Adaptation studies have historically been neglected in both the English and Film Studies curricula. Reflecting on this, Screen Adaptation celebrates its emergence in the late 20th and 21st centuries and explores the varieties of approaches and debates within the field. Examples include J.K.Rowling, Shakespeare and Jane Austen.
This text focuses on the reciprocal relationship between past and present, the way Shakespeare talks to us, the ways in which we talk about Shakespeare, and the way in which Shakespeare, ultimately, is "all talk". It looks at the fields of English studies, performance studies and cultural studies.
This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum.
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