Böcker av Gardner Dozois

City Under the Stars completes a journey undertaken by Gardner Dozois and Michael Swanwick 25 years ago, when they published the novella The City of God. Over two decades later, the two realized there was more to the story, and began the work of expanding it. Now, after Gardner Dozois' tragic passing, the story can be told in full.God was in his Heaven-which was fifteen miles away, due east.Far in Earth's future, in a post-utopian hell-hole, Hanson works ten solid back-breaking hours a day, shoveling endless mountains of coal, within sight of the iridescent wall that separates what's left of humanity from their gods. One day, after a tragedy of his own making, Hanson leaves the city, not knowing what he will do, or how he will survive in the wilderness without work. He finds himself drawn to the wall, to the elusive promise of God. And when the impossible happens, he steps through, into the city beyond.The impossible was only the beginning.

There is a love that flourishes only in the darkness; a passion that rises only from the grave. This anthology of all-new stories probes the shadowy meeting ground of our ancient, primal terrors -- and our deepest forbidden desires.Edited by one of today's most respected anthologists, featuring today's most acclaimed fantasy authors, Dying for It takes you far beyond the realm of the ordinary, and into a realm where the living not only envy the dead, they adore them. It's love at last rites.

Brian AldissWilliam GibsonR.A. LaffertyUrsula K. Le GuinLucius ShepardBruce SterlingTheodore SturgeonHoward WaldropConnie WillisGene WolfeRoger Zelazny"The best stories are timeless. Long years from now the stories here may still touch someone, cause that person to blink, and put the book down for a second, and stare off through the hallow air, and shirver in wonder."

In the new millennium, what secrets lay beyond the far reaches of the universe? What mysteries belie the truths we once held to be self-evident? The world of science fiction has long been a porthole into the realities of tomorrow, blurring the line between life and art.

For nearly three decades, Gardner Dozois has been presenting his weighty and eclectic annual selection of short science fiction that deserves to be better known to a wider audience. It has consistently been voted Year's Best Anthology by the readers of Locus magazine, overwhelmingly more often than any other collection. Unfailingly, Dozois's selection offers the very best stories of the year, showcasing outstanding new talents alongside acknowledged masters of the genre. This year's collection is no exception, including the work of over 30 writers, including: Robert Reed, Alastair Reynolds, Sarah Monette and Elizabeth Bear, Paul McAuley, Linda Nagata, Indrapreamit Das, Pat Cadigan, Andy Duncan, Brit Mandelo, Carrie Vaughn and many more.It includes, as ever, Dozois's magisterial summation of 2012 in SF. Praise for previous editions:This annual compilation of the previous year's best short stories and novellas, together with a comprehensive summation of the state of the genre and an extensive "e;honourable mentions"e; list, has become an institution over the past three decades. The Guardian.Quantity as well as quality . . . every piece is a treasure. The Times.For more than a quarter century, Gardner Dozois's Mammoth Book of Best New SF has defined the field. It is the most important anthology, not only annually, but overall. Charles N. Brown, publsiher of Locus Magazine. New authors rub shoulders with old hands, and strong work from relative novices Hannu Rajaniemi and Lavie Tidhar suggest that SF's future is as bright as ever. Financial Times.

A new benchmark in modern SF. A sharp, clever, funny morality tale that answers the biggest question of all: what makes us human?In a fight outside a bar Ramon Espejo kills a man. Next day, all hell breaks loose. The dead man was a big shot, a diplomat on a mission to the out-world of Sao Paulo. Ramon goes on the run, heading north toward unexplored territory, land so far only glimpsed from orbit during the first colony surveys.Ramon has gone from being nothing in the hills of Mexico to being nothing on Sao Paulo. He makes a bare living prospecting for minerals. Maybe God meant him to be poor, or he wouldn't have made him so mean. He can't even remember why he killed the European, only the drinking, and the rage that followed.Better to be alone in the wild landscape ... off the map, beyond law and civilization. Each trip out he's sure will be the big one that'll make him rich. This one, too.Instead he finds something else, something terrifying. Or rather, it finds him, and uses him: as humans are used by species more intelligent than themselves. But Ramon Espejo is about to prove what a man is capable of. Ramon is about to demonstrate what it is to be human; to be angry, intelligent and alive. And he is about to discover his function in the broad flow of the universe. And why it was he killed the diplomat in the first place...