Böcker av Johnny Miles

Visit the Website Showcasing Johnny Miles Collage Work: www.milesdynasty.com Purchase the Print Book and Receive the Ebook See Photo of Johnny Miles and Tio MacDonald Twenty-seven years after the murder of Nancy Willem, the State of California has not put Johnny Miles to death. For the majority of the past twenty-seven years, Johnny Miles has lived in a one-person cell on San Quentin's death row, among hundreds of others convicted of first-degree murder. Johnny Miles has had to find a measure of acceptance to continue living on death row. He has not chosen suicide or to use hard drugs. Neither has he been a victim of a fatal attack by other inmates. Johnny Miles has chosen to live while under the sentence of death. Johnny Miles is the primary author of the book: THE JOHNNY D. MILES LEARNING CURVE: An Introduction to (Death Row Inmate) Johnny D. Miles' Collage Art, Poetry & Mind.The Learning Curve is fine art in that patient informed perception is required for a fuller imbuing of Johnny Mile's artistic intent and subterranean self-expression. The Learning Curve is meant for the learned: a person that can separate flair from meaning; a person able to perceive thematic repetition and aberration; more or less an investigative and curious art enthusiast and/or enjoyer of abstract poetry.Johnny Mile's collaging and poetry exist within the solitary confinement of his own sense of rhyme and rhythm, concept, tone, and intrigue. His work is a soliloquy in the effort to find meaning and transmit meaning. All reading of his work should occur with the background knowledge of his minimal formal education for Johnny dropped out of school in the 10th grade.The word psychopath denoted is clinical while in general parlance communicates pure evil. The word "psychopathy" connotes less negativity to the labeled while still bordering on insult. Basketball great Michael Jordan has been called psychopathic as has the sitting American President, Donald Trump. British psychologist Kevin Dutton in his so-called, "Great British Psychopath Survey" found many eminently valued professions, such as clergy, filled in great proportions by psychopaths. Due to my own lack of credentials and my genuine relationship with Johnny Miles I cannot label him. However, Johnny Mile's art and poetic expressions are a step toward Johnny Miles exposing himself to the world as he is.Johnny Mile's collage art is the diamond produced through nearly twenty-seven years of impaction by a solitary cell on death row, his own thoughts, and perceptions of self, and his character and propensities. Death row shaped Johnny Miles into a collage artist. Inspiration struck his person in the form of an adolescent's after-school letter to a death row inmate; he tried collaging and it worked for him. Since that day in 2003, Johnny Miles has been dedicated to the art form. Search for the My Crime Series on Amazon and Audible, biographies written by inmates on inmates. The My Crime series "candidly communicates the upbringing, life experience, character, and motivations of the incarcerated." Such communication is to grant the broader public an understanding of the men and women in California prisons (www.crimebios.com)

Always spoken for, never speaking. Always the object of discourse, never the subject. Constant focus upon Israel in the biblical texts by the interpretative tradition in the modern context has resulted, whether consciously or not, in the eclipse of voices of Israel's Palestinian neighbors. Interpretations reinforce the liminality of ethnic groups like the Edomites, Moabites, Ammonites, and Samaritans effected initially through re-presentation. Stereotyping becomes an ethno-typing strategy that establishes the presumed superiority of 'Israel', the identity construction of the 'others' as anything but superior, and the placement of each group stereotyped on the 'border'.A postcolonial perspective, however, reveals that the focus of the commentary tradition extends liminality beyond the temporal. This study brings to speech the constructed voices of marginalized ethnic groups by juxtaposing those of fifth-century Yehud with those of nineteenth-century America placed there by stereotypic re-presentations. The examination of these re-presentations, though they intend to establish separation through an identity of difference, reveal instead a reflection of the identity of 'self' within 'other' despite efforts by an ethnic group identifying itself as 'Israel'.

This study focuses on a reading of Proverbs 1-9 as satire via semiotics, which empowers a heightened, poetic sensitivity to multivalent textual signs. These include allusion to two points of critique against Solomon: (1) his political policy of socio-economic injustice and (2) his numerous sexual (in)discretions.