Böcker av Fyodor Dostoevsky

In these stories Dostoevsky explores both the figure of the dreamer divorced from reality and also his own ambiguous attitude to utopianism, themes central to many of his great novels. This new translation captures the power and lyricism of Dostoevsky's writing, while the introduction examines the stories in relation to one another and to his novels.

This haunting interpretation, exploring the mental anguish and moral dilemmas of a poor student who murders a miserly pawnbroker, is reimagined in Putin-era St. Petersburg. Hailed a 'resounding success', it brings fresh relevance to this chilling tale.

In this almost documentary account of his own experience of penal servitude in Siberia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor, the degradation, in relentless detail - even down to the intricate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters. The steam-bath scene itself, where the livid branded bodies seem to burn in the fires of Hell, is an extraordinary tour de force, compared by Trugenev to passages from Dante's 'Inferno.'

Second, The Gambler, a stunning psychological portrait of a young man's exhilarating and destructive addiction, a compulsion that Dostoevsky - who once gambled away his wife's wedding ring- knew intimately from his own experience.

'The most innovative and challenging writer of fiction in his generation in Russia' Guardian Based on a real-life crime which horrified Russia in 1869, Dostoevsky intended his novel to castigate the fanaticism of his country's new political reformers, particularly those known as Nihilists.

Nineteen-year-old Arkady Dolgoruky, the illegitimate son of a landowner, has difficulty establishing his personal identity amid the political and social upheavals of nineteenth-century Russia.

The text for this edition of Notes from Underground is Michael Katz's acclaimed translation of the 1863 novel, which is introduced and annotated specifically for English-speaking readers.

Presenting the apology and confession of a minor mid-19th-century Russian official, this title offers a half-desperate, half-mocking political critique and an account of man's breakaway from society and descent 'underground'.