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  • av Giles Goodland
    249,-

    OF DISCOURSE is a novel-length hybrid of prose and verse, structured along a trajectory determined by syntax, as if function-words could have their own thesaurus, each word generating meaning while remaining in itself opaque.Giles Goodland comments: "What is BE? If we start to break the word open, make a list of its uses, constituents, inflections, what do we find? For years, while I worked for the Oxford English Dictionary, I kept a list of examples of function words in use. Not just BE, but prepositions, conjunctions, pronouns, and a few verbs that did not suggest much in the way of a specific action. Anything that seemed to lack a semantic aspect, or in which the function of the word was more important than its meaning. After I had assembled an almost unmanageably large file of phrases and sentences, both from external sources and from my own writings, I started to assemble 'poems' from them...."The resulting texts are expansive and extraordinary: a series of quotations, collages, reframings, imitations, homages and homologies, referencing myths ancient and contemporary, computer games, instruction manuals, diary entries. They are mysterious, surreal, comical and lyrical, suggesting endless avenues of invention.

  • av Giles Goodland
    245,-

    Civil Twilight explores the tensions between social roles (work, parenthood, commuting) with the savagery and boundlessness of language itself. Free Verse Editions.

  • av Giles Goodland
    255,-

    In The Masses the creepy-crawlies visibly teem. Adapting the sound-mutating technique Goodland perfected in Gloss, where well-known phrases are minutely changed to sly and comic effect, here the creatures which are usually only glimpsed, only imagined with a flinch, are foregrounded in phonic mutation.

  • av Giles Goodland
    239,-

    If Johnson believed that objects held primacy over language, why did he compose his dictionary following the arbitrary rule of alphabetical order? If poems are engaged in the language-game of giving information, how should that information be arranged? This sequence of poems offers a number of possible and less possible answers to such questions.

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