Böcker av James Rodgers

"New and improved! A skill-building introduction that helps beginning woodturners master basic woodworking techniques on their own. Written by a professional woodturning instructor with over two decade's teaching experience, A Lesson Plan for Woodturning, 2nd edition, is a systematic, skill-building introduction that helps beginning woodturners master basic woodworking techniques on their own. The new and updated 2nd edition provides a complete, self-directed course in woodturning safety, tools, and techniques that will help any beginning woodturner learn the basics on his or her own time. Using methods proven in the classroom, A Lesson Plan for Woodturning provides the equivalent of three semester-length classes in one book. Designed to give readers a thorough grounding in every essential woodturning technique, this book is systematically organized to teach basic skills that are building blocks for mastering more complex tasks. Each lesson features projects designed to develop the specific skill discussed. The structure, order, and specific exercises are based on classroom-tested experience in teaching woodturning to both adult and younger students and are well-tested in the classroom. New to the second edition are fresh woodturning projects (including one on pen turning), additional instructional lessons on best practices for beginning turners, and special advice for woodturning teachers who are looking to instruct woodturning beginners. Each project is thoroughly documented with step-by-step instructions, illustrations, and photographs, showing the specific tasks, positions, and cutting motions needed to successfully complete the project. The projects are simple, direct, and focused on skill development. Readers can easily develop their own similar projects following the same general steps"--

The story of western correspondents in Russia is the story of Russia's attitude to the west. Russia has at different times been alternately open to western ideas and contacts, cautious and distant or, for much of the twentieth century, all but closed off. From the revolutionary period of the First World War onwards, correspondents in Russia have striven to tell the story of a country known to few outsiders. Their stories have not always been well received by political elites, audiences, and even editors in their own countries-but their accounts have been a huge influence on how the West understands Russia. Not always perfect, at times downright misleading, they have, overall, been immensely valuable. In Assignment Moscow, former foreign correspondent James Rodgers analyses the news coverage of Russia throughout history, from the coverage of the siege of the Winter Palace and a plot to kill Stalin, to the Chernobyl explosion and the Salisbury poison scandal.

The story of western correspondents in Russia is the story of Russia's attitude to the west. Russia has at different times been alternately open to western ideas and contacts, cautious and distant or, for much of the twentieth century, all but closed off. From the revolutionary period of the First World War onwards, correspondents in Russia have striven to tell the story of a country known to few outsiders. Their stories have not always been well received by political elites, audiences, and even editors in their own countries-but their accounts have been a huge influence on how the West understands Russia. Not always perfect, at times downright misleading, they have, overall, been immensely valuable. In Assignment Moscow, former foreign correspondent James Rodgers analyses the news coverage of Russia throughout history, from the coverage of the siege of the Winter Palace and a plot to kill Stalin, to the Chernobyl explosion and the Salisbury poison scandal.

A few poems into James Rodgers' book and you realize just how much he loves music. He loves it the way we love long summer days. He loves it the way kids love splashing in water. He loves it the way we love our favourite book or our first kiss. He loves it the way we love road trips or sleeping under a blanket of stars. He loves it the way I do! Music has been the soundtrack to his life, like it has been to mine. There, every step of the way, sometimes in the background and sometimes defining the moment, defining a relationship, or marking a beginning or an end. With music as the centrepiece, James shares snippets of his life that go from touching or humorous, to sad or devastating. He writes about love, innocence, nostalgia, death, friendship and family, and does so in a way where you can relate. Whether he writes about growing up on vinyl, working at a record store, or watching a stripper dance to Paul Simon's Graceland, you feel you are right there with him. There is an honesty and humbleness to his writing which is engaging and endearing. You can add James Rodgers to the list of authors who write about music the way Nick Hornby or John Carney do. I loved this collection of poems and I know you will too. -Tom Landa, founding member of Juno Award winning band, The Paperboys In this exuberant collection of keenly observed poems, NW poet James Rodgers celebrates the contemporary music scene: the people, the places, the tunes that are the soundtrack of our lives. Above all, this book is a tribute to the experience of listening, watching, taking it all in-participating in the act, the fact, the sheer joy of making and hearing music. Rodgers shares his personal take on the music of Roy Orbison, Tom Petty, Prince, David Bowie, Elvis, The Paperboys, Sarah Vaughan, and a friend named Mark. This poet/word musician, travels with us to New Zealand, Ireland, from the Jokhang to the Oktoberfest to Kathmandu, from The Rainbow Café and Zola's Café to concert halls and open mic venues where he observes audiences and individuals with delight. -Marjorie Rommel, Poet Laureate of Auburn, WA from 2015-2017

Tied by history, politics, and faith to all corners of the globe, the Israeli-Palestinian conflict fascinates and infuriates people across the world. Based on new archive research and original interviews, Headlines from the Holy Land explains why this fiercely contested region exerts such a pull over leading correspondents and diplomats.

In Reporting Conflict, a correspondent turned lecturer draws on his personal experience of journalism in wartime. The author, James Rodgers, has reported on world-changing conflicts. The book combines reflection on this personal experience with an assessment of other accounts of journalism in wartime, and academic studies on the subject.