Böcker av Euripides

By attending to language, style, meter, dramatic technique, and context, this up-to-date edition makes an appealing and under appreciated play accessible to students, scholars, and readers of Greek at all levels. While recognizing the play's light touches, it takes its exploration of Apollo's Oracle, Ion's piety, and Creusa's suffering seriously.

Euripides (c. 485-406 BCE) has been prized in every age for his emotional and intellectual drama. Eighteen of his ninety or so plays survive complete, including Medea, Hippolytus, and Bacchae, one of the great masterpieces of the tragic genre. Fragments of his lost plays also survive.

Euripides (c. 485-406 BCE) has been prized in every age for his emotional and intellectual drama. Eighteen of his ninety or so plays survive complete, including Medea, Hippolytus, and Bacchae, one of the great masterpieces of the tragic genre. Fragments of his lost plays also survive.

Two versions of Euripides' masterpiece in a new verse translation by Andy Hinds, with Martine Cuypers

Of the hundred or so plays Euripides wrote in his lifetime only nineteen survive. Not all of them won first prize at the festivals, but BAKKHAI did."From the outset, it is essential to understand that in Greek theater, as in fact in Shakespearean theater, the self that is really at stake is to be identified with the male, while the woman is assigned the role of the radical other." -Froma I Zeitlin"Intoxicatingly beautiful, coldly sordid, at one moment baffling, at the next thrilling us with the mystic charm of wood and hillside, this drama stands unique among Euripides's works." -Gilbert Norwood"... a tragic parody of a comic theme, which we have in THE BACCHAE [THE BAKKHAI], is really troublesome, and furthermore rare before our time and the great use of it by Samuel Beckett ... THE BACCHAE makes it plain that some uses of comedy do not diminish tragedy or 'relieve' it but indeed augment it." -Donald Sutherland"The most obvious influence of Euripides's BAKKHAI on Christian mythology lies in its concept of Dionysos as the suffering Son of God." -Arthur Evans"Sometimes Euripides seems like a religious man, and again, like a charlatan. Of course he was neither. He was a playwright." -John Jay Chapman

This Norton Critical Edition, edited by one of the pre-eminent scholars in the field, gathers together research on this Greek tragedy, bringing Medea to life for a contemporary audience.

A translatin of a lovely Greek play which rightly deserves its description as a romance: disguises, subterfuges, home-sickness by the sea, divine guidance, and escapes CALLENDER CLASSICAL TEXTS

A tale of infidelity, child murder add self destruction. A tragedy for today, as for the audiences of the Athens of the the fifth century BC CALLENDER CLASSICAL TEXTS

A searing tale of lust, jealousy and youth - a fifth century BC tragedy for today CALLENDER CLASSICAL TEXTS

A horrifying play of drugs and drink. from the 5th century BC, all too relevant for today CALLENDER CLASSICAL TEXTS

The Greek fleet assembles at the bay of Aulis in readiness to launch an attack on Troy, but the wind suddenly drops and the ships stand idle. Don Taylor's translation is faithful to Euripides' original, and the play confronts us with themes of war and humanity, as valid today as when written over two thousand years ago.