Böcker av John Fraser

The Magnificent Wurlitzer is an epic work of literary fiction, divided into four parts. Its theme is that of the 'guilty Faust' on a fantastic, grotesque journey seeking his truth, his Mephistopheles. Its hero treads in the footsteps of epics from East and West, Gilgamesh, the Ramayana, Götterdämmerung.

In Down from the Stars, John Fraser's latest speculative novel, an assistant to a distinguished astrophysicist, is tormented by the fate of the Soviet space dog, Laika, incinerated above the earth. Losing the confidence of his master, and losing his girlfriend, he is increasingly drawn into local political life. Having an affinity with the arts, he becomes responsible for the policy of art tourism, which, with organised crime, is the speciality of the place. After many adventures and disasters, and growing complicity with criminality, a new boss forces him and his associates to leave. Destitute, and disillusioned with science and art, he makes an approach to nature, visiting an African wildlife lodge. He is joined by an associate, a former dancer. Together, he decides, they will rise again, and resume their destinies as 'stars.'

The latest tour de force in speculative fiction from John Fraser. The 'Military Roads' of this book, which consists of three tales running consecutively, are, first, the adventures of a narrator following the fortunes of a leader of a revolution in a distant country: second, a journey starting in the 'military road' which in Soviet times and before, ran from Moscow to the Caucasus: and finally, a mission undertaken from Italy, through North Africa, with the aim of recruiting a private army of bodyguards for a global tycoon. The narrator's amorous adventures, and his struggles to survive these radical shifts of place, commitment and perspective, conclude with a sweet-and-sour relationship with his boss's partner, and a precarious acceptance of traditional religious practices. The military roads, it is supposed, will continue to be travelled, with results which never achieve a lasting resolution, but provide temporary satisfaction for some, at least, of the protagonists.

John Fraser's last work of fiction, Hard Places, was a series of novellas concerning physical and moral dilemmas, left unresolved at the expense of the protagonist. This sequel, Soft Landing, is the opposite - a novel of quest and adventure, in which scruple is overcome, and demanding or impossible situations have outcomes favourable to the hero. The trail takes us from urban violence to Eldorado, the regime of a bikers' club, and the secret finds of a prospectors' camp. The last section shows all puzzles solved, and the protagonists' return home with gifts. In keeping with the tale's sour vision of a crumbling present, the landing though soft, is not pleasant.

Two novellas by John Fraser, Blue Light and Starting Over, conclude a quadrilogy whose previous volumes comprised The Red Tank, Runners and Medusa.We may like to imagine what the end of the world is like - it's not dissimilar to our own end. Blue Light shows what it's like, the running down, the onset of rigor mortis - and the new life sprouting, notwithstanding. Living for ever may not be too bad - but do you really want it? When the world has ended, how attractive is rebirth, or resurrection? Starting Over may mean you have to piece a whole new world together - just using the ruins of the past. The poet John Fuller writes: 'In Fraser's fiction the reader rides as on a switchback or luge of impetuous attention, with effects flashing by at virtuoso speeds. The characters seem to be unwitting agents of chaos, however much wise reflection Fraser bestows upon them; they move with shrugging self-assurance through circumstances as richly detailed and as without reliable compass-points as a Chinese scroll.'

Hard Places consists of three novellas, Red Snow, The Rock and The Sea. They concern human struggles with Nature and human natures. Red Snow involves efforts to have the better of chance by gaming, and the forms of self-discipline this requires. The Rock shows the eternal certainties of art crumbling into inexplicable absences and shady deals. The Sea evokes our longing for submersion in nature when we wish to conceal our misdeeds and rejections.

