Böcker av Emile Zola

A gothic tale of murder and adultery, Therese Raquin was denounced aspornography on its publication in 1867. "Putrid literature" was howLouis Ulbach described the novel in a contemporary review.

A fascinating study in sexual psychology and sexual politics, the novel focuses on Helene Grandjean, a widow, and her shifting emotional states. This is the eighth novel in Zola's Rougon-Macquart series, and the first modern translation for more than fifty years.

Most famous for his twenty-volume dissection of nineteenth-century French mores and society, the Rougon-Macquart novels, Zola was also an extremely accomplished short-story writer, as exemplified by the tales included in this volume.

In contrast with the epic scope of the Rougon-Macquart novels, Zola's short stories are concerned with the everyday aspects of human existence and the interests of ordinary people.

La Debacle is the penultimate novel in Zola's great Rougon-Macquart cycle. A stirring account of profound friendship between two soldiers from opposite ends of the class divide during the Franco-Prussian War and the Commune of 1870-1.

When Therese Raquin is forced to marry the sickly Camille, she sees a bare life stretching out before her, leading every evening to the same cold bed and every morning to the same empty day. Escape comes in the form of her husband's friend, Laurent, and Therese throws herself headlong into an affair.

Money centres on the figure of Aristide Rougon, known as Saccard, and his unscrupulous money-making schemes. His story intertwines the worlds of politics, finance, and the press, and resonates disturbingly with our own times. This is the first new translation for more than a hundred years, and the first unabridged translation in English.

An ambitious and unscrupulous priest arrives in the provincial town of Plassans, intent on conquering its political and social life. His arrival has profound consequences for the Mouret family, whose lives are turned upside down. This is the fourth novel in Zola's Rougon-Macquart series, and the first modern translation for more than fifty years.

Recounts the frenzied transformations that made late nineteenth-century Paris the fashion capital of the world. This novel includes a capitalist hero, Octave Mouret, who creates a giant department store that devours the dusty, outmoded boutiques surrounding it.

Recently adapted for BBC Television, The Ladies' Paradise evokes the giddy pace of Paris's transition into a modern city and the changes in sexual attitudes and class relations taking place at the end of the century.

Provides a detailed portrait of provincial nineteenth-century life. Adhering to a naturalist approach, this book eschews many of the characteristics of the author's other novels of the "Rougon-Macquart" cycle - such as a pronounced polemical agenda or a gritty subject matter - offering instead a lyrical tale of love and innocence.

The Fortune of the Rougons is the first in Zola's famous Rougon-Macquart series of novels. Not only the inaugural novel, it is the series' founding text, establishing its genealogical basis. The family's greed and rapacity mirrors the diseased society in which it flourishes. This lively new translation is accompanied by introduction and notes.

A short essay and never before published photographs by Emile Zola during his self-imposed exile in England in the late nineteenth-century.

Here is a true publishing event-the first modern translation of a lost masterpiece by one of fiction's giants. Censored upon publication in 1871, out of print since the 1950s, and untranslated for a century, Zola's The Kill (La Curée) emerges as an unheralded classic of naturalism. Second in the author's twenty-volume Rougon-Macquart saga, it is a riveting story of family transgression, heedless desire, and societal greed.The incestuous affair of Renée Saccard and her stepson, Maxime, is set against the frenzied speculation of Renée's financier husband, Aristide, in a Paris becoming a modern metropolis and "the capital of the nineteenth century.” In the end, setting and story merge in actions that leave a woman's spirit and a city's soul ravaged beyond repair. As vividly rendered by Arthur Goldhammer, one of the world's premier translators from the French, The Kill contains all the qualities of the school of fiction marked, as Henry James wrote, by "infernal intelligence.”In this new incarnation, The Kill joins Nana and Germinal on the shelf of Zola classics, works by an immortal author who-explicit, pitiless, wise, and unrelenting-always goes in for the kill.

Florent Quenu returns to Paris after being unjustly imprisoned and finds the city utterly changed. The great new food market, Les Halles, has been built, and food dominates the political and social life of the capital. The third in Zola's Rougon-Macquart series, The Belly of Paris appears in a vibrant new translation.

Part of Emile Zola’s multigenerational Rougon-Macquart saga, The Belly of Paris is the story of Florent Quenu, a wrongly accused man who escapes imprisonment on Devil’s Island. Returning to his native Paris, Florent finds a city he barely recognizes, with its working classes displaced to make way for broad boulevards and bourgeois flats. Living with his brother’s family in the newly rebuilt Les Halles market, Florent is soon caught up in a dangerous maelstrom of food and politics. Amid intrigue among the market’s sellers–the fishmonger, the charcutière, the fruit girl, and the cheese vendor–and the glorious culinary bounty of their labors, we see the dramatic difference between “fat and thin” (the rich and the poor) and how the widening gulf between them strains a city to the breaking point. Translated and with an Introduction by the celebrated historian and food writer Mark Kurlansky, The Belly of Paris offers fascinating perspectives on the French capital during the Second Empire–and, of course, tantalizing descriptions of its sumptuous repasts.

