Böcker av Henry James

From one of the greatest novelists in the English language, Poor Richard is an early short story by Henry James exploring one man's growth and success alongside one woman's faithlessness.First published in 1867, Poor Richard is an engaging short story warning about the dangers and unreliability of women. Penniless and orphaned, Richard Maule seeks to make the wealthy Gertrude Whittaker his wife. As he chases the girl, Richard reforms his life and begins to make a success of himself. But will Gertrude see the changes he's making or will she continue to toy with various men's hearts?Henry James wrote this short story with influence from Benjamin Franklin's annual publication, Poor Richard's Almanack. The periodical was published between 1732 and 1758, and it collated various articles and columns, including practical tips, weather forecasts, and industry-related observations.

"[James] is the most intelligent man of his generation." -T. S. Eliot "Reading Henry James is like putting a new faculty to the test. This is the true morality."-Anita Brookner "A very modern story about aimless lives and messy marriages"- Paul TherouxHenry James' What Maisie Knew (1897) is one of the author's most piercing works of fiction, am impassioned look at the events of a young girls life as she is shuffled between her self-absorbed divorced parents. In this astonishingly modern novel, the damaging constructs of society and the illusions of respectability are seen through the perspective of an unforgettable child from her earliest years until a teenager.Maisie Farange, only six-years old at the onset of the novel, is a child of two narcissistic parents: Beale and Ida, who are only using the young child as a pawn in their own egomaniacal games. As the bitter divorce of her parents is settled in split custody, the emotional cruelty only increases. She is cared for by two governesses; the homely Mrs. Wix at her Mother's house, and the beautiful Miss Overmore at her father's home. As each parent re-marries much younger spouses, and those relationship in turn fail, Maisie is entangled in a web of moral corruption and psychological abuse. James's tragic story of an innocent child caught between the corruption of the adult world is a thought-provoking and devastating meditation on failed responsibility.

"The Portrait of a Lady is entirely successful in giving one the sense of having met somebody far too radiantly good for this world."-Rebecca West"A fairy tale in reverse." -The Sunday TimesHenry James's The Portrait of a Lady is regarded as one of the towering works of Victorian literature; an exceptional examination of the disparate nature between Americans and Europeans, and the divides between contentment and money. Isabel Archer, one of the most compelling heroines of American literature, is at the center of this moving story about the manners and mores of 19th Century life.The Portrait of a Lady opens as the beautiful and fiery American Isabel Archer travels to England to visit her wealthy Aunt Touchett. She is introduced her Uncle Touchett, her cousin Ralph, and the local nobleman, Lord Warburton, who wastes no time in asking for Isabel's hand in marriage. In character with Isabel's independent spirt, she refuses the proposal, and while on a trip to London receives a second proposal from an American suitor; once again, she refuses. When she learns that her uncle is deathly ill, Isabel returns to the Touchett home, where she inherits a great fortune following his death. Traveling to Italy with her Aunt as a great heiress, she is introduced to Gilbert Osmond, a self-centered and calculating American expatriate. Despite the warnings from her family and friends, Isabel falls for Osborne and in turn is pulled the darkness of deception. The Portrait of a Lady is a tragic yet humane masterpiece of American literature.With an eye-catching new cover, and professionally typeset manuscript, this edition of The Portrait of a Lady is both modern and readable.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. Published in two volumes in 1880, Washington Square dramatises the plight of Catherine Sloper, a rich heiress, whose father, a successful doctor, identifies her one suitor, Morris Townsend, as a fortune-hunter. The novel thus draws on the sentimental tradition, which it develops with subtle, sympathetic irony, in a realist direction. This edition is the first to provide a full account of the context in which the book was composed and received, and to include the original illustrations by Punch-cartoonist George Du Maurier. Extensive explanatory notes enable modern readers to understand its nuanced historical, cultural and literary references, and its complex textual history.

