Böcker av Edward Thomas

CONTENTSIntroduction and Biographical OutlineFirst Poems: "Serres Chaudes"First Plays: "La Princesse Maleine," "Les Aveugles," "L'Intruse," Les Sept Princesses.""Pell?as et M?lisande""Trois Petits Drames pour Marionnettes"Early PlaysPhilosophic Studies: Ruysbroeck, Emerson, and NovalisLater Poems: "Quinze Chansons""Aglavaine et S?lysette"First Essays: "Le Tr?sor des Humbles"; "La Sagesse et La Destin?e"Three Plays: "Sour Beatrice," "Ardiane et Barbe Bleue," and "Joyzelle""La Vie des Abeilles""Le Temple Enseveli""Monna Vanna""Le Double Jardin""L'Intelligence des Fleurs""L'Oiseau Bleu""Mary Magdalene"

In mid to late March 1913 Edward Thomas took a bicycle ride from Clapham to the Quantock Hills. The poet recorded his journey; In Pursuit of Spring was published in 1914. One of his most important works, it stands as an elegy for a lost world. Thomas photographed much of what he saw. The prints are now published for the very first time.

A critical edition of Edward Thomas' 1903 account of Oxford.

A remarkably comprehensive examination of the politics, history and economic development of contemporary South Sudan.

Fired by his abiding love of the English landscape, the poetry of Edward Thomas is some of the most astonishing of the twentieth century. By 1917, when he was killed on the Western Front, he had earned his place as one of England's most valued poets. This title brings together his finest verse with his most vivid prose writings on the countryside.

Edward Thomas was born in Lambeth, London, in 1878, and educated at St Paul's College and Lincoln College, Oxford. Interspersed are poems that often distil the theme of a prose description and show that Thomas's strength as a poet is more than equal to his creative achievement as a writer of prose.

Killed at Arras in 1917, Edward Thomas left behind him a short, vivid history of his own early life, covering the period from his birth to his entry into St Paul's. Though a fragment, in many senses it is far more: in the words of its author 'no less than an autobiography . . . an attempt to put down on paper what [this author] sees when he thinks of himself from 1878 to about 1895'. The Childhood of Edward Thomas was not published until 1938, over two decades after Thomas originally showed the manuscript to a publisher. Those eventual publishers, Faber & Faber, were building on their release two years earlier of Thomas's Collected Poems, for which he was becoming best known.This edition includes Edward Thomas's 'War Diary,' a record of the last three months of his life when, as an elderly - at thirty-eight - subaltern he fought among the misery of the trenches. To witness Thomas's childhood memoir and wartime diaries in such close proximity is to have a moving incarnation of his distinctive voice, its clarity and - even in war - its unfailing attention to his fellow-creatures.

Already established as the leading young critic of contemporary verse, Edward Thomas used this volume to further a longstanding aim - to present English literature to a new audience. First published in 1907, the collection draws among others on Thomas's contemporaries Yeats, de la Mare, T.

Thomas's own book of that title, published before he was to become known as a poet, already reveals the poet's sensitivity for language and the poet's eye for truth. Thomas was always aware of the richness of the English countryside, the elusive beauty of the natural world.

For Edward Thomas, Richard Jefferies (1848-87) was more than a nature writer: he was a guiding spirit of the English landscape who affected a profound influence upon Thomas's own writings.

Mahmud Muhammad Taha was the leader of the 'Republican Brothers and Sisters', a small group of Sudanese nationalists who called for a mystical, inclusive reinterpretation of Islam that ended traditional legal discriminations against women and non-Muslims. This book explores the life and ideas of this Sudanese reformer.

Acutely sensitive to rhythms of the countryside, Edward Thomas's lyrical, passionate, and sometimes political writing merges natural history with folk culture, and gives us a free-form record of the feelings and observations of one of the great poets of the English language. First published 1909 by J.M. Dent & Sons

Edward Thomas wrote a lifetime's poetry in just two years during the First World War. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. This edition includes notes containing substantial quotations from Thomas' prose, letters and notebooks, as well as detailed commentary on the poems.

Features stories that explore the relation between the human world and the realm of nature.

This collection of letters presents a vivid portrait of Thomas's life, from his time as an undergraduate at Oxford to his final days in battle during World War I. They trace his struggle to establish himself as a writer, his successful fight against depression, and the strain of his marriage.

The definitive collection of Edward Thomas's poetic oeuvre.

The Collected Poems of Edward Thomas

When Edward Thomas was killed at the Battle of Arras in 1917 his poems were largely unpublished. But in the years since his death, his work has come to be cherished for its rare, sustained vision of the natural world and as 'a mirror of England' (Walter de la Mare). This edition, drawn from Thomas's manuscripts and typescripts as well as from his published works, offers an accessible introduction to this most resonant - and relevant - of poets.'In his lifetime, he was known and loved by a very, loving few. Now, since his death, he is known and loved by very many, and yearly this is more so. There is in his poems and unassumingly profound sense of permanence. A war came and ditched him, but his poems stay with no other wounds than those which caused them.' Dylan Thomas 'A very fine poet. And a poet all in his own right. The accent is absolutely his own.' Robert Frost'The one hundred and forty poems he wrote in the last two years of his life are a miracle. I can think of no body of work in English that is more mysterious.' Michael Longley