Böcker av Glenway Wescott

In this novel, the winner of Harper Prize 1927, the young Alwyn Tower leaves Wisconsin to travel in Europe, but finds himself haunted by a family of long-dead spirits - his grandparents and great-uncles and aunts, a generation whose young adulthood was shattered by the Civil War.

Charm, wit, compassion, wisdom, literature, nature, sex, humor, politics, sorrow, love: these themes fill the late journal pages of enigmatic American writer Glenway Wescott. From humble beginnings on a poor Wisconsin farm, Wescott went on to study at the University of Chicago, narrowly survive the Spanish flu pandemic, and eventually emerge as an influential poet and novelist. A major figure in the American literary expatriate community in Paris during the 1920s and a prominent American novelist in the years leading up to World War II, he spent a decade living abroad before relocating permanently to New York and New Jersey with his partner, Museum of Modern Art publications director and curator Monroe Wheeler. Together they mixed with such intellectual and creative greats as Jean Cocteau, Colette, George Platt Lynes, Paul Cadmus, Somerset Maugham, Christopher Isherwood, Marianne Moore, W. H. Auden, Truman Capote, Joseph Campbell, and scores of other luminaries. During the second half of his life, Wescott wrote nonfiction essays and worked for the Academy Institute of Arts and Letters, all the while keeping journals in which he recorded the experiences that fostered his love of life, literature, the arts, and humanity. A Heaven of Words looks back on Wescott's entire fascinating life and reveals the riveting narrative of his last decades.

Like Wescott's extraordinary novella The Pilgrim Hawk (which Susan Sontag described in The New Yorker as belonging "among the treasures of 20th-century American literature"), Apartment in Athens concerns an unusual triangular relationship. In this story about a Greek couple in Nazi-occupied Athens who must share their living quarters with a German officer, Wescott stages an intense and unsettling drama of accommodation and rejection, resistance and compulsion-an account of political oppression and spiritual struggle that is also a parable about the costs of closeted identity.