Böcker av Hossein Manoochehri

Architectural features, such as the forms, designs, and decorations of buildings, are major attractions for allpeople around world. Although a few thousand years ago, very few individuals were able to travel to othernations, at the present a majority of populations are able to travel to other countries to get knowledge aboutother cultures, other peoples, and other architectural features. Today, millions of people travel to othercountries just to see how peoples, foods, living environments, and forms and designs of buildings in othercountries look like. The present series is a contribution to make available for all people around the world to see in picturesthe architectural features (i. e., forms, designs, decorations of buildings) in selected countries. It is acomparative, pictorial introduction of architectural features in six selected countries to show the talents, skills, and masterships of builders in creation of architectural forms and designs in the selected countries. More specifically, there are two main architectural styles in Europe (--as well as in mountainous countriessuch as Armenia and Georgia, ) and in Iran. While a stone architecture is common in Europe and in themountainous countries, a clay architecture is used in Iran. A comparative display of the two styles, thestone vs. clay architecture, therefore, is the main theme of the series titled: A Comparative Display Of ArtAnd Architecture. The fourth volume of this series is about architectural styles in Greece (Athens) and Iran. Using a functional-equivalency approach, the series focuses on architectural features from Europe andmountainous countries and Iran that, while structurally are different, functionally are similar or have similaritywith each other. For example, both a church and a mosque are religious buildings with similar functions butwith different structures. Although there are numerous published books about art and architecture in Europeor in Iran separately, but none makes a comparative introduction using a functional- equivalency approach. The present series, therefore, should be regarded as the first original work that seeks to present a comparative, pictorial introduction of two different architectural styles, stone vs. clay architectural styles, by displaying theirmain features side by side. For example, the illustrations are grouped into several categories (Introduction)[ i. e, 1) Historic or Heritage Buildings; 2) Stone (Khachkar) vs. Brick or Tile decorations; and 3) ReligiousBuildings: Churches vs. Jam'a mosques]. (Otherwise, assuming that the images collected and presented inthis volume are also presented randomly in some other books about art and architecture in Armenia or in Iran, an estimated 50 to 100 books on the subjects of art and architecture in either Greece (Athens) or Iran shouldbe browsed over, here or there, to find similar images collected in this volume.) Volume IV of this series compares stone, architectural features in Greece (Athens) to similar, clay, architecturalfeatures in historic cities of Iran. The work is expected to make available for the readers a quick and an easycomparative views of the architectural forms and designs from Greece (Athens) as compared to their similar, clay architectural features in historic cities of Iran.

Architectural features, such as the forms, designs, and decorations of buildings, are major attractions for allpeople around world. Although a few thousand years ago, very few individuals were able to travel to othernations, at the present a majority of populations are able to travel to other countries to get knowledge aboutother cultures, other peoples, and other architectural features. Today, millions of people travel to othercountries just to see how peoples, foods, living environments, and forms and designs of buildings in othercountries look like. The present series is a contribution to make available for all people around the world to see in picturesthe architectural features (i. e., forms, designs, decorations of buildings) in selected countries. It is acomparative, pictorial introduction of architectural features in six selected countries to show the talents, skills, and masterships of builders in creation of architectural forms and designs in the selected countries. Specifically, there are two main architectural styles in Europe (--as well as in mountainous countries such asArmenia and Georgia, ) and in Iran. While a stone architecture is common in Europe and in the mountainouscountries, a clay architecture is used in Iran. A comparative display of the two styles, the stone vs. clayarchitecture, therefore, is the main theme of the series titled: A Comparative Display Of Art And Architecture. Volume five of this series is about architectural styles in three historic cities of Germany ( Frankfurt am Main, Dusseldorf, and Muenster [Munster]) and Iran. Using a functional-equivalency approach, the series focuses on architectural features from Europe andmountainous countries and Iran that, while structurally are different, functionally are similar or have similaritywith each other. For example, both a church and a mosque are religious buildings with similar functions butwith different structures. Although there are numerous published books about art and architecture in Europeor in Iran separately, but none makes a comparative introduction using a functional- equivalency approach. The present series, therefore, should be regarded as the first original work that seeks to present a comparative, pictorial introduction of two different architectural styles, stone vs. clay architectural styles, by displaying theirmain features side by side. For example, the illustrations are grouped into several categories (Introduction)[ i. e, 1) Historic or Heritage Buildings; 2) Stone (Khachkar) vs. Brick or Tile decorations; and 3) ReligiousBuildings: Churches vs. Jam'a mosques]. (Otherwise, assuming that the images collected and presented inthis volume are also presented randomly in some other books about art and architecture in Armenia or in Iran, an estimated 50 to 100 books on the subjects of art and architecture in either Germany or Iran should bebrowsed over, here or there, to find similar images collected in this volume.) Volume V of this series compares architectural features in Germany to similar, clay architectural features inhistoric cities of Iran. The work is expected to make available for the readers a quick and an easy comparativeviews of the architectural forms and designs in three historic cities from Germany ( Dusseldorf, Muenster, andFrankfurt am Main) as compared to their similar, clay architectural features in historic cities of Iran.