Zola's most acerbic social satire, Pot Luck is set in a newly constructed block of flats in the Rue de Choiseul, Paris. Although it seems a place of prosperity and harmony, it is riddled with snobbery and hypocrisy. Systematically exposing the contradictions that pervade bourgeois life, Zola reveals a multitude of adulteries and betrayals, and depicts a veritable `melting pot' of moral and sexual degeneracy. This new translation captures the directness and robustness of Zola's language, and restores the omissions of earlier abridged versions.

The Kill (La Cur'ee) is the second volume in Zola's great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola's narrative world. Conceived as a representation of the uncontrollable 'appetites' unleashed by the Second Empire (1852-70) and the transformation of the city by Baron Haussmann, the novel combines into a single, powerful vision the twin themes of lust for money and lust for pleasure.

The Ladies'' Paradise (Au Bonheur des Dames) recounts the spectacular development of the modern department store in late nineteenth century Paris. The store is a symbol of capitalism, of the modern city, and of the bourgeois family; it is emblematic of consumer culture and the changes in sexual attitudes and class relations taking place at the end of the century. Octave Mouret, the store''s owner-manager, masterfully exploits the desires of his female customers. In his private life as much as in business he is the great seducer. But when he falls in love with the innocent Denise Baudu, he discovers she is the only one of the salesgirls who refuses to be commodified. This new translation of the eleventh book in the Rougon-Macquart cycle captures the spirit of one of Zola''s greatest novels of the modern city. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Zola's masterpiece of working life, Germinal (1885), exposes the inhuman conditions of miners in northern France in the 1860s. By Zola's death in 1902 it had come to symbolize the call for freedom from oppression so forcefully that the crowd which gathered at his State funeral chanted `Germinal! Germinal!' The central figure, Etienne Lantier, is an outsider who enters the community and eventually leads his fellow-miners in a strike protesting against pay-cuts - a strike which becomes a losing battle against starvation, repression, and sabotage. Yet despite all the violence and disillusion which rock the mining community to its foundations, Lantier retains his belief in the ultimate germination of a new society, leading to a better world. Germinal is a dramatic novel of working life and everyday relationships, but it is also a complex novel of ideas, given fresh vigour and power in this new translation. It is the thirteenth book in the Rougon-Macquart cycle, which celebrates its centenary in October 1993 with a new film version of the novel, starring G¿rd Depardieu.

'Therese Raquin' is a clinically observed, sinister tale of adultery and murder among the lower orders in nineteenth-century Paris. Zola's dispassionate dissection of the motivations of his characters, mere 'human beasts' who kill in order to satisfy their lust, is much more than an atmospheric Second Empire period-piece. 'Therese Raquin' stands as a key early manifesto of the French Naturalist movement, of which Zola was the founding father. Even today, this novel has lost none of its power to shock.

A story of lust, madness and destruction set within the backstreets of Paris. Based on Emile Zola's classic novel.

Roubaud is consumed by a jealous rage when he discovers a sordid secret about his young wife's past. The only way he can rest is by forcing her to help him murder the man involved, but there is a witness - Jacques Lantier, a fellow railway employee.

Emile Zola's own stage adaptation of his taut, psychological thriller. An intense story of adultery, murder and revenge, streaked with social satire, in a translation by Pip Broughton.

Now the basis for the major BBC tv adaptation The Paradise, this is a lavish drama and a timeless commentary on consumerism. The Penguin Classics edition of emile Zola's The Ladies' Delight is based on an acclaimed, vivid and modern translation by Robin Buss, who has also introduced the novel.The Ladies' Delight is the glittering Paris department store run by Octave Mouret. He has used charm and drive to become director of this mighty emporium, unscrupulously exploiting his young female staff and seducing his lady customers with luxurious displays of shimmering silks, satins, velvets and lace. Then Denise Baudu, a na ve provincial girl, becomes an assistant at the store - and Mouret discovers that he in turn can also be enchanted. With its greedy customers, gossiping staff and vibrant sense of theatre, The Ladies' Delight (Au Bonheur des Dames in the original French) is one of the most richly exciting novels in Zola's Les Rougon-Macquart cycle.This edition also contains a bibliography, introduction, chronology and explanatory notes.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).'A complete page-turner about the consumer society, greed, fashion and instant gratification'India Knight'A fine translation'The Times Literary Supplement

Considered by Andr Gide to be one of the ten greatest novels in the French language, Germinal is a brutal depiction of the poverty and wretchedness of a mining community in northern France under the second empire. At the centre of the novel is Etienne Lantier, a handsome 21 year-old mechanic, intelligent but with little education and a dangerous predisposition to murderous, alcoholic rage. Germinal tells the parallel story of Etienne's refusal to accept what he appears destined to become, and of the miners' difficult decision to strike in order to fight for a better standard of life.

Set in the taverns of Paris, this is perhaps the first classical tragedy of working-class people living in the slums of a city. The Drinking Den (1877) is part of the Rougon-Macquart series, a naturalistic history of two branches of a family traced through several generations. Zola's work was influenced by contemporary theories of heredity and experimental science, and the behaviour of the two families is shown to be conditioned by environment and inherited characteristics, chiefly drunkenness and mental instability.