Böcker av Johann Wolfgang von Goethe

This book, "Faust . Theil 1", by Johann Wolfgang von Goethe, is a replication of a book originally published before 1907. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.

Partly autobiographical, and the prototype for many later Romantic works in its depiction of the sensitive, tortured Romantic hero, Goethe's seminal classic is a timeless masterpiece of world literature.

One of the great classics of European literature, Faust is Goethe's most complex and profound work. To tell the dramatic and tragic story of one man's pact with the Devil in exchange for knowledge and power, Goethe drew from an immense variety of cultural and historical material, and a wealth of poetic and theatrical traditions. What results is a tour de force illustrating Goethe's own moral and artistic development, and a symbolic, cautionary tale of Western humanity striving restlessly and ruthlessly for progress.Capturing the sense, poetic variety, and tonal range of the German original in present-day English, Stuart Atkins's translation presents the formal and rhythmic dexterity of Faust in all its richness and beauty, without recourse to archaisms or interpretive elaborations.Featuring a new introduction by David Wellbery, this Princeton Classics edition of Faust is the definitive English version of a timeless masterpiece.

This work by Johann Wolfgang von Goethe (1749-1832) was translated into English in 1840 by Sir Charles Eastlake (1793-1865), painter and later keeper of the National Gallery. Goethe's 1810 work was rejected by many contemporary scientists because it appeared to contradict the physical laws laid down by Newton. However, its focus on the human perception of the colour spectrum, as opposed to the observable optical phenomenon, was attractive to, and influential upon, artists and philosophers. As Eastlake says in his preface, the work's dismissal on scientific grounds had caused 'a well-arranged mass of observations and experiments, many of which are important and interesting', to be overlooked. Eastlake also puts Goethe's work into its aesthetic and scientific context and describes its original reception. His clear translation of Goethe's observations and experiments on colour and light will appeal to anyone interested in our responses to art.

"Stanley Corngold's translation is a triumph. This is a glorious achievement, a Werther for the ages."-Christopher Prendergast

John Oxenford (1812-77) was a playwright, critic and gifted translator. His two-volume translation of the autobiography of Johann Wolfgang von Goethe (1749-1832) first appeared in 1848-9. Among the greatest literary figures of his day, Goethe recounts here the sorrows, passions and achievements of his life.

'I can promise to be candid, not, however, to be impartial.'A selection of the most insightful maxims and reflections from one of Germany's greatest ever thinkers.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Johann Wolfgang Von Goethe (1749-1832). Goethe's works available in Penguin Classics are Faust, Part I, Faust, Part II, Maxims and Reflections, Elective Affinities, The Sorrows of Young Werther, Selected Poetry amd Italian Journey 1786-1788.

Drawing on his own unhappy experiences, Goethe's account of Werther's passionate love for Lotte, who is promised to another, is one of the first great Romantic tragic novels. David Constantine's new translation captures the novel's lyric intensity, and is accompanied by an introduction and notes that illuminate Goethe's achievement.

A new retelling of Goethe's interpretation of the classic Greek tale of Iphigenia, retold here by British playwright Meredith Oakes. This version was produced to great acclaim at the Theatre Royal Bath in 2012.

A major work of German romanticism in a translation that is acknowledged as the definitive English language version. The Vintage Classics edition also includes NOVELLA, Goethe's poetic vision of an idyllic pastoral society.

Goethe's influential text, newly illustrated with stunning color photographs.The Metamorphosis of Plants, published in 1790, was Goethe's first major attempt to describe what he called in a letter to a friend "the truth about the how of the organism.” Inspired by the diversity of flora he found on a journey to Italy, Goethe sought a unity of form in diverse structures. He came to see in the leaf the germ of a plant's metamorphosis—"the true Proteus who can hide or reveal himself in all vegetal forms”—from the root and stem leaves to the calyx and corolla, to pistil and stamens. With this short book—123 numbered paragraphs, in the manner of the great botanist Linnaeus—Goethe aimed to tell the story of botanical forms in process, to present, in effect, a motion picture of the metamorphosis of plants. This MIT Press edition of The Metamorphosis of Plants illustrates Goethe's text (in an English translation by Douglas Miller) with a series of stunning and starkly beautiful color photographs as well as numerous line drawings. It is the most completely and colorfully illustrated edition of Goethe's book ever published. It demonstrates vividly Goethe's ideas of transformation and interdependence, as well as the systematic use of imagination in scientific research—which influenced thinkers ranging from Darwin to Thoreau and has much to teach us today about our relationship with nature.

Johann Wolfgang von Goethe Plays Egmont, Iphigenia in Tauris, Torquato Tasso. This volume will serve to illustrate the range of Goethe's long and unparalleled career.

A story that centers on Wilhelm, a young man living in the mid-1700s who strives to break free from the restrictive world of economics and seeks fulfillment as an actor and playwright.

