Böcker av Jodi McAlister

The Love Hypothesis meets The Hating Game in a new standalone rom-com from New York Times acclaimed author and romance academic Jodi McAlister. Sadie Shaw and Jonah Fisher have known each other for fifteen years – and they’ve disliked each other for every one of them. It started with a minor altercation in an undergrad literature class, but as their academic careers developed, so did the intensity of their arguments. By the time they graduate with their doctorates, they’re embroiled in a full-on rivalry. So when a position comes up that Sadie and Jonah are both perfect for, their ongoing enmity explodes into a red-hot competition. As Sadie fights for a job that can secure her future and increase the representation of women on the tenure track, she begins to realise that Jonah may not just be her nemesis – he may be the key to landing her dream job. But when things get personal, she’ll have to keep her eye on the prize. After all, if she’s not careful, the friction between them might just spark into something wholly unexpected…

The romance publishing landscape in the Philippines is vast and complex, characterised by entangled industrial players, diverse kinds of texts, and siloed audiences. This Element maps the large, multilayered, and highly productive sector of the Filipino publishing industry. It explores the distinct genre histories of romance fiction in this territory and the social, political and technological contexts that have shaped its development. It also examines the close connections between romance publishing and other media sectors alongside unique reception practices. It takes as a central case study the Filipino romance self-publishing collective #RomanceClass, analysing how they navigate this complex local landscape as well as the broader international marketplace. The majority of scholarship on romance fiction exclusively focuses on the Anglo-American industry. By focusing here on the Philippines, the authors hope to disrupt this phenomenon, and to contribute to a more decentred, rhizomatic approach to understanding this genre world.

Libby Lawrence is good at pretending, but she can't seem to drop the facade, even with her best friend. After snagging her dream role in a theatre production, things only get more complicated as Libby must decide who she is, and who she wants.

This book is a study of female virginity loss and its representations in popular Anglophone literatures. It explores dominant cultural narratives around what makes a "good" female virginity loss experience by examining two key forms of popular literature: autobiographical virginity loss stories and popular romance fiction.