Architectural features, such as the forms, designs, and decorations of buildings, are major attractions for allpeople around world. Although a few thousand years ago, very few individuals were able to travel to othernations, at the present a majority of populations are able to travel to other countries to get knowledge aboutother cultures, other peoples, and other architectural features. Today, millions of people travel to othercountries just to see how peoples, foods, living environments, and forms and designs of buildings in othercountries look like. The present series is a contribution to make available for all people around the world to see in picturesthe architectural features (i. e., forms, designs, decorations of buildings) in selected countries. It is acomparative, pictorial introduction of architectural features in six selected countries to show the talents, skills, and masterships of builders in creation of architectural forms and designs in the selected countries. More specifically, there are two main architectural styles in Europe (--as well as in mountainous countriessuch as Armenia and Georgia, ) and in Iran. While a stone architecture is common in Europe and in themountainous countries, a clay architecture is used in Iran. A comparative display of the two styles, thestone vs. clay architecture, therefore, is the main theme of the series titled: A Comparative Display Of ArtAnd Architecture. The third volume of this series is about architectural styles in Turkey [ Turkiye ] (Istanbul)and Iran. Using a functional-equivalency approach, the series focuses on architectural features from Europe andmountainous countries and Iran that, while structurally are different, functionally are similar or have similaritywith each other. For example, both a church and a mosque are religious buildings with similar functions butwith different structures. Although there are numerous published books about art and architecture in Europeor in Iran separately, but none makes a comparative introduction using a functional- equivalency approach. The present series, therefore, should be regarded as the first original work that seeks to present a comparative, pictorial introduction of two different architectural styles, stone vs. clay architectural styles, by displaying theirmain features side by side. For example, the illustrations are grouped into several categories (Introduction)[ i. e, 1) Historic or Heritage Buildings; 2) Stone (Khachkar) vs. Brick or Tile decorations; and 3) ReligiousBuildings: Churches vs. Jam'a mosques]. (Otherwise, assuming that the images collected and presented inthis volume are also presented randomly in some other books about art and architecture in Armenia or in Iran, an estimated 50 to 100 books on the subjects of art and architecture in either Turkey (Turkiye) or Iran shouldbe browsed over, here or there, to find similar images collected in this volume.) Volume III of this series compares architectural features in Turkey [ Turkiye ] (Istanbul) to similar, clay architectural features in Iran. Many architectural features in Turkey are similar to those in Iran. Both countries have mosques, baazaars, and residences built by the use of bricks. The historic city of Istanbul, however, lies in the European partof Turkey and, therefore, has many architectural features similar to European countries. The work is expected tomake available for the readers a quick and an easy comparative views of the architectural forms and designs inTurkey (Istanbul) as compared to their similar, clay architectural features in historic cities of Iran.