Editorial censorship has long obscured Goethe's Roman Elegies, which were inspired by Goethe's sexual liberation in Italy and his love for the woman he took as his unofficial wife on his return to Germany. They are here presented as Goethe boldly conceived them, together with the long-supressed narrative poem known as The Diary. Completing the edition is a selection from Goethe's more light-hearted and much censored cycle of erotica, the Venetian Epigrams. An illuminating Introduction by Hans Vaget provides the background to these poems, as well as showing some of the profound and little-known connections between them.

Includes "Conversations of German Refugees" and "Wilhelm Meister's Journeyman Years".

Johann Wolfgang Von Goethe (1749-1832) is one of the towering figures of world culture, a universal man whose extraordinary talents found expression in literature, drama, autobiography, politics and the sciences.

Walter Arndt's translation of Faust reproduces the sense of the German original and Goethe's enormously varied metrics and rhyme schemes.

Based on the fable of a man who traded his soul for superhuman powers and knowledge, this text became the life work of Germany's greatest poet, Goethe. It is the dramatic poem that charts the life of a deeply flawed individual and his fight against despair and the nihilism of the Mephistopheles.

By closely following Goethe's explanations of the color phenomena, the reader may become so divorced from the wavelength theory—Goethe never even mentions it—that he may begin to think about color theory relatively unhampered by prejudice, ancient or modern.By the time Goethe's Theory of Colours appeared in 1810, the wavelength theory of light and color had been firmly established. To Goethe, the theory was the result of mistaking an incidental result for an elemental principle. Far from pretending to a knowledge of physics, he insisted that such knowledge was an actual hindrance to understanding. He based his conclusions exclusively upon exhaustive personal observation of the phenomena of color.Of his own theory, Goethe was supremely confident: "From the philosopher, we believe we merit thanks for having traced the phenomena of colours to their first sources, to the circumstances under which they appear and are, and beyond which no further explanation respecting them is possible.”Goethe's scientific conclusions have, of course, long since been thoroughly demolished, but the intelligent reader of today may enjoy this work on quite different grounds: for the beauty and sweep of his conjectures regarding the connection between color and philosophical ideas; for an insight into early nineteenth-century beliefs and modes of thought; and for the flavor of life in Europe just after the American and French Revolutions.The book does not have to be studied to be appreciated. Goethe's subjective theory of colors permits him to speak most persuasively of color harmony and aesthetics. In some readers these notions will evoke a positive response on their merits. Others may regard them as pure fantasy, but savor the grace and style of their exposition.The work may also be read as an accurate guide to the study of color phenomena. Goethe's conclusions have been repudiated, but no one quarrels with his reporting of the facts to be observed. With simple objects—vessels, prisms, lenses, and the like—the reader will be led through a demonstration course not only in subjectively produced colors, but also in the observable physical phenomena of color. By closely following Goethe's explanations of the color phenomena, the reader may become so divorced from the wavelength theory—Goethe never even mentions it—that he may begin to think about color theory relatively unhampered by prejudice, ancient or modern.

A systematic arrangement of extracts from Goethe's major scientific works which reveal how fundamentally different his approach was to scientific study of the natural world.

Throughout his long, hectic and astonishingly varied life, Johann Wolfgang von Goethe (1749 1832) would jot down his passing thoughts on theatre programmes, visiting cards, draft manuscripts and even bills Goethe was probably the last true Renaissance Man . Although employed as a Privy Councillor at the Duke of Weimar s court, where he helped oversee major mining, road-building and irrigation projects, he also painted, directed plays, carried out research in anatomy, botany and optics and still found time to produce masterpieces in every literary genre. His fourteen hundred Maxims and Reflections reveal some of his deepest thought on art, ethics, literature and natural science, but also his immediate reactions to books, chance encounters or his administrative work. Although variable in quality, the vast majority have a freshness and immediacy which vividly conjure up Goethe the man. They make an ideal introduction to one of the greatest of European writers.

Containing three of Goethe's major prose works, this volume explores a range of themes: unfulfilled love, infidelity, divorce, tragic love, fantasy and moral rebirth.

Eduard and Charlotte are an aristocratic couple who live a harmonious but idle life in their estate. But the peace of their existence is thrown into chaos when two visitors - Eduard's friend the Captain and Charlotte's passionate young ward Ottilie - provoke unexpected attraction and forbidden love. Taking its title from the principle of elective affinities - the theory that certain chemicals are naturally drawn to one another - this is a penetrating study of marriage and adultery. Inspired by Goethe's own conflicting loyalties as he battled to maintain his relationship with his wife and control his feelings for a younger woman, Elective Affinities is one of the greatest works of the romance era: a rich exploration of love, conflict, and the inescapable force of fate.