Böcker av Horace Walpole

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Manfred's son is set to be married but dies on the day of the wedding. Manfred believes this event is the beginning of an ancient prophecy telling of Manfred's downfall.

The Castle of Otranto is a macabre tale that revolves around a haunted castle. Manfred, the lord of Otranto, finds his son, Conrad, smashed by an enormous helmet on his wedding day.

Many of the gothic romance and horror stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

When tragedy strikes on his son's wedding day, Lord Manfred believes it is a foreboding omen, and will do whatever it takes to stop it-no matter how immoral. Set in the 18th century, The Castle of Otranto begins on the day Manfred's son, Conrad, was meant to be married. Known for his sickly nature, Conrad is the eldest child of two, and is set to marry Princess Isabella, a union that would reap strong benefits for the noble family. However, when tragedy strikes right before the ceremony, Manfred is terrified that it is a premonition of a bad luck curse. Paranoid that the curse would threaten his bloodline, he leaps into action. Determined to strengthen his legacy before it's too late, Manfred decides to divorce his wife so that he can marry Isabella in his son's place. However, when Isabella adamantly refuses, Manfred slips into a manic state of immorality, as he becomes desperate to do whatever it takes to marry Isabella. After Theodore, a brave peasant man with mysterious origins, becomes dedicated to protecting Isabella from Manfred, the lord must outsmart and overpower the couple to get his way. Through coercion, capture, and even murder, Manfred will do anything to avoid the threat of a curse. First published under a pseudonym in 1764, The Castle of Otranto by Horace Walpole is regarded as the first gothic horror novel, a literary genre that later flourished in the 18th and 19th century. Walpole's work has shaped the modern-day gothic aesthetic in literature, film, art, and music. The Castle of Otranto and the genre it inspired also encouraged many major writers, such as Mary Shelley, Bram Stoker, and Edgar Allan Poe. Featuring a dark narrative, twists, tragedy, and elements of surrealism, The Castle of Otranto is dramatic and shocking, enthralling from start to finish. This edition of The Castle of Otranto by Horace Walpole features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, The Castle of Otranto caters to a contemporary audience while preserving the original innovation of Horace Walpole's work.

From the eerie corridors of ancient strongholds to the depths of ancestral secrets, The Castle of Otranto and The Old English Baron are captivating works of classic horror with significant influence in the history of gothic fiction. Esteemed and highly influential, Horace Walpole's The Castle of Otranto (1764) was England's first gothic horror novel, but when Clara Reeve rewrote the story as The Old English Baron (1778) over thirty years later, her work was received with heavy criticism. With looming curses and familial treachery, both works are set in the medieval era with atmospheres steeped in relentless suspense. Yet, where Walpole's prolific work blurs the line between realism and the supernatural, Reeve rewrote the fantastical story with features of naturalism for the modern reader. Discover the origins of gothic fiction in these two prolific novels and read their comparisons and critiques in this volume's featured excerpts by H. P. Lovecraft and Montague Summers.

The Castle Of Otranto tells the story of Manfred, lord of the castle, and his family. The book begins on the wedding-day of his sickly son Conrad and princess Isabella. Shortly before the wedding, however, Conrad is crushed to death by a gigantic helmet that falls on him from above. This inexplicable event is particularly ominous in light of an ancient prophecy, "that the castle and lordship of Otranto should pass from the present family, whenever the real owner should be grown too large to inhabit it". Manfred, terrified that Conrad's death signals the beginning of the end for his line, resolves to avert destruction by marrying Isabella himself while divorcing his current wife Hippolita, whom he feels has failed to bear him a proper heir.The Castle of Otranto is a 1764 novel by Horace Walpole. It is generally regarded as the first gothic novel. In the second edition, Walpole applied the word 'Gothic' to the novel in the subtitle - "A Gothic Story". The novel merged medievalism and terror in a style that has endured ever since. The aesthetics of the book shaped modern-day gothic books, films, art, music and the goth subculture.The novel initiated a literary genre which would become extremely popular in the later 18th and early 19th century, with authors such as Clara Reeve, Ann Radcliffe, William Thomas Beckford, Matthew Lewis, Mary Shelley, Bram Stoker, Edgar Allan Poe, Robert Louis Stevenson and George du Maurier.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Das Schloss von Otranto ist ein Roman des britischen Politikers und Schriftstellers Horace Walpole aus dem Jahr 1764. Walpole begründete damit die später sehr erfolgreiche Romangattung des Schauerromans (Gothic Novel). Der Roman stellte einen Bruch mit den Idealen der Aufklärung dar, die naturalistische Darstellungen und natürliche Erklärungen in der Literatur in den Vordergrund stellten. Er ist Vorläufer der romantischen Geschichten und Erzählungen des späten 18. und frühen 19. Jahrhunderts und beeinflusst die Literatur bis in unsere Zeit. Zur Inhalt: In Das Schloss von Otranto wird das für seine Familie verderbliche Wirken einer mächtigen Vaterfigur (Manfred) geschildert, die sich tyrannisch und intrigant um die genealogische Nachfolge sorgt, als sein schwächlicher Sohn von einem mysteriösen Riesenhelm erschlagen wird. Manfred, nun ohne Sohn und Erben, stellt daraufhin des Sohnes versprochener Braut Isabella nach, die er zuvor für diesen entführen ließ, um eine Verbindung zwischen seinem Fürstentum Otranto und dem Herrschaftsbereich des Marcheses von Vicenza, dessen Tochter die Braut ist, herzustellen. Nun will Manfred Isabella vergewaltigen, danach seine devote Ehefrau Hippolyta verstoßen, um dann Isabella heiraten zu können. Isabella graut es jedoch vor ihrem alten, finsteren Verfolger und versucht kurz nach Manfreds "Antrag" aus der Burg von Otranto zu fliehen.