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Böcker av James Fenimore Cooper

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  • av James Fenimore Cooper
    499,-

    Cooper's The Chainbearer presents an exciting narrative that interrogates issues of what it means to own land. The novel examines the claims of ownership of wilderness land among Native Americans, New England squatters, and the old New York families with legal deeds.

  • av James Fenimore Cooper
    669,-

  • av James Fenimore Cooper
    325 - 465,-

    The Deerslayer, or The First War-Path (1841) was James Fenimore Cooper's last novel in his Leatherstocking Tales. Its 1740-1745 time period makes it the first installment chronologically and in the lifetime of the hero of the Leatherstocking tales, Natty Bumppo. The novel's setting on Otsego Lake in central, upstate New York, is the same as that of The Pioneers, the first of the Leatherstocking Tales to be published (1823). The Deerslayer is considered to be the prequel to the rest of the series. Fenimore Cooper begins his work by relating the astonishing advance of civilization in New York State, which is the setting of four of his five Leatherstocking Tales. This novel introduces Natty Bumppo as "Deerslayer" a young frontiersman in early 18th-century New York, who objects to the practice of taking scalps, on the grounds that every living thing should follow "the gifts" of its nature, which would keep European Americans from taking scalps. Two characters who actually seek to take scalps are Deerslayer's foil Henry March (alias "Hurry Harry") and the former pirate 'Floating Tom' Hutter, to whom Deerslayer is introduced en route to a rendezvous with the latter's lifelong friend Chingachgook (who first appeared as "Indian John" in The Pioneers). Shortly before the rendezvous, Hutter's residence is besieged by the indigenous Hurons, and Hutter and March sneak into the camp of the besiegers to kill and scalp as many as they can; but are captured in the act, and later ransomed by Bumppo, Chingachgook, and Hutter's daughters Judith and Hetty. Bumppo and Chingachgook thereafter plan to rescue Chingachgook's kidnapped betrothed Wah-ta-Wah (alias 'Hist') from the Hurons; but, in rescuing her, Bumppo is captured. In his absence, the Hurons invade Hutter's home, and Hutter is scalped alive. On his deathbed, he confesses that Judith and Hetty were not his daughters by birth, and Judith determines to discover her natural father's identity; but her search reveals only that her late mother had been of aristocratic descent, and had married 'Floating Tom' after the collapse of an illicit affair. Later, Judith attempts and fails to rescue Deerslayer; and they are all saved at last when March returns with English reinforcements, who massacre the Hurons and mortally wound Hetty. After Hetty's death, Judith proposes marriage to Deerslayer, but is refused, and is last described as the paramour of a soldier. Fifteen years later, Bumppo and Chingachgook return to the site to find Hutter's house in ruins. (wikipedia.org)

  • av James Fenimore Cooper
    669,-

  • av James Fenimore Cooper
    699 - 739,-

  • av James Fenimore Cooper
    669,-

  • av James Fenimore Cooper
    559,-

    Though Satanstoe has been too much neglected by readers of Cooper's time and ours, it is one of his most interesting books, combining nostalgic autobiographical recollections, pictures of manners, action and adventure, and social philosophy in one of the author's happiest experiments in fiction. Ostensibly, it gives a comprehensive view of colonial life and society in New York State in the middle of the eighteenth century, blending all these elements with the narrative skill for which the author has always been famous.

  • av James Fenimore Cooper
    539,-

    Written in 1821-22 at a crucial point in Cooper's life and based on some of his most cherished youthful memories, The Pioneers today evokes the American pioneering experience with astonishing vibrance of authentic detail and a largeness of philosophic grasp seldom if ever equaled in our fiction.The circumstances behind the composition and publication of the book are here explained for the first time; and the text, originally set without competent supervision in the midst of the yellow fever epidemic in New York in 1822, is presented with the cumulative improvements of Cooper's "strenuous pen" in five subsequent revisions, without the customary accumulation of compositorial errors.Quite possibly America's first bestseller (3,500 copies were sold within hours of publication), The Pioneers became the first of the world-famous Leatherstocking Tales. Its verbal pictures "excited a sensation among the artists, altogether unprecedented in the history of our domestic literature" and helped establish the style of the Hudson River School, our first group of landscape painters. Translated early into all the major languages of Europe, The Pioneers was one of the first American novels to carry distinctive, authoritative American experience to the world.

  • av James Fenimore Cooper
    599,-

    Describing Italy as "the only region of the earth that I truly love," James Fenimore Cooper used the style of picturesque impressionism to convey his vision of Italy as the microcosm of an ordered and a beautiful world.In theory, the picturesque style of writing could produce verbal sketches that embodied a visual complexity similar to that of the great Baroque and Romantic landscape paintings. In practice, the hundreds of travel books written in the picturesque style in the early 1900s communicated rapturous enthusiasm with blurred or even false reports of actual scenes. Cooper, with his scrupulous fidelity to the seen world, intended to alter this practice decisively.The response of his imagination to the light, color, forms, artifacts and figures of the Italian landscape and to the manifold significances they embody follows in joyful appreciation of the land, culture and people of a country that induced in him the desire "to enjoy the passing moment."In Italy, Cooper refrained from commenting on politics, though he was an incorrigibly political man who responded to an insistent need to define the New World in defining the Old. The independence of his observations drew censure from American reviewers of the 1830s, who could not comprehend that his preference for the Bay for Naples over New York Harbor reflected his intellectual passion to rise above nationalistic feelings in matters of taste, morality and justice.

