Böcker av Henry James

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The story had held us, round the fire, sufficiently breathless, but except the obvious remark that it was gruesome, as, on Christmas Eve in an old house, a strange tale should essentially be, I remember no comment uttered till somebody happened to say that it was the only case he had met in which such a visitation had fallen on a child. The case, I may mention, was that of an apparition in just such an old house as had gathered us for the occasion - an appearance, of a dreadful kind, to a little boy sleeping in the room with his mother and waking her up in the terror of it; waking her not to dissipate his dread and soothe him to sleep again, but to encounter also, herself, before she had succeeded in doing so, the same sight that had shaken him. It was this observation that drew from Douglas - not immediately, but later in the evening - a reply that had the interesting consequence to which I call attention. Someone else told a story not particu-larly effective, which I saw he was not following. This I took for a sign that he had himself something to produce and that we should only have to wait. We waited in fact till two nights later; but that same evening, before we scattered, he brought out what was in his mind.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The poor young man hesitated and procrastinated: it cost him such an effort to broach the subject of terms, to speak of money to a person who spoke only of feelings and, as it were, of the aristocracy. Yet he was unwilling to take leave, treating his engagement as settled, without some more conventional glance in that direction than he could find an opening for in the manner of the large affable lady who sat there drawing a pair of soiled gants de Suede through a fat jewelled hand and, at once pressing and gliding, repeated over and over everything but the thing he would have liked to hear. He would have liked to hear the figure of his salary; but just as he was nervously about to sound that note the little boy came back - the little boy Mrs. Moreen had sent out of the room to fetch her fan. He came back without the fan, only with the casual observation that he couldn't find it. As he dropped this cynical confession he looked straight and hard at the candidate for the honour of taking his education in hand. This personage reflected somewhat grimly that the thing he should have to teach his little charge would be to appear to address himself to his mother when he spoke to her - especially not to make her such an improper answer as that.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - A narrow grave-yard in the heart of a bustling, indifferent city, seen from the windows of a gloomy-looking inn, is at no time an object of enlivening suggestion; and the spectacle is not at its best when the mouldy tombstones and funereal umbrage have received the ineffectual refreshment of a dull, moist snow-fall. If, while the air is thickened by this frosty drizzle, the calendar should happen to indicate that the blessed vernal season is already six weeks old, it will be admitted that no depressing influence is absent from the scene. This fact was keenly felt on a certain 12th of May, upwards of thirty years since, by a lady who stood looking out of one of the windows of the best hotel in the ancient city of Boston. She had stood there for half an hour - stood there, that is, at intervals; for from time to time she turned back into the room and measured its length with a restless step. In the chimney-place was a red-hot fire which emitted a small blue flame; and in front of the fire, at a table, sat a young man who was busily plying a pencil. He had a number of sheets of paper cut into small equal squares, and he was apparently covering them with pictorial designs - strange-looking figures. He worked rapidly and attentively, sometimes threw back his head and held out his drawing at arm's-length, and kept up a soft, gay-sounding humming and whistling.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - An old lady, in a high drawing-room, had had her chair moved close to the fire, where she sat knitting and warming her knees. She was dressed in deep mourning; her face had a faded nobleness, tempered, however, by the somewhat illiberal compression assumed by her lips in obedience to something that was passing in her mind. She was far from the lamp, but though her eyes were fixed upon her active needles she was not looking at them. What she really saw was quite another train of affairs. The room was spacious and dim; the thick London fog had oozed into it even through its superior defences. It was full of dusky, massive, valuable things. The old lady sat motionless save for the regularity of her clicking needles, which seemed as personal to her and as expressive as prolonged fingers. If she was thinking something out, she was thinking it thoroughly. When she looked up, on the entrance of a girl of twenty, it might have been guessed that the appearance of this young lady was not an interruption of her meditation, but rather a contribution to it. The young lady, who was charming to behold, was also in deep mourning, which had a freshness, if mourning can be fresh, an air of having been lately put on.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - He had a mortal dislike, poor Stransom, to lean anniversaries, and loved them still less when they made a pretence of a figure. Celebrations and suppre-ssions were equally painful to him, and but one of the former found a place in his life. He had kept each year in his own fashion the date of Mary Antrim's death. It would be more to the point perhaps to say that this occasion kept HIM: it kept him at least effectually from doing anything else. It took hold of him again and again with a hand of which time had softened but never loosened the touch. He waked to his feast of memory as consciously as he would have waked to his marriage-morn. Marriage had had of old but too little to say to the matter: for the girl who was to have been his bride there had been no bridal embrace. She had died of a malignant fever after the wedding-day had been fixed, and he had lost before fairly tasting it an affection that promised to fill his life to the brim. Of that benediction, however, it would have been false to say this life could really be emptied: it was still ruled by a pale ghost, still ordered by a sovereign presence.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - It had occurred to her early that in her position - that of a young person spending, in framed and wired confinement, the life of a guinea-pig or a magpie - she should know a great many persons without their recognising the acquaintance. That made it an emotion the more lively - though singularly rare and always, even then, with opportunity still very much smothered - to see any one come in whom she knew outside, as she called it, any one who could add anything to the meanness of her function. Her function was to sit there with two young men - the other telegraphist and the counter-clerk; to mind the "sounder," which was always going, to dole out stamps and postal-orders, weigh letters, answer stupid questions, give difficult change and, more than anything else, count words as numberless as the sands of the sea, the words of the telegrams thrust, from morning to night, through the gap left in the high lattice, across the encumbered shelf that her forearm ached with rubbing. This transparent screen fenced out or fenced in, according to the side of the narrow counter on which the human lot was cast, the duskiest corner of a shop pervaded not a little, in winter, by the poison of perpetual gas, and at all times by the presence of hams, cheese, dried fish, soap, varnish, paraffin and other solids and fluids that she came to know perfectly by their smells without consenting to know them by their names.