Architectural features, such as the forms, designs, and decorations of buildings, are major attractions for allpeople around world. Although a few thousand years ago, very few individuals were able to travel to othernations, at the present a majority of populations are able to travel to other countries to get knowledge aboutother cultures, other peoples, and other architectural features. Today, millions of people travel to othercountries just to see how peoples, foods, living environments, and forms and designs of buildings in othercountries look like. The present series is a contribution to make available for all people around the world to see in picturesthe architectural features (i. e., forms, designs, decorations of buildings) in selected countries. It is acomparative, pictorial introduction of architectural features in six selected countries to show the talents, skills, and masterships of builders in creation of architectural forms and designs in the selected countries. More specifically, there are two main architectural styles in Europe (--as well as in mountainous countriessuch as Armenia and Georgia, ) and in Iran. While a stone architecture is common in Europe and in themountainous countries, a clay architecture is used in Iran. A comparative display of the two styles, thestone vs. clay architecture, therefore, is the main theme of the series titled: A Comparative Display Of ArtAnd Architecture. The second volume of this series is about architectural styles in Georgia (Tbilisi) and Iran. Using a functional-equivalency approach, the series focuses on architectural features from Europe andmountainous countries and Iran that, while structurally are different, functionally are similar or have similaritywith each other. For example, both a church and a mosque are religious buildings with similar functions butwith different structures. Although there are numerous published books about art and architecture in Europeor in Iran separately, but none makes a comparative introduction using a functional- equivalency approach. The present series, therefore, should be regarded as the first original work that seeks to present a comparative, pictorial introduction of two different architectural styles, stone vs. clay architectural styles, by displaying theirmain features side by side. For example, the illustrations are grouped into several categories (Introduction)[ i. e, 1) Historic or Heritage Buildings; 2) Stone (Khachkar) vs. Brick or Tile decorations; and 3) ReligiousBuildings: Churches vs. Jam'a mosques]. (Otherwise, assuming that the images collected and presented inthis volume are also presented randomly in some other books about art and architecture in Armenia or in Iran, an estimated 50 to 100 books on the subjects of art and architecture in either Georgia or Iran should bebrowsed over, here or there, to find similar images collected in this volume.) Volume II of this series compares architectural features in Georgia (a country in the Caucasian region) to similar, clay architectural features in historic cities of Iran. The work is expected to make availablefor the readers a quick and an easy comparative views of the architectural forms and designs fromGeorgia ( Tbilisi ) as compared to their similar, clay architectural features in historic cities of Iran.

Architectural features, such as the forms, designs, and decorations of buildings, are major attractions for allpeople around world. Although a few thousand years ago, very few individuals were able to travel to othernations, at the present a majority of populations are able to travel to other countries to get knowledge aboutother cultures, other peoples, and other architectural features. Today, millions of people travel to othercountries just to see how peoples, foods, living environments, and forms and designs of buildings in othercountries look like. The present series is a contribution to make available for all people around the world to see in picturesthe architectural features ( i. e., forms, designs, and decorations of buildings) in selected countries. It isa comparative, pictorial introduction of architectural features in six selected countries to show the talents, skills, and masterships of builders in creation of architectural forms and designs in the selected countries. More specifically, there are two main architectural styles in Europe (--as well as in mountainous countriessuch as Armenia and Georgia, ) and in Iran. While a stone architecture is common in Europe and in themountainous countries, a clay architecture is used in Iran. A comparative display of the two styles, thestone vs. clay architecture, therefore, is the main theme of the series titled: A Comparative Display Of ArtAnd Architecture. The first volume of this series is about architectural styles in Armenia and Iran. Using a functional-equivalency approach, the series focuses on architectural features from Europe andmountainous countries and Iran that, while structurally are different, functionally are similar or have similaritywith each other. For example, both a church and a mosque are religious buildings with similar functions butwith different structures. Although there are numerous published books about art and architecture in Europeor in Iran separately, but none makes a comparative introduction using a functional- equivalency approach. The present series, therefore, should be regarded as the first original work that seeks to present a comparative, pictorial introduction of two different architectural styles, stone vs. clay architectural styles, by displaying theirmain features side by side. For example, the illustrations are grouped into several categories (Introduction)[ i. e, 1) Historic or Heritage Buildings; 2) Stone (Khachkar) vs. Brick or Tile decorations; and 3) ReligiousBuildings: Churches vs. Jam'a mosques]. (Otherwise, assuming that the images collected and presented inthis volume are also presented randomly in some other books about art and architecture in Armenia or in Iran, an estimated 50 to 100 books on the subjects of art and architecture in either Armenia or Iran should bebrowsed over, here or there, to find similar images collected in this volume.) Volume I of this series compares architectural features in Armenia (a country in the Caucasian region) to similar, clay architectural features in historic cities of Iran. The work is expected to make availablefor the readers a quick and an easy comparative views of the architectural forms and designs fromArmenia as compared to their similar, clay architectural features in historic cities of Iran.

This work is a booklet of flowers that are lighted by the sunshine. If a flash is used at nightto lit a subject, the sunshine in the images of this album is used to light the flowers. In the past years, images of flowers were taken during the author's trips to different cities of Iranas well as to Armenia and Germany. From a collection of more than 1000 images of flowers, about 50 images were selected for a display in this album. It is expected to be suitable as a gift, which lasts more than a few days, for a special occasion or for an especial person.