Böcker av John Riley

Who Will Save the Day? is the story of a boy who uses his superpowers to save the lovely princess from the mean bad guys. John Riley's cheerful and colorful imagination produced this fun story, but his rambunctious moves bring it to life! Every neighborhood needs a superhero like John to come and save the day!

Read one of these poems and you'll want to read the others. John Riley has created a severe compositional structure, producing 100 poems of 100 words each. This self-imposed restriction fires his spontaneity. A multitude of images, always deep, never just fanciful, spring from his surreal imagination. Nothing is ponderous, nothing forced. An ending often has the feeling of a beginning, a beginning is like an ending. As with Samuel Beckett, words and phrases and sentences are pools-and the complete 100 word poem is the largest pool, inviting us to jump, then swim or tread water, at our whim.John Marcus Powell, author of Black UncleA book of one hundred stones: some heavy, some light, some bigger than they seem, some formed by a river while giving the river its form, some leaving a deep impression, some found in the lowest of places, some unwieldy, some glistening, some crystalline though you can't see through them, some striking against each other to create light, some shaped by having once been broken. Some clonk you on the head and some you have been carrying around this whole time. This book also contains one hundred poems. What I wrote about the stones is true also of the poems.Walter Ancarrow, author of EtymologiesWhat is poetry anyway? Does anyone know? It won't be there, then you sense a stirring in the grass, and suddenly you're up to your neck in it, and before you can grasp it, it's gone. You are bereft. So you fill the emptiness with intense awareness of the world of things you are sure to lose. Riley's poems are founded on such loss. On the current of his sentences I move through inconclusive lives, charged, and instead of purposeful ideas find thought-magic, an open heart. Heavy and light, like water, his poems sing to the thing that never left.Cally Conan-Davis, Poet

During the Great Depression, Ed Oliver rose from the caddie ranks to become one of the leading professional golfers in the world. Provided an initial stake by three country club members who saw his potential, he found himself facing golf legends like Walter Hagen and Gene Sarazen. Within a few years he was beating the best of a new younger wave of professionals led by Sam Snead, Ben Hogan, Byron Nelson, and Jimmy Demaret.Then, just weeks after overtaking Hogan and Nelson to win the prestigious Western Open, he was suddenly pulled into the U.S. Army with an early draft call, long before his golf tour competitors joined the war effort. He served longer than all of them, losing more than four and a half of his best athletic years. Following the war, he rebuilt his game and drove from coast to coast battling to make a living and support a family of six against the now dominant Snead and Hogan and a new wave of champions like Lloyd Mangrum, Cary Middlecoff, Julius Boros, Billy Casper, Gary Player and Arnold Palmer.Although his long absence took its toll, Oliver still regained his standing among the best and was named to three Ryder Cup teams. He drew large galleries wherever he went, and in 1957 a Sports Illustrated article called him "the most popular player on the circuit." Loved by fans and fellow professionals alike, with his body racked by cancer and facing his final days, he was named honorary captain of the 1961 Ryder Cup team. He died at age 46, just three weeks before they played.This book is more than Oliver's story. It is also the story of the many professionals who rose up from the caddyshacks, survived the Great Depression, served their country in wartime, then came home and built the modern golf tour. They could be called, "Golf's Greatest Generation."

By the time of his death at the age of 41, Riley had achieved a poetry whose importance is not circumscribed by the concerns and trends of its day. His finest poems are an embodiment of integrity and vision: precise observation and wit co-exist with an extraordinary beauty of image and rhythm.

Between 1929 and 1970, five years before his death, Dmitri Shostakovich wrote almost 40 film scores for most genres of Soviet films, from Stalinist cult epics to classical literary adaptations. His long and distinguished cinema career has hitherto been overlooked.