John Fraser's Medusa is a stunning fable for our times, in which the stories of Medusa, the Gorgon and the French ship Medusa are intertwined to create a Pilgrim's Progress for the 21st century.'Medusa is a trip, a bending of the legends. It is a symphonic poem, where at the end, we even hear a few notes of a hymn to joy. The fragments of myth, legend and belief drift round like harmonies that seek resolution. But this mode is post-modern, post-Christian; it is about the end - yet there is no end: it is story. The resulting tale is an apocryphal blast and a literary tour de force that uncannily captures the zeitgeist.' (Jean-Paul Bouler)'In Fraser's fiction the reader rides as on a switchback or luge of impetuous attention, with effects flashing by at virtuoso speeds. The characters seem to be unwitting agents of chaos, however much wise reflection Fraser bestows upon them; they move with shrugging self-assurance through circumstances as richly detailed and as without reliable compass-points as a Chinese scroll.' (John Fuller)

In Runners John Fraser delivers, in his unique, distinct voice, the story of a kind of redemption - even a kind of utopia - or as much of a utopia as we can possibly expect, given what we know about most of our political leaders ...An unelected leader buys the office of deputy mayor. Although this 'boss' is a monster, he also has a rare, enlightened side. Where other leaders cling to power, he runs - but instead of running for office, he runs from office; he and his friends become the Runners - the running dogs.Runners is a contemporary remake of Machiavelli's Prince with a nod to Gramsci's 'Modern Prince', the revolutionary party. It is a tale of complicity between leaders, the nature of political friendships and loyalties, the contradictions between leaders and electors, between democratic rhetoric and practice, the leadership and the base - the urban and feathered - the volatility, adaptability and motivations of leaders, and of the pursuit of justice in the personal, incongruous instance; the machismo of political culture.'In Fraser's fiction the reader rides as on a switchback or luge of impetuous attention, with effects flashing by at virtuoso speeds. The characters seem to be unwitting agents of chaos, however much wise reflection Fraser bestows upon them; they move with shrugging self-assurance through circumstances as richly detailed and as without reliable compass-points as a Chinese scroll.' (John Fuller)

The Red Tank is a contemporary literary novel by a dazzlingly inventive writer looking anew at the human project in the globalised 21st century as though from a Martian point of view, through myths, fables, utopias and dystopias of modern and future life.

Terrorism was once a topic limited to certain sectors of the world, such as the Middle East or South Africa. However, in recent years, it appears that no one is safe in any part of the globe. A growing number of countries must take measures to protect citizens and visitors from the threat of terrorism. The Unites States of America is the latest addition to this list. It has become evident in recent years that terrorism is no longer a localized event, but rather an increasing global problem. It has also become obvious that terrorism requires a global solution as well. Evidence has been mounting that terrorist groups are beginning to connect and form alliances. This gives them greater strength and greater resources. It seems they are finding common ground and are beginning to coordinate efforts. This will be the topic of the proposed research. The research contained in this dissertation supports the formation of terrorist coalitions by examining extensive information contained in United States Department of State Annual Reports on Patterns of Global Terrorism. It examines the recent trend towards former single terrorist organizations forming alliances in order to conduct large-scale global acts of terrorism. The findings of this report support the thesis that terrorist groups indeed are cooperating for the purposes of a common cause. The interconnectivity of financing and the sharing of training grounds for these groups are examined in detail. Better communications technology has played a significant role in the formation of these groups and the abilities of these groups to conduct coordinated acts of terrorism against multiple nations.

John Fraser's critical essays explore conflicting attitudes towards self-affirmation and social order. Important concerns that touch these essays are ideas of energy, power, and personal plenitude, and the way in which idealism and heroic intensity can sometimes lead to overstrain and collapse.

John Fraser explores a paradox about the USA: that a country dedicated to rationality, progress, equality and success has always had a strong attachment to the medieval ideas of nobility and chivalry and the high toned violence that goes with them.

An autobiography, in which John Fraser takes us from the council estates of prewar Glasgow to the glamour of 1960s Hollywood and beyond. Funny, honest and observant about himself, his family and his friends, he presents such legendary figures as Rudolf Nureyev, Hedy Lamarr, Dirk Bogarde and Bette Davis in a startling light.