Böcker av Gill Plain

"This book addresses the legacy of World War II on male identity and reinvention. It considers some of the many ways in which popular culture of the time sought to mediate these difficult transitions, exploring films, popular fiction, memoir, and biography"--

A groundbreaking re-reading of the literary response to a decade of trauma and transformationThis new study undoes the customary division of the 1940s into the Second World War and after. Instead, it focuses on the thematic preoccupations that emerged from writers' immersion in and resistance to the conflict. Through seven chapters Documenting, Desiring, Killing, Escaping, Grieving, Adjusting and Atomizing the book sets middlebrow and popular writers alongside residual modernists and new voices to reconstruct the literary landscape of the period. Detailed case studies of fiction, drama and poetry provide fresh critical perspectives on writers as diverse as Margery Allingham, Alexander Baron, Elizabeth Bowen, Keith Douglas, Graham Greene, Henry Green, Georgette Heyer, Alun Lewis, Nancy Mitford, George Orwell, Mervyn Peake, J. B. Priestley, Terrence Rattigan, Mary Renault, Stevie Smith, Dylan Thomas and Evelyn Waugh. Arguing that the postwar is a concept that emerges almost simultaneously with the war itself, and that 'peace' is significant only by its absence in an emergent post-Atomic cold war era, this book reclaims the complexity of a decade all too often lost in the fault-lines between pre-war modernism and the emergence of the postmodern. Key Features:Detailed, theoretically informed case studies of canonical writers such as Bowen, Orwell, Greene and WaughDetailed case studies and critical re-evaluations of popular genre writers, and forgotten writers.

This book examines the relationship between war and gender through the analysis of literary texts.

This book asks how was it possible for an actor to embody national identity and, by exploring the cultural contexts in which Mills and the nation became synonymous, the book offers a new perspective on 40 years of cinema and social change.