Presenting a fresh view of Mozart's achievements as a composer for the stage, John A. Rice considers Mozart's place in the operatic culture of his time. Linking the operas by topics, this book follows the processes that Mozart went through as he brought his operas from commission to performance.
This is the first book to be devoted to Mozart's opera, La clemenza di Tito. John Rice considers the opera from historical and critical viewpoints.
A study of the musical activities of Empress Marie Therese, one of the most important patrons in the Vienna of Haydn and Beethoven. Rice describes Marie Therese's activities as commissioner, collector and performer of music, and explores the rich musical culture that she fostered at court.
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