This Library of America volume brings together The Sacred Fount (1901), one of Henry James's most unusual experiments, and The Wings of the Dove (1902), one of his most beloved masterpieces and the novel that inaugurated the majestic and intricate "late phase" of his literary career.Writing to his friend William Dean Howells, James characterized The Sacred Fount, the only one of his novels to be told in the first person, as "a fine flight into the high fantastic." While traveling to the country house of Newmarch for a weekend party, the nameless narrator becomes obsessed with the idea that a person may become younger or cleverer by tapping the "sacred fount" of another person. Convinced that Grace Brissenden has become younger by drawing upon her husband, Guy, the narrator seeks to discover the source of the newfound wit of Gilbert Long, previously "a fine piece of human furniture." His perplexing and ambiguous quest, and the varying reactions it provokes from the other guests, calls into question the imaginative inquiry central to James's art of the novel.James described the essential idea of The Wings of the Dove as "a young person conscious of a great capacity for life, but early stricken and doomed, condemned to die under short respite, while also enamoured of the world." The heroine, a wealthy young American heiress, Milly Theale (inspired by James's beloved cousin Minny Temple), is slowly drawn into a trap set for her by the English adventuress Kate Croy and her lover, the journalist Morton Densher. The unexpected outcome of their mercenary scheme provides the resolution to a tragic story of love and betrayal, innocence and experience that has long been acknowledged as one of James's supreme achievements as a novelist. This volume prints the New York Edition text of The Wings of the Dove, and includes the illuminating preface James wrote for that edition.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Henry James's travel writings are at once literary masterpieces, unsurpassed guidebooks and penetrating reflections on the international themes familiar from his fiction. This volume, the second of two, begins with the classic A Little Tour in France (1900), illustrated with Joseph Pennell's exquisite drawings from the original edition. James begins his tour of the French countryside one rainy morning in mid-September of 1882, when he sets off for the city of Tours as a means of exploring the proposition that "though France might be Paris, Paris was by no means France."From Tours, Balzac's birthplace, James travels to the great chateaux of the Loire Valley, visiting Chambord, Amboise, Chenonceaux, and Blois, where, as you cross the threshold, "you step straight into the sunshine and storm of the French Renaissance." Dense with literary associations and historical echoes, James's prose brings castles and cathedrals and old walled towns to life. In his glancingly precise visual evocations of terrain and cityscape, he realizes his ambition "to sketch without a palette or brushes."Henry James loved Italy, "a beautiful disheveled nymph" to England's "good married matron." The incisive and witty essays in Italian Hours (1909) describe memorably happy sojourns in Venice, Rome, and Florence, and excursions to Siena, Assisi, Perugia, Capri, Ravenna, and other Italian cities. "Nowhere do art and life seem so interfused" as in Venice, wrote James in celebration of the splendor of Venetian light and color, air, and history. He records his radiant impressions of Roman churches and aqueducts, museums and fountains, and rambles through the gardens of the Villa Borghese in spring, when Rome seems lighted "with an irresistible smile." All these essays are filled with James's intense pleasure in Italian places and people.This volume concludes with sixteen essays on such varied places as Switzerland, Holland, Rheims, and the Pyrénées, including a memorable account of the American volunteer ambulance corps in Europe during World War One.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Henry James, renowned as one of the world's great novelists, was also one of the most illuminating, audacious, and masterly critics of modern times. This Library of America volume and its companion are a fitting testimony to his unprecedented achievement. They offer the only comprehensive collection of his critical writings ever assembled, more than one-third of which have never appeared in book form.This first volume focuses especially on his responses to American and English writers; the second volume contains his essays on European literature and the Prefaces to the New York Edition of his fiction.From 1864 until virtually the end of his life, James displayed an astonishing range and catholicity of critical interests, touching on nearly every facet of literature in America, England, and Europe. Here are his most important theoretical essays, including his witty and daring declarations of the novelist's freedom in "The Art of Fiction," "The Future of the Novel," and "The Science of Criticism"-a gently ironic title from a writer who regarded criticism as a form of art.Appreciations of Ralph Waldo Emerson ("I knew he was great, greater than any of our friends"), pungent comments (which he later regretted) on Walt Whitman's "Drum-Taps," and assessments of Louisa May Alcott, Edgar Allan Poe, his friend and admirer William Dean Howells, Harriet Beecher Stowe, Francis Parkman, and scores of other American writers are joined, in revealing proximity, to commentaries on nearly every important English writer of fiction (and some poets, such as the Brownings) during the late nineteenth and early twentieth centuries.These reviews of English writers include James's stunning essay on Charles Dickens's Our Mutual Friend, his provocative discussions of George Eliot, and his tough but appreciative estimates of Anthony Trollope, Matthew Arnold, Benjamin Disraeli, Elizabeth Gaskell, Rudyard Kipling, Thomas Hardy, William Morris, Rupert Brooke, Ouida, Algernon Charles Swinburne, and Robert Louis Stevenson. Also included here is his great essay on Shakespeare's The Tempest. All of these pieces are gathered under the author considered, so that James's supple changes in attitude can be followed across the years.Of particular interest, both critically and biographically, are James's commentaries on Nathaniel Hawthorne, including his still-controversial book-length study of 1879. His estimates of his predecessor's work remain highly debatable, but are perhaps more interesting as evidence of his own feelings about being an American writer of a later and, as he assumed, more complex time.Finally, this volume includes two invaluable collections: his "American Letters" and "London Notes," wherein, with unsurpassed tact and grandeur of mind, he introduces readers of his native and of his adopted country to each other.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.