sebastian
    av Jose Pardal Merza
    259,-

    Rhythmic Technical Music Exercises Contemporary Techniques Tecnical Studies Trombone. Jose Pardal

  • - Madrid
    av Jose Pardal Merza
    265,-

    Metodo ritmico de trombon en diferentes tonalidadesJose Pardal

  • - Tokyo
    av Jose Pardal Merza
    319,-

    Exercises for euphonium and SAXHORN with the typical scale I SUB PENTATONIC MODE Japonese-Kokinjoshi- Jose Pardal

  • - London
    av Jose Pardal Merza
    315,-

    Studying prevents fatigue and muscle pain, by practicing flexibility correctly it generates a high level of resistance and comfort, avoiding the effort and pain of future injuries. Jose Pardal

  • - London
    av Jose Pardal Merza
    265,-

    This book is inspired by the skyscrapers of New York City. Joseph Pardal

  • - New York
    av Jose Pardal Merza
    259,-

    The good execution of a musical instrument depends on the cardiorespiratory capacity and the correct practice of warm-up exercises. Studying avoiding fatigue and muscle pain by practicing flexibility correctly generates a high level of resistance and comfort, avoiding the effort and pain of future injuries. Fluency and comfort for correct playing can be developed with this method. It is progressive and is focused on the needs of modern and contemporary classical jazz music, to avoid discomfort due to incorrect musical practices.Joseph pardal

  • - New York
    av Jose Pardal Merza
    319,-

    stretching of the arms, legs, back, chest, face and neck should be done. Practice basic, o and advanced yoga. Likewise, practice with the mouthpiece before practicing with the trombone. Joseph Pardal

  • - San Sebastian
    av Jose Pardal Merza
    265,-

    Rhythmic Technical Music Exercises Contemporary Techniques Tecnical Studies Trombone. Jose Pardal

  • - Tokyo
    av Jose Pardal Merza
    319,-

    This book of exercises are used to play different styles and for improvisation.Joseph Pardal

  • - Madrid
    av Jose Pardal Merza
    265,-

    Estudiar evita la fatiga y el dolor muscular, al practicar la flexibilidad correctamente genera un alto nivel de resistencia y comodidad, evitando el esfuerzo y dolor de futuras lesiones.José Pardal

  • - San Franciso
    av Jose Pardal Merza
    169,-

    This book N-88 of exercises are used to play different styles and for improvisation Joseph Pardal

  • - New York
    av Jose Pardal Merza
    519,-

    Flexibility book for jazz trombone, classical, etc. In the world of brass instrument players, many hobbies and diseases develop, such as Bell's palsy, oromandibular dystonia, bruxism, Satchmo syndrome and anxiety scenic. Wind instrumentalists are the most affected and represent 70% of patients in the profession. A 2009 study of 450 musicians from Argentina found that 53% had ever suffered muscle, tendon and joint injuries, 22% due to trauma and 17% due to dystonia.Dystonia is a less frequent syndrome, but it also affects musicians, generating problems in the central nervous system, with involuntary movements triggered by a certain repetitive act. Oromandibular dystonia is a focal dystonia characterized by involuntary spasms of the masticatory, facial and lingual. Different forms of oromandibular dystonia are distinguished: open, with lateral deviation and closed depending on the affected muscles.Oromandibular closure dystonia is caused byDystonic spasms of the temporalis and masseter musclesMainly in this group suffer problems in the muscles of the lips.Satchmo syndrome, which is a muscle tear due to the effort of said muscle to sound the instrument.Oromandibular dystonia Disorders of the temporomandibular joint, the symptoms of which increase especially during practice. Playing wind instruments damages the blood vessels in the brain. Like athletes, they require regular and regular warm-up, especially for beginners. Coordination of the muscles of the face, lips and tongue helps to breathe! Knowing the correct way to warm up prevents medical sequelae, such as tears, and drastically improves performance!All this heating is coordinated with the facial muscles, the air, the lungs and the diaphragm, which is one of the strongest muscles in the human body. The diaphragm, located below the lungs, is the main muscle for breathing. It is an elongated, dome-shaped muscle that contracts rhythmically and continuously and, most of the time, involuntarily. As you inhale, the diaphragm contracts and flattens, and the chest cavity widens. This contraction creates a vacuum that draws air into the lungs. As you exhale, the diaphragm relaxes back into its dome shape and air is expelled from the lungs. Some emotions such as sadness, fear, anxiety or stress can influence diaphragmatic activity or its proper functioning. In turn, these emotions can cause alterations in the perception of pain. The activity of the diaphragm is also fundamental in maintaining posture and changes in body position, both because of its location and its insertion areas in the center of the body, and because of its isolated contractions; which has been shown to produce postural alterations depending on the position in which we find ourselves. At the level of the circulatory system, the diaphragm facilitates venous and lymphatic return; This is because their movements can cause changes in body pressure. This function will be important for the absorption of substances from the peritoneal cavity, as well as for good blood circulation in the liver and abdomen. The pressures on the abdominal viscera produced by the movement of the diaphragm favor peristaltic movements and digestive function. In turn, its gastroesophageal function is also relevant, since the crural part of the diaphragm prevents gastroesophageal reflux and is involved in other important processes. Full control of the diaphragm is important for playing any wind instrument. Jose Pardal

