Böcker av James Hogg

This edition for the first time collects Hogg's 'Maga' publications, as well as provides a comprehensive introduction to Hogg's connection with Blackwood's and full explanatory and textual notes to the works. The volume also includes works Hogg intended for Blackwood's and which have now been edited from extant manuscripts.

This collection is comprised of ten of Hogg's poems which, in very different ways, explore the visionary and supernatural, and the writer's portrayal of them - echoing the subject and title of Shakespeare's famous play.

One of Hogg's longest and also one of his most original and daring works, presented here in a scholarly edition in light of the discovery of the original manuscript.

Sets Hoggs' contributions for this 19th century periodical in full cultural context, with detailed annotation and a convenient and complete editorial apparatus.

'A Scottish classic, a world classic' Ian Rankin, ObserverRobert is a difficult and disturbed young man.

Investigates human genetic biobanking and its regulation in various Asian countries and areas, including Japan, Taiwan, and India. This volume focuses on how cultural, socio-political and economic factors influence the set-up of bioethical regulation for human genetic biobanks and how bioethical sensitivities surrounding biobanks are handled.

Originally published in 1810, The Forest Minstrel represents the first full collection of songs by Hogg.

Hogg left a written record of three of his many journeys to the Highlands, those of 1802, 1803 and 1804, and in Highland Journeys he offers a thoughtful and deeply-felt response to the Highland Clearances.

The third and final volume of the first collected edition of Hogg's letters reveals his versatility in old age. It contains an index to all three volumes of Hogg's letters.

The letters in the second volume of Gillian Hughes's pioneering edition vividly reflect Hogg's varied social experience and shed new light on his own writings and those of his contemporaries.

Brought up by a strict Calvinist pastor, Robert Wringham believes he is one of the elect, predestined for salvation while all others - including his real father and brother - are cursed. Convinced he is indestructible and above the law, Robert commits terrible crimes under the influence of Gil-Martin - his physical double - who claims they are acting in God's name to purify the world. But does this mysterious tempter actually exist? Could he be an agent of the devil? Subversive and unsettling, The Private Memoirs and Confessions of a Justified Sinner (1824) is a compelling psychological depiction of religious bigotry and the seductive effects of power on a tormented soul.

The first ever edition of Hogg's letters to be published, featuring Hogg's correspondence with figures such as Sir Walter Scott, Lord Byron and Sir Robert Peel.

In this collection of short stories Hogg focuses on the Scottish civil war of 1644-45, in which the Marquis of Montrose led his royalist forces in a series of stunning victories against the odds before his final defeat at Philiphaugh.

The Queen's Wake is one of the landmarks of British Romantic poetry.

Set in early eighteenth-century Scotland, James Hogg's masterpiece is a brilliant psychological study of religious fanaticism and the power of evil. This edition places the work within the context of Calvinism, Scottish political and constitutional history, and early psychological theories of 'double consciousness'.

This new edition, thoughtfully introduced, extensively annotated and featuring a reading list and Hogg chronology, presents Altrive Tales as a major achievement by one of Scotland's finest storytellers.

At first glance this is a witty and comical collection of poems. But the eccentric nature of many of the poems nevertheless belies the often serious historical and moral issues contained within.

Winter Evening Tales (1820; second edition 1821) was James Hogg's most successful work of prose fiction in his lifetime.

An account of a man haunted by the Devil in the form of his own evil double. Hogg's 1824 novel, set in 17th century Scotland, anticipates Dostoevsky's great dramas of sin, self-accusation and damnation by half a century.