  • av James Fenimore Cooper
    559,-

    In the spring of 1826, soon after the publication of The Last of the Mohicans, James Fenimore Cooper immersed himself in The Prairie. In taking Natty Bumppo from his beloved forests of New York state to the Great American Plains, Cooper was in part fulfilling his own prophecy at the end of The Pioneers. Though he was certainly recalling the periodic westward removals of Daniel Boone, one of the prototypes of Natty Bumppo, he was also responding to the ever-increasing public interest in Jefferson's Louisiana Purchase.No characterization more clearly exhibits the firmness of Cooper's vision than that of Natty Bumppo. As his colossal entrance implies, Cooper has reconceived him, and through him, the world in which he moves. Though descended from the garrulous hunter of The Pioneers and reduced to the lowly occupation of a trapper, his moral stature has undergone an apotheosis. Though he is again in The Prairie the loyal guide he was in The Last of the Mohicans, his words here take on even more striking moral force. He is both the spokesman for and the representation of, the most basic rhythm of existence, the natural cycle of life which must end in death.The metaphor of the prairie as the sea, shaped by Cooper's meditation on the relationships between Nature, God, and Man, seems to have had a fertile hold on his imagination. The sea is, as he knew by personal experience, a place of isolation and emptiness on whose surface man lives a precarious life. Imagistically Cooper's plot sets his little bands-the groups of outcasts led by Natty, Ishmael's family, the Sioux, and the Pawnees-to converge and tack away from each other. There is also much in the bursts of action-escapes, captures, shifting alliances, steering by moonlight-that evokes sea life. This same metaphor also points us to a central theme of The Prairie. Beyond the fast-paced action, the novel becomes a meditation on the ways of establishing justice between men.

  • av James Fenimore Cooper
    529,-

    The five novels in The Leatherstocking Tales (collected in two Library of America volumes), Cooper's great saga of the American wilderness, form a pageant of the American frontier. Cooper's hero, Natty Bumppo, is forced ever farther into the heart of the continent by the advance of civilization that he inadvertently serves as advance scout, missionary, and critic. Leatherstocking first appears in The Pioneers (1823), as an aged hunter living on the fringe of settlement near Templeton (Cooperstown), New York, at the end of the eighteenth century. There he becomes caught in the struggles of party, family, and class to control the changing American land and to determine what sort of civilization will replace the rapidly vanishing wilderness. When Natty Bumppo started an American tradition by setting off into the sunset at the novel's close, one early reader said, "I longed to go with him."The Last of the Mohicans (1826) is a pure unabashed narrative of adventure. It looks back to the earlier time of the French and Indian Wars, when Natty and his two companions, Chingachgook and Uncas, survivors of a once-proud Indian nation, attempt a daring rescue and seek to forestall the plan of the French to unleash their Mingo allies on a wave of terror through the English settlements.The Prairie (1827) takes up Natty in his eighties, driven by the continuous march of civilization to his last refuge on the Great Plains across the Mississippi. On this vast and barren stage, the Sioux and Pawnee, the outlaw clan of Ishmael Bush, and members of the Lewis and Clark expedition enact a romantic drama of intrigue, pursuit, and biblical justice that reflects Cooper's historical dialectic of culture and nature, of the American nation and the American continent.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

  • av JAMES FENIMO COOPER
    945 - 1 239,-

  • av Fenimore Cooper James Fenimore Cooper
    305,-

  • av James Fenimore Cooper
    319 - 519,-

  • av REDAKT GR LS-VERLAG
    415 - 519,-

  • av REDAKT GR LS-VERLAG
    399 - 519,-

  • av REDAKT GR LS-VERLAG
    399 - 519,-

  • av REDAKT GR LS-VERLAG
    415 - 519,-

  • av REDAKT GR LS-VERLAG
    415 - 519,-

  • av Cooper James Fenimore Cooper
    399 - 519,-

  • av REDAKT GR LS-VERLAG
    399 - 519,-

  • av REDAKT GR LS-VERLAG
    399 - 519,-

  • av REDAKT GR LS-VERLAG
    399 - 519,-

  • av REDAKT GR LS-VERLAG
    415 - 519,-

  • av REDAKT GR LS-VERLAG
    415 - 519,-

  • av REDAKT GR LS-VERLAG
    399 - 519,-

  • av REDAKT GR LS-VERLAG
    245 - 399,-

  • av Cooper James Fenimore Cooper
    399 - 519,-

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