A crime novel loosely based on the masses and songs of the 17th century Flemish composer Pierre de la Rue. Masses and Motets is a tale composed of four basic interwoven threads, corresponding to the four-part choral writing of Pierre de la Rue's service music.
On the surface a murder mystery-a detective's search for the killer of five people in Denver-Expectation is also, among other things, a meditation on the relationship between language and music.
This is an audacious transformation in prose of fourteen modernist films. From film to film, Jeffrey DeShell follows a forty-something failed film studies academic - The Professor. While The Professor is reinvented with each new chapter (or film), what remains is DeShell's inventive deconstruction and representation of modern cinema.
Depicts the lives of Frances and Joe, husband and wife. Told in their own alternating voices, this title recalls their lives, separately and together, and the divergent trajectories of their origins and aspirations.
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