Böcker av Jessa Crispin

Outspoken critic Jessa Crispin delivers a searing rejection of contemporary feminism . . . and a bracing manifesto for revolution.Are you a feminist? Do you believe women are human beings and that they deserve to be treated as such? That women deserve all the same rights and liberties bestowed upon men? If so, then you are a feminist . . . or so the feminists keep insisting. But somewhere along the way, the movement for female liberation sacrificed meaning for acceptance, and left us with a banal, polite, ineffectual pose that barely challenges the status quo. In this bracing, fiercely intelligent manifesto, Jessa Crispin demands more.Why I Am Not A Feminist is a radical, fearless call for revolution. It accuses the feminist movement of obliviousness, irrelevance, and cowardice-and demands nothing less than the total dismantling of a system of oppression. Praise for Jessa Crispin, and The Dead Ladies Project"I'd follow Jessa Crispin to the ends of the earth." --Kathryn Davis, author of Duplex"Read with caution . . . Crispin is funny, sexy, self-lacerating, and politically attuned, with unique slants on literary criticism, travel writing, and female journeys. No one crosses genres, borders, and proprieties with more panache." --Laura Kipnis, author of Men: Notes from an Ongoing Investigation"Very, very funny. . . . The whole book is packed with delightfully offbeat prose . . . as raw as it is sophisticated, as quirky as it is intense." --The Chicago Tribune

"Jessa Crispin melds personal narrative with history and current events to explore the dark side of Kansas, where she grew up. She meditates on why the American Midwest still enjoys an esteemed position in the US's imagination about itself, why its foundational myths are the myths of what it means to be "American." And while we may romanticize aspects of Midwestern life-the nuclear family, the pioneering attitude, the small town friendliness-the realities, she argues, are harsher: so-called Midwestern values cover up a long history of oppression and control over Native Americans, over women, over the economically disadvantaged. Her subjects range from The Wizard of Oz to the White race, from chastity to rape, from radical militias and recent terrorist plots to Utopian communities; from the murders of the Clutter family made famous in Truman Capote's In Cold Blood, to her own horror when a beloved art teacher inexplicably one night slaughtered his wife and three daughters and killed himself. Her pursuit takes her back to the Civil War, John Brown, and the immigration of German religious communities to the Midwest; she then ferries across the Atlantic Ocean to Amsterdam to visit a lay seminary for women where, since the Reformation, they have found sanctuary from violence and domestic abuse. Yet, despite the darkness, which is Crispin's stock in trade, there is a kind of bleak redemption at the heart of this project, the insight that, no matter where you go, no matter how far from home you roam, the place you came from is always with you, "like it or not.""--

Jessa Crispin s first book--a work of literary nonfiction about drifters. Crispin s own peregrinations and rootlessness are legendary to the blogger s many fans and readers. As Crispin sees it, the problem with most books about drifters is that they do not understand, or really get at, the longing of someone without a permanent address. Crispin investigates the energy created between person and place, using her own search for a new home and a string of fascinating personalities that have always captured her fancy. Together with her dead ladies Crispin visits the places that were important to them (Paris, Berlin, Trieste, London, Moscow, Sarajevo), and that become important to her, too. These chapters, each devoted to a single person, are filled with ghosts and literature and history, but they are equally alive with the sights and smells and sounds of today."