Böcker av G. K. Chesterton

A WILD, MAD, HILARIOUS AND PROFOUNDLY MOVING TALE: It is very difficult to classify The Man Who was Thursday. It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no one else. On this level, therefore, The Man Who was Thursday succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing. However, the reader will soon discover that it is much more than that. Carried along on the boisterous rush of the narrative by Chesterton's wonderful high-spirited style, he will soon see that he is being carried into much deeper waters than he had planned on; and the totally unforeseeable denouement will prove for the modern reader, as it has for thousands of others since 1908 when the book was first published, an inevitable and moving experience, as the investigators finally discover who Sunday is.

"G. K. Chesterton routinely ignites more ideas per page than any Christian author of the twentieth century, with the possible exception of C. S. Lewis. Chesterton sometimes overstates, often maddens, and invariably provokes a new and better way of seeing things. In this book, he offers us new ways of seeing the greatest things of all: divine things of the gospel." -John G. Stackhouse, Jr.

Is THE MAN WHO WAS THURSDAY a gripping adventure story of murderous criminals and brilliant policemen, or something deeper. . . ? We can't discuss the book's denoument here in the cover copy, but this title tempts us. Let us instead say that the book gave us an inevitable and moving experience as the investigators finally discovered who Sunday is.

Now with a new foreword by Charles Colson. Antiquated. Unimaginative. Repressive. We've all heard these common reactions to orthodox Christian beliefs. Even Christians themselves are guilty of the tendency to discard historic Christianity. As Charles Colson writes in the foreword, "Evangelicals, despite their professed belief in the Bible, have not been exempt from the influence of the postmodern spirit." This spirit is averse to Truth and the obedience that follows. And people today, as in Chesterton's day, continue to look anywhere but heavenward for something to believe in.

From detective stories and penny dreadfuls to skeletons, slang, and patriotism, Chesterton's essays "defend" seemingly harmless subjects only to reveal many of the hidden assumptions and dogmas of his time.

This novel tells of that simple person Wilfrid Halterton, Postmaster-General in Mrs. Boulanger's second administration, that of 1960.The placing of the big Television Contract comes within the domain of the Post Office, and Halterton is soon deeply involved in a tangle of intrigue where his simplicity makes him an easy victim to clever financiers and politicians.Belloc enthusiasts and others alike will welcome such characters as Honest Jack Williams, the Home Secretary - Lord Papworthy, Permanent Minister for Fine Arts - James Haggismuir McAuley, financier, and many others.Arthur Lawson and his brother Jacob, and their relations with Halterton, introduce a markedly original note and give this book a distinction above its predecessors.

"... An extraordinary book, written as if the publisher had commissioned him to write something rather like The Pilgrim's Progress in the style of The Pickwick Papers."--Msgr. Ronald KnoxPerhaps best known to the general public as creator of the "Father Brown" detective stories, G. K. Chesterton (1874-1936) was especially renowned for his wit, rhetorical brilliance and talent for ingenious and revealing paradox. Those qualities are richly abundant in the present volume, a hilarious, fast-paced tale about a club of anarchists in turn-of-the- century London.The story begins when Gabriel Syme, a poet and member of a special group of philosophical policemen, attends a secret meeting of anarchists, whose leaders are named for the days of the week, and all of whom are sworn to destroy the world. Their chief is the mysterious Sunday--huge, boisterous, full of vitality, a wild personage who may be a Chestertonian vision of God or nature or both. When Syme, actually an undercover detective, is unexpectedly elected to fill a vacancy on the Anarchists' Central Council, the plot takes the first of many surprising twists and turns.The poet/sleuth is soon caught up in a deadly scheme to bomb a meeting in Paris of the Czar and the President of the French Republic. The story grows steadily more bizarre, at the same time serving as a vehicle for Chesterton's philosophical, political and religious speculations, cloaked in cheerful irreverence, and pointed wit: "You've got that eternal idiotic idea that if anarchy came it would come from the poor. Why should it? The poor have been rebels, but they have never been anarchists; they have more interest than anyone else in there being some decent government. The poor have sometimes objected to being governed badly; the rich have always objected to being governed at all."Such perceptions, expressed with profound good humor, add a delightful dimension of interest to this inventive and readable allegorical puzzle. In Dover's inexpensive paperbound edition, completely reset in new type for easier reading, The Man Who Was Thursday will delight any reader who relishes clever plotting, delicious irony and rousing adventure in a novel in which"...the wisdom flashes out in star-showers: (Baker and Packman, A Guide to the Best Fiction).

A comical futurist fantasy, first published in 1904, about a tradition-loving suburban London community of the 1980's at war with its modernizing neighbors. 7 illustrations by W. Graham Robertson. New Introduction by Martin Gardner.

Journalist, novelist, poet, artist and art critic, essayist, theologian, propagandist, philosopher, and creator of the wily old Father Brown – G. K. Chesterton is one of the most beguiling authors of the early twentieth century. When asked to perform a lecture tour in 1921, Chesterton was in a slump of depression. He had recently lost his brother to the First World War and his wavering faith in the face of the horrors of the conflict only intensified his malaise. ‘What I Saw in America’ tells us as much about the author and his particular views as it does about his destination. Indeed, Chesterton’s personalised observations – his aversion to imperialism, capitalism, Anglo-Americanism and his commitment to democracy and fraternity – are distinguished by the piercing wit for which he is famed. Many of Chesterton’s reflections are timeless and startlingly prescient. He was highly critical of both the naïve immigration policies and the grinding dehumanisation brought about by the growth of the economy. Nonetheless, he was enthralled by the glorious ideals of the nation – founded on principles of equality, democracy and freedom – even if the essence of these ideals had been lost somewhere along the way. ‘What I Saw in America’ ranks among the finest of Chesterton’s works, containing all of the author’s virtues and vices: his wry humour, sympathy and intelligence playing devilishly against an irrepressible mischievousness.

G. K. Chesterton''s surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton''s nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn''t be interesting at all, though, if he didn''t also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.

Beloved clerical sleuth in roster of remarkable cases: "The Blue Cross," "The Sins of Prince Saradine," "The Sign of the Broken Sword," "The Man in the Passage," "The Perishing of the Pendragons," more.

G. K. Chesterton's Father Brown may seem a pleasantly doddering Roman Catholic priest, but appearances deceive. With keen observation and an unerring sense of man's frailties-gained during his years listening to confessions-Father Brown succeeds in bringing even the most elusive criminals to justice. This definitive collection of fifteen stories, selected by the American Chesterton Society, includes such classics as "The Blue Cross,” "The Secret Garden,” and "The Paradise of Thieves.” As P. D. James writes in her Introduction, "We read the Father Brown stories for a variety pleasures, including their ingenuity, their wit and intelligence, and for the brilliance of the writing. But they provide more. Chesterton was concerned with the greatest of all problems, the vagaries of the human heart.”