  • - Tokyo
    av Jose Pardal Merza
    319,-

    BOOK N-11 OF BASIC EXERCISES FOR IMPROVISATION IN THE TENOR TROMBONE

  • - New York
    av Jose Pardal Merza
    259,-

    Warm-up book for jazz trombones, classical, etc. In the world of brass instrument players, many hobbies and illnesses develop, including Bell's palsy, oromandibular dystonia, bruxism, Satchmo syndrome, and performance anxiety. Wind instrumentalists are the most affected and represent 70% of patients in the profession. A 2009 study of 450 musicians from Argentina found that 53% had ever suffered muscle, tendon, and joint injuries, 22% from trauma, and 17% from dystonia. .Dystonia is a less frequent syndrome, but it also affects musicians, generating problems in the central nervous system, with involuntary movements triggered by a certain repetitive act. Oromandibular dystonia is a focal dystonia characterized by involuntary spasms of the masticatory, facial, and lingual muscles. Different forms of oromandibular dystonia are distinguished: open, with lateral deviation and closed depending on the affected muscles.Oromandibular closure dystonia is caused byDystonic spasms of the temporalis and masseter musclesMainly in this group suffer problems in the muscles of the lips.Satchmo syndrome, which is a muscle tear due to the effort of said muscle to sound the instrument.Oromandibular dystonia Disorders of the temporomandibular joint, the symptoms of which increase especially during practice. Playing wind instruments damages the blood vessels in the brain. Just like athletes, they require a regular and regular warm-up, especially for beginners. The coordination of the muscles of the face, lips and tongue helps to breathe! Knowing the correct way to warm up prevents medical sequelae, such as tears, and drastically improves performance!All this heating is coordinated with the facial muscles, the air, the lungs and the diaphragm, which is one of the strongest muscles in the human body. The diaphragm, located below the lungs, is the main muscle for breathing. It is an elongated, dome-shaped muscle that contracts rhythmically and continuously and, most of the time, involuntarily. As you inhale, the diaphragm contracts and flattens, and the chest cavity widens. This contraction creates a vacuum that draws air into the lungs. As you exhale, the diaphragm relaxes back into its dome shape and air is expelled from the lungs. Some emotions such as sadness, fear, anxiety or stress can influence diaphragmatic activity or its proper functioning. In turn, these emotions can cause alterations in the perception of pain. The activity of the diaphragm is also fundamental in maintaining posture and changes in body position, both because of its location and its insertion areas in the center of the body, and because of its isolated contractions; which has been shown to produce postural alterations depending on the position in which we find ourselves. At the level of the circulatory system, the diaphragm facilitates venous and lymphatic return; This is because their movements can cause changes in body pressure. This function will be important for the absorption of substances from the peritoneal cavity, as well as for good blood circulation in the liver and abdomen. The pressures on the abdominal viscera produced by the movement of the diaphragm favor peristaltic movements and digestive function. In turn, its gastroesophageal function is also relevant, since the crural part of the diaphragm prevents gastroesophageal reflux and is involved in other important processes. Full control of the diaphragm is important for playing any wind instrument. Jose Pardal

  • - Mexico
    av Jose Pardal Merza
    385,-

    This book of technical exercises of great difficulty, is useful to play in different rhythms and articulations on the euphonium. Joseph Pardal

  • - Tokyo
    av Jose Pardal Merza
    319,-

    This exercise book is useful for playing different rhythms and articulations on the bass trombone. Joseph Pardal

