Böcker av Ian Jack

This issue takes a wayward look at the lives of beasts. A dog prepares for the death of his master; a movie-going tarantula has a crush on Nicole Kidman; and a raven learns to speak Spanish. Photography of China's new young women and the streets of New York also features.

"Recommended for anyone with even a passing interest in humanity." -- British Journal of General Practice. This issue of Granta is dedicated to love, or more often the lack of it, the loss of it, and the search for it. It includes stories about sibling rivalry, about rediscovering parental love, and about the end of marriage and enduring friendship.

How do you cope with the great, if you yourself are not so great? Do you speak, do you listen, in the face of every difficulty do you try to please? The sensible thing to do is keep a diary. Irish poet Richard Murphy remembers his experiences with Auden, J.R. Ackerley and Theodore Roethke.

Some travel is vital to the traveller. Sometimes you need to get home or get away. Sometimes this is far from easy. This issue of Granta contains compelling stories about journeys which need to be made. You might call it necessary travel writing.

In this issue of Granta Magazine, the theme is the sea and our relationship with it. It includes pieces by: James Hamilton-Paterson, on a lonely death in the Pacific; Julia Blackburn, on the lure of the mermaid; Neal Ascherson, on the death of the Black Sea; and Haruki Murakami.

In this selection from over twenty years of reporting and writing, Ian Jack sets out to deal with contemporary Britain - from national disasters to football matches to obesity - but is always drawn back in time, vexed by the question of what came first.

In this fascinating and illuminating book Ian Jack has chosen six major poets - Dryden, Pope, Byron, Shelley, Tennyson, and Yeats - and has traced the career of each to discover the nature and the extent of their readers' influence on their poetry.

In this issue, writers from across the world describe how America has affected them - culturally, politically, economically, as citizens, as writers, as children and as adults, for better or worse.

A new edition of The Granta Book of Reportage featuring distinguished writers and reporters - John Simpson, James Fenton, Martha Gellhorn, Germaine Greer, Ryszard Kapuscinski - this book covers some of the signal events of our time.

The Granta Book of India brings together, for the first time, classic pieces from previous editions of Granta magazine on the experiences of Indian life, culture and politics.

Features the work by the twenty writers that Granta's judges - including novelists Edmund White and AM Homes - have selected as the most interesting young voices in American fiction.

Britain invented the factory - Manchester was the world's first factory city. Where are they now? The anser, mainly, is China. An issue devoted to how and where we made and make things, from strawberries in the fields of Herefordshire to the car plants of Korea.

In this issue of Granta Magazine, a distinguished writer makes an anonynous confession and defends a habit: his son supplies him with ecstasy. Other contributions include Nicholas Shakespeare on discovering the evil of his ancestors, and works from Amanda Hopkinson and Andrew Brown.

This collection of essays features the theme of what people wanted as children. The contributing writers include: Doris Lessing, Paul Auster, Brian MacKinnon and Nell Stroud. There are also pieces by George Steiner, J.M. Coetzee, Joyce Carol Oates, John Biguenet and Peter Walker.

Featuring John Fowles on the making of The French Lieutenant's Woman and DM Thomas on the not making of The White Hotel, Thomas Keneally on finding Schindler's list, Roger Lewis on Peter Sellers, Gaby Wood on Lana Turner, Pakaj Mishra in Bombay, Ian Jack on the Roxy, the Rialto, the Ritz and the Regal, and much much more.

This issue of "Granta" celebrates Australian writing and examines a country which is forging a strong new identity. The contributors include Peter Carey, Thomas Keneally, Les Murray and Tim Winton. There are picture essays by Polly Borland and David Moore, and a novella by Ben Rice.