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  • av Gail Jones
    209,-

    This is a story that can only be told in a whisper... In the remote outback of Western Australia, English anthropologist Nicholas Keene and his wife Stella raise a curious child, Perdita.

  • av Gail Jones
    199,-

    'A Guide to Berlin' is the name of a short story written by Vladimir Nabokov in 1925, when he was a young man of 26, living in Berlin. A group of six international travellers, two Italians, two Japanese, an American and an Australian, meet in empty apartments in Berlin to share stories and memories.

  • av Gail Jones
    209,-

    On a radiant day in Sydney, four people converge on Circular Quay, site of the iconic Opera House and the Sydney Harbour Bridge.

  • av Gail Jones
    169,-

    "The Piano", written and directed by Jane Campion, is one of the most honoured films of the new Australian cinema, and is considered by many critics to be a modern masterpiece. Campion won the Palme D''Or at Cannes in 1993 for the film, making her the first woman ever to win this prestigious award; it also won Best Original Screenplay (Campion), Best Actress (Holly Hunter) and Best Supporting Actress (Anna Paquin) at the 1994 Oscars. In 1880 the widowed, and mute, Ada (Holly Hunter) and her young daughter, Flora (Anna Paquin) leave their native Scotland and travel to New Zealand''s remote South Island, as the arranged family of Stewart (Sam Neil), an Englishman who lives and works the land there. With them come Ada''s piano which serves as her outlet of expression, her ''voice''. Despite fierce insistence from Ada, Stewart leaves the piano on the beach after he decides it is too heavy to carry back to his homestead. Stewart''s neighbour Baines (Harvey Kietel) makes a deal with Stewart for the piano and lessons with Ada, which has dire repercussions for them all. Gail Jones'' essay brings a fresh and original vision to this acclaimed film in Currency''s Australian Screen Classics series.

  • av Gail Jones
    209,-

    From the boundlessness of space walking to the frustrating constrictions of one person's daily existence, this title paints with grace and skill the experience of needing to belong despite wanting to be alone.

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