  • - London
    av Jose Pardal Merza
    175,-

    Warm-up book for jazz, classical, etc. trombonists. In the world of brass instrument players, many hobbies and illnesses develop, such as Bell's palsy, oromandibular dystonia, bruxism, Satchmo syndrome, and performance anxiety. Wind instrumentalists are the most affected and represent 70% of patients in the profession. A 2009 study of 450 musicians from Argentina found that 53% had ever suffered muscle, tendon and joint injuries, 22% from trauma and 17% from dystonia. .Dystonia is a less frequent syndrome, but it also affects musicians, generating problems in the central nervous system, with involuntary movements triggered by a certain repetitive act. Oromandibular dystonia is a focal dystonia characterized by involuntary spasms of the masticatory, facial and muscular. lingual. Different forms of oromandibular dystonia are distinguished: open, with lateral deviation and closed depending on the affected muscles.Oromandibular closure dystonia is caused byDystonic spasms of the temporal muscles andmasseters.Mainly in this group suffer problems in the muscles of the lips.Satchmo syndrome, which is a muscle tear due to the effort of said muscle to sound the instrument.Oromandibular dystonia Disorders of the temporomandibular joint, the symptoms of which increase especially during practice. Playing wind instruments damages the blood vessels in the brain. Like athletes, they require a regular and regular warm-up and especially in beginners. The coordination of the muscles of the face, lips and tongue helps to breathe! Knowing the correct way to warm up prevents medical side effects like tears and dramatically improves performance!All this heating is coordinated with the facial muscles, the air, the lungs and the diaphragm, which is one of the strongest muscles in the human body. The diaphragm, located below the lungs, is the main muscle for breathing. It is an elongated, dome-shaped muscle that contracts rhythmically and continuously and, most of the time, involuntarily. As you inhale, the diaphragm contracts and flattens, and the chest cavity widens. This contraction creates a vacuum that draws air into the lungs. As you exhale, the diaphragm relaxes and returns to its dome shape, and air is expelled from the lungs. Emotions such as sadness, fear, anxiety, or stress can influence diaphragmatic activity or its proper functioning.A In turn, these emotions can cause alterations in the perception of pain. The activity of the diaphragm is also fundamental in maintaining posture and changes in body position, both due to its location and its insertion areas in the center of the body, as well as by its isolated contractions; which has been shown to produce postural changes depending on the position in which we find ourselves. At the level of the circulatory system, the diaphragm facilitates venous and lymphatic return; This is because its movements can cause changes in body pressure. This function will be important for the absorption of substances from the peritoneal cavity, as well as for good blood circulation in the liver and abdomen. The pressures on the abdominal viscera produced by the movement of the diaphragm favor peristaltic movements and digestive function. Its gastroesophageal function is also relevant, since the crural part of the diaphragm prevents gastroesophageal reflux and is involved in other important processes. Total control of the diaphragm is important for playing any wind instrument. Jose Pardal

  • - Tokyo
    av Jose Pardal Merza
    319,-

    This exercise book is useful for playing in different articulations and styles and as a basis for improvisation on the trombone.Joseph Pardal

  • - Tokyo
    av Jose Pardal Merza
    319,-

    Book n-2 of basic exercises for improvisation in the trombone Jose Pardal

  • - Bilbao
    av Jose Pardal Merza
    335,-

    Méthode dédiée au Pays Basque. Il contient différentes gammes et différents rythmes. José Pardal

  • - New York
    av Jose Pardal Merza
    195,-

    stretching of the arms, legs, back, chest, face and neck should be done. Practice basic, o and advanced yoga. Likewise, practice with the mouthpiece before practicing with the trombone. Joseph Pardal

  • - Spain
    av Jose Pardal Merza
    189,-

    Studying prevents fatigue and muscle pain, by practicing flexibility correctly it generates a high level of resistance and comfort, avoiding the effort and pain of future injuries. Jose Pardal

  • - London
    av Jose Pardal Merza
    265,-

    This book is inspired by the skyscrapers of New York City. Joseph Pardal

  • - Trombone
    av Jose Pardal Merza
    495,-

    This exercise book is useful for playing different rhythms and joints on the trombone. Joseph Pardal

  • - New York
    av Jose Pardal Merza
    325,-

    By practicing flexibility correctly, it generates a high level of resistance and comfort, avoiding the effort and pain of future injuries to the lip.Jose Pardal

  • - London
    av Jose Pardal Merza
    265,-

    This book is inspired by the skyscrapers of New York City. Joseph Pardal

  • - London
    av Jose Pardal Merza
    319,-

    BOOK N-1 OF BASIC EXERCISES FOR IMPROVISATION IN TONALITY OF DO

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