Böcker av Ella Hickson

A first collection of plays from the playwright described by the Guardian as "the voice of her generation."

Elizabeth I is the only unmarried woman to have ever ruled England. And she reigned for forty-four years. Mastermind. Seductress. Survivor. Swive [Elizabeth] shines a light on the ways and means by which women in power negotiate patriarchal pressure in order to get their way.

A radical play set in East Berlin in 1968, unfolding with all the tension of a spy thriller and the inexorable revelations of an Ibsen drama.

'I want the world to change shape.''I'm not sure theatre can do that.''Well then where am I supposed to take that impulse because I'm very serious about the endeavour?' A young writer challenges the staus quo but discovers that creative gain comes at a personal cost.

The Bronze Age. The Iron Age. The Age of Oil. The Stone Age didn't end for want of stones. What do you do when you know it's going to run out? Oil follows the lives of one woman and her daughter in an epic, hurtling crash of empire, history and family.

Ella Hickson's version of J.M. Barrie's much-loved story puts the character of Wendy firmly centre stage, in an adaptation that is refreshingly modern but never loses the charm of the original.

A painfully comic excavation of a family history that asks if there is an authorised version of the past - or just the one we can live with. Premiered at the Traverse Theatre in October 2012. Kate Bane returns home to her parents for a winter weekend to introduce her new boyfriend. As the snow falls, Kate finds herself searching with increasing desperation for the truth about her family's past. Are her memories fact, or are they continually shifting acts of imagination? Unable to pin down the truth, can she write a version of the family mythology that will ensure her own happiness? 'Fascinating... an Escher-like playfulness in its examination of the nature of creation' The Stage 'An amusing piece, well-crafted' The List

Four boys face the tricky transition to adulthood in Ella Hickson's riot of a play. Premiered at High Tide Festival 2012, then Nuffield Theatre, Southampton, and Soho Theatre, London. The Class of 2011 are about to graduate and Benny, Mack, Timp and Cam are due out of their flat. Stepping into a world that doesn't want them, these boys start to wonder whether there's any point in getting any older. How will they find the fight to make it as adults? Before all that they're going to have one hell of a party. It's hot and there'll be girls. Predict a riot. 'Marvellous... a play that both powerfully captures the mood of a generation and addresses permanent truths with exhilarating flair' Independent 'Will leave you with laughter lines' Time Out 'Heartfelt directness of writing that taps into a generation torn between action and inertia' Guardian

Two plays by award-winning playwright Ella Hickson.

Eight compelling monologues offering a state-of-the-nation group portrait for the stage. First seen on the Edinburgh Fringe, the play was produced in the West End in 2012. Edinburgh Fringe First Award 2008 Carol Tambor 'Best of Edinburgh' Award From Millie, the jolly-hockey-sticks prostitute who mourns the loss of the good old British class system, to Miles, a 7/7 survivor, and Danny, an ex-squaddie who makes friends in morgues, Eight looks at what has happened to a generation that has grown up in a world where everything has become acceptable. In its original performances, each audience voted for four of the eight monologues that they wished to see, resulting in a different line-up at every performance. A ninth unperformed monologue is included in this edition. The monologues are ideal for performance by student and amateur groups; any number and any combination can be performed. They also provide excellent opportunities for actors looking for audition material. 'Hickson's writing remains astonishing, with a huge, angry energy and poetry' The Scotsman 'Ella Hickson has already found her voice and it's a powerful one - a potent show indeed' New York Times 'One of the most self-assured, startlingly well-written and moving pieces of theatre around' Herald