This complex tale of self-discovery -- considered by the author to be his best work -- traces the path of an aging idealist, Lambert Strether. Arriving in Paris with the intention of persuading his young charge to abandon an obsession with a French woman and return home, Strether reaches unexpected conclusions.

Two terrifying ghost stories from master storyteller Henry James featuring an afterword by bestselling author Kate Mosse.

An elegant collector's edition of Henry James' most accomplished novel with an introduction by award-winning novelist Colm Toibin.

Henry James is a highly readable commentator on the theatre and performance practices of his time. Readers of this complete collection of his nonfictional writing on drama will gain fresh insights not only into British, American and French theatre and drama, but also into James's fiction and critical thinking.

Henry James was a leading commentator on the art of his time. Readers of this complete collection of his nonfictional writing on art will gain fresh insights not only into British, American and French art, but also into James's fiction and critical thinking.

Considered by many to be Henry James's finest novel, The Portrait of a Lady is a subtle examination of Victorian society and power relations, providing a groundbreaking psychological study of its protagonist. This volume is based on the authoritative New York Edition, and includes the author's seminal preface.

A wonderful new collection of Henry James's short stories about the relationship between art and life, edited by Michael Gorra.This volume gathers seven of the very best of Henry James's short stories, all exploring the relationship between art and life. In 'The Aspern Papers', a critic is determined to get his hands on a great poet's papers hidden in a faded Venetian house - not matter what the human cost. 'The Author of Beltraffio', 'The Lesson of the Master' and 'The Figure in the Carpet' all focus on naive young men's unsettling encounters with their literary heroes. In 'The Middle Years', a dying novelist begins to glimpse his own potential, while 'The Real Thing' and 'Greville Fane' both explore the tension between artistic and commercial success. These fables of the creative life reveal James at his ironic, provocative best.Henry James was born in 1843 in New York and died in London in 1916. In addition to many short stories, plays, books of criticism, autobiography and travel, he wrote some twenty novels, the first published being Roderick Hudson (1875). They include The Europeans, Washington Square, The Portrait of a Lady, The Bostonians, The Princess Casamassima, The Tragic Muse, The Spoils of Poynton, The Awkward Age, The Wings of the Dove, The Ambassadors and The Golden Bowl.Michael Gorra is Professor of English at Smith College and the author of Portrait of a Novel: Henry James and the Making of an American Masterpiece (2012), a finalist for both the Pulitzer Prize and the James Tait Black Memorial Prize in biography.

The text of this 1902 novel is again that of the fully corrected and annotated reprint of the New York Edition (1909), together with James's preface and the two frontispieces he commissioned for the New York Edition of The Wings of the Dove.

As well as 'The Aspern Papers', this selection includes 'The Death of the Lion', 'The Figure in the Carpet', and 'The Birthplace'. All four stories concern the figure of the artist and the cult of celebrity. This new edition includes extracts from James's Prefaces and Notebooks that shed light on the genesis of the stories.

When Catherine Sloper falls for Maurice Townsend, her father, a wealthy New York doctor, believes that Townsend is a fortune hunter after his daughter's inheritance. He forbids the marriage but Catherine persists in her affection, encouraged by her foolish aunt Lavinia who has a weakness for Maurice herself.

A unique edition of James's two complementary tales, 'Daisy Miller' and 'An International Episode', in which the young American girl irrupts into European society. This edition includes introduction and notes by Adrian Poole, and an Appendix on stage and screen versions of 'Daisy Miller'.

'Did she know and if she knew would she speak?'The story of an unsolved literary mystery that explores what James referred to as "e;troubled artistic consciousness"e; Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Henry James (1843-1916). James's works available in Penguin Classics are The Portrait of a Lady,The Europeans, What Maisie Knew, The Awkward Age, The Figure in the Carpet and Other Stories, The Turn of The Screw, The Aspern Papers and Other Tales, The Wings of The Dove, Washington Square, The Tragic Muse, Daisy Miller, The Ambassadors, The Golden Bowl, Selected Tales, Roderick Hudson, The Princess Casamassima and The American.

This critical essay and biography by Henry James (1843-1916) of his fellow American novelist Nathaniel Hawthorne (1804-64), today best remembered for The Scarlet Letter and The House of the Seven Gables, was published in the first 'English Men of Letters' series in 1879, and is notable for being the only volume in that series devoted to an American. It is now recognised as being one of the first critical studies of an American writer, and it remains an important work for students and admirers both of James and of Hawthorne. In his critical assessment, James, whose own writing was strongly influenced by Hawthorne, seeks to identify him not only as a great novelist, but particularly as an American novelist, rooted in the landscape, and speaking in the language, of the New World.

Henry James's Daisy Miller was an immediate sensation when it was first published in 1878 and has remained popular ever since. In this novella, the charming but inscrutable young American of the title shocks European society with her casual indifference to its social mores. The novella was popular in part because of the debates it sparked about foreign travel, the behaviour of women, and cultural clashes between people of different nationalities and social classes. This Broadview edition presents an early version of James's best-known novella within the cultural contexts of its day. In addition to primary materials about nineteenth-century womanhood, foreign travel, medicine, philosophy, theatre, and art--some of the topics that interested James as he was writing the story--this volume includes James's ruminations on fiction, theatre, and writing, and presents excerpts of Daisy Miller as he rewrote it for the theatre and for a much later and heavily revised edition.