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  • av Frances A. Yates
    489,-

    Placing Bruno--both advanced philosopher and magician burned at the stake--in the Hermetic tradition, Yates's acclaimed study gives an overview not only of Renaissance humanism but of its interplay--and conflict--with magic and occult practices. "Among those who have explored the intellectual world of the sixteenth century no one in England can rival Miss Yates. Wherever she looks, she illuminates. Now she has looked on Bruno. This brilliant book takes time to digest, but it is an intellectual adventure to read it. Historians of ideas, of religion, and of science will study it. Some of them, after reading it, will have to think again. . . . For Miss Yates has put Bruno, for the first time, in his tradition, and has shown what that tradition was."--Hugh Trevor-Roper, "New Statesman "A decisive contribution to the understanding of Giordano Bruno, this book will probably remove a great number of misrepresentations that still plague the tormented figure of the Nolan prophet."--Giorgio de Santillana, "American Historical Review "Yates's book is an important addition to our knowledge of Giordano Bruno. But it is even more important, I think, as a step toward understanding the unity of the sixteenth century."--J. Bronowski, "New York Review of Books

  • av Frances Yates
    265 - 4 779

    Stunningly written and highly engaging, Yates' masterpiece is a must-read for anyone interested in the occult tradition.

  • av Frances A. Yates
    715,-

    John Florio is best known to the present day for his translation of Montaigne's Essays. To his contemporaries he was one of the most conspicuous figures of the literary and social cliques of the time. Frances Yates' 1934 text throws light upon the vexed question of his relations with Shakespeare.

  • av Yates
    375 - 1 045,-

  • av Yates
    799 - 3 355

  • av Frances A. Yates
    655 - 3 355

  • av Frances A. Yates
    575 - 4 619

  • av Frances A. Yates
    419

    In this study of how people learned to retain vast stores of knowledge before the invention of the printed page, Frances A. Yates traces the art of memory from Greek orators, through the Middle Ages, to the occult forms it took in the Renaissance, and finally to its use in the 17th century.

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