Böcker av Jean Baudrillard

Develops a theory of contemporary culture that relies on displacing economic notions of cultural production with notions of cultural expenditure. This book represents an effort to rethink cultural theory from the perspective of a concept of cultural materialism, one that radically redefines postmodern formulations of the body.

New edition of this classic study of the US, with a new introduction by Geoff Dyer.

Here, in this fourth collection, Baudrillard's stance is less that of the interventionist intellectual analysing the world as critical subject, than of the barely participant observer, an "internal exile" watching the world with fierce insistence, yet registering our shortage of reality.

A material analysis of the sign which deepens Marx's critique of political economy for spectacular times.

Jean Baudrillard’s last book was about America. His new one is about cats, Foucault, Alfa Romeas, leukemia, Catholicism, the Berlin Wall, mattresses, Laurent Fabius, Jean-Paul II, roses, Antarctica, Lech Walesa, mud wrestling, Zinoviev,  porn films, snow, feminism, Rio, Jacques Lacan, Stevie Wonder, Palermo, DNA and terrorism.“Cool Memories is the other side of America, the disillusioned side, presented in the form of a diary, though not in the classical sense. I’m trying to grasp a world in all its silences and its brutality. Can you grasp a world when you’re no longer tied to it by some kind of ideological enthusiasm, or by traditional passions? Can things “tell” themselves through stories and fragments? These are some of the questions posed in a book which may seem melancholic. But then I think almost every diary is melancholic. Melancholy is in the very state of things.”

Offers transcripts of interviews with French intellectual Jean Baudrillard, covering topics such as: Fukuyama; 1989 and the collapse of Communism; Bosnia; the Gulf War; Rwanda; the New World Order; consumer society and social exclusion; liberation; and nihilism.

Human cultures are divided into two basic types, two antagonistic forces, one based on symbolic exchange, which is dual and reciprocal, and one based on money and sign exchange, which is totalising. A summation of Baudrillard's work over twenty years, this is an analysis of the fundamental conflict.

Includes most organized discussion of mass media culture, the meaning of leisure, and anomie in affluent society.

Examines humanities and social sciences around the idea of postmodernism. This book leads the reader on an exhilarating tour encompassing the end of Marxism, the enchantment of fashion, symbolism about sex and the body, and the relations between economic exchange and death.

';Watching the president's Christmas message produces this necropolar, white-mass sensation. Seeing the video broadcast of the Christmas service in the cathedral itself, with these pathetic screens and the young worshippers slumped around them here and there, you tell yourself that God and religion deserved better. Deserved to die, yes, but not this. However, watching the presidential figure and his sonorous inanity, you tell yourself that here at least you got what you deserved. Chirac is useless that goes without saying but so are we all ... Uselessness of this kind has no origin: it exists immediately, reciprocally; like a shared secret, you savour it implicitly with its warm bitterness particularly in these cold snaps, as the very essence of the social bond. Sanctioned by that other interactive uselessness the uselessness of the screen.'World-renowned for his lively and often iconoclastic reading of contemporary culture and thought, Jean Baudrillard here turns his hand to topical political debates and issues. In this stimulating collection of journalistic essays Baudrillard addresses subjects ranging from those already established as his trademark (virtual reality, Disney, television) to more unusual topics such as the Western intervention in Bosnia, children's rights, Holocaust revisionism, AIDS, the Rushdie fatwa, Formula One racing, mad cow disease, genetic cloning, and the uselessness of Chirac. These are coruscating and intriguing articles, not least because they show that Baudrillard is pace his critics still susceptible and alert to influences from social movements and the world beyond the hyperreal.

Quintessential thinker of the postmodern on the uniqueness of all things

Part of "Radical Thinkers" series, this work presents key texts by philosophers and thinkers. It offers a postmodernist philosopher's tour-de-force contemplation on sex, technology, politics and disease in Western culture after the 'orgy' of the 1960s.

Seminal essays written by Baudrillard for a journal devoted to a radical leftist critique of architecture, urbanism, and everyday life.The Utopie group was born in 1966 at Henri Lefebvre's house in the Pyrenees. The eponymous journal edited by Hubert Tonka brought together sociologists Jean Baudrillard, René Lourau, and Catherine Cot, architects Jean Aubert, Jean-Paul Jungmann, Antoine Stinco, and landscape architect Isabelle Auricoste. Over the next decade, both in theory and in practice, the group articulated a radical ultra-leftist critique of architecture, urbanism, and everyday life. Utopia Deferred collects all of the essays Jean Baudrillard published in Utopie as well as recent interviews with Jean Baudrillard and Hubert Tonka.Utopie served as a workshop for Baudrillard's thought. Many of the essays he first published in Utopie were seminal for some of his most shockingly original books: For a Critique of the Political Economy of the Sign, The Mirror of Production, Simulations, Symbolic Exchange and Death, and In the Shadow of the Silent Majorities. But Utopie was also a topical journal and a political one; the topics of these essays are often torn from the headlines of the tumultuous decade following the uprisings of May 1968.

Baudrillard's remarkably prescient meditation on terrorism throws light on post-9/11 delusional fears and political simulations.

Cutting-edge theorist Jean Baudrillard on the complicitous dance of art, politics, economics, and media; includes "War Porn," on Abu Ghraib as a new genre of reality TV.The images from Abu Ghraib are as murderous for America as those of the World Trade Center in flames. The whole West is contained in the burst of sadistic laughter of the American soldiers, as it is behind the construction of the Israeli wall. This is where the truth of these images lies. Truth, but not veracity. As virtual as the war itself, their specific violence adds to the specific violence of the war. In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic nullity to commercial frenzy, art has become transaesthetic, like society as a whole. Conceived and edited by life-long Baudrillard collaborator Sylvère Lotringer, The Conspiracy of Art presents Baudrillard's writings on art in a complicitous dance with politics, economics, and media. Culminating with "War Porn," a scathing analysis of the spectacular images from Abu Ghraib prison as a new genre of reality TV, the book folds back on itself to question the very nature of radical thought.