Black British musicians have been making jazz since around 1920. This book reveals their hidden history and major contribution to the development of jazz in the UK. The chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race.
Is Bob Marley the only third world superstar? How did he achieve this unique status? This study sheds fresh light on issues such as Marley's contribution as a musician and public intellectual, how he was granted access to the global media system, and what his music means in cultural and political terms.
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