Böcker av Edgar Allan Poe

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Edgar Allan Poe's "Lords of the Housetops: Thirteen Cat Tales" presents readers with a captivating collection of stories that revolve around the mysterious and intriguing lives of cats. The narrative offers a series of tales that delve into the unique perspectives and behaviors of these enigmatic creatures.Set against the backdrop of various settings, the stories within the collection explore themes of curiosity, independence, and the mystique of feline nature. Each tale provides a glimpse into the world as experienced by cats, shedding light on their relationships with humans and the environments they inhabit.The anthology delves into themes of mystery, symbolism, and the interplay between humans and animals. Through Poe's imaginative storytelling, readers gain insights into the multifaceted personalities of cats and the ways in which their behaviors often mirror human emotions and motivations."Lords of the Housetops: Thirteen Cat Tales" captures the allure of the feline world and the intrigue of their interactions with the human realm. Edgar Allan Poe's narratives invite readers to ponder the enigmatic nature of cats and to appreciate the complex relationships that exist between humans and their feline companions.

Poe's timeless words and ethereal illustrations transport readers to the shadowy realms of the Gothic and the mysterious. Each page is a symphony of emotion, a dance of light and darkness that resonates with the profound human experiences Poe so masterfully encapsulated.Whether revisiting these poems or discovering them for the first time, this illustrated collection promises to leave an indelible mark on your psyche. A must-have for Poe enthusiasts and art lovers alike, it's an ode to the haunting beauty of the human experience, as only Poe could portray.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

2023 Edgar Allan Poe Saturday 'Visiter' Award NomineeAn instant family favorite! Edgar Allan Poe's immortal poem, The Raven, is retold through Charles Dickens's, A Christmas Carol.It's a dreary Christmas Eve when a young Edgar Allan Poe is visited by a raven. Haunted by the loss of his first pen, Lenore, he vows to never write again. The raven, in an attempt to show Edgar he must write forevermore, shows him the past, the present, and reveals the future as the ghost of Christmas yet to come-the Masque of the Red Death!This hand-illustrated story is best for children over the age of five. This book includes a word glossary to help your child learn new words and Poe Facts designed to educate your child on one of the world's best writers!The Edgar Allan Poe Reimagined series strives to introduce Mr. Poe's brilliant stories to young readers.Give your child a head start by introducing them to classics they will love and can relate to!

Open the lines of communication with your child through Edgar Allan Poe's classic story of emotional guilt. Children have a hard time dealing with their feelings and because of it, sometimes act out. A young Edgar Allan Poe is no different. Edgar's struggles to understand his emotions as he fixates on his sister's doll with two different eyes. It is not until after he takes action into his own hands, does he realize he went about dealing with his emotional unrest in the wrong way, and now has to set things right.Parental guidance may be necessary. This is a retelling of Edgar Allan Poe's short story, The Tell-tale Heart.The Edgar Allan Poe Reimagined Series strives to introduce Mr. Poe's brilliant stories to the younger reader. Start your child out with classics they will love and can relate to!

No poem has ever received the kind of immediate and overwhelming response that Poe's "The Raven" did when it first appeared in the New York Evening Mirror on January 29, 1845. It made Poe an overnight sensation (though his great fame never brought him much wealth) and the poem, a powerfully haunting elegy to lost love, remains one of the most beloved and recognizable verses in the English language. The illustrations that accompany this Top Five Classics edition are reproductions of the renowned French artist Gustave Doré's steel-plate engravings created for Harper and Brothers' 1884 release of The Raven. It would be Doré's last commission as he died shortly after completing the 25 illustrations in January 1883. His illustrations would become famous in their own right, evoking as they do the lyrical and mystical air of Poe's masterpiece.This Top Five Classics illustrated edition of Edgar Allan Poe's The Raven includes all 25 engravings by Gustave Doré for Harper and Brothers' 1884 edition, reproduced at full-page size; an informative introduction; a detailed biography of Edgar Allan Poe; and the illustrated version of the full poem followed by the text of the poem on its own.

Gods of the ancient world or subject of amusing memes, cats have their place guaranteed in the heart and life of man. The critic August Nemo selected this seven short stories that present the various facets of the cat: The Philanthropist and the Happy Cat by Saki, Tobermory by Saki, The Cat by Banjo Paterson, The Cats of Ulthar by H.P. Lovecraft, An Incident by Anton Chekhov, The Black Cat by Edgar Allan Poe and The Cat by Mary E. Wilkins Freeman. For more books with interesting themes, be sure to check the other books in this collection!

Presented in an elegant gift edition with gilded pages and illustrations.

Cuando regresé hace algunos meses de los Estados Unidos, después de la extraordinaria serie de aventuras en los mares del Sur y otras partes, cuyo relato doy en las páginas siguientes, la casualidad me hizo conocer a varios caballeros de Richmond (Virginia), quienes, tomando un profundo interés en todo cuanto se relaciona con los parajes que había visitado, me apremiaban incesantemente a cumplir con lo que ya constituía en mí un deber ¿decían¿ de dar mi relato al público. Sin embargo, yo tenía varias razones para rehusarme: unas de naturaleza enteramente personal; las otras, es cierto, algo diferentes. Una de las consideraciones que particularmente me retraía era el hecho de que, no habiendo escrito un diario durante la mayor parte de mi ausencia, temía no poder redactar de memoria una relación lo bastante minuciosa, con suficiente ilación para obtener toda la fisonomía de la verdad ¿relato que sería, no obstante, la expresión real¿, no conllevando más que aquella natural, inevitable exageración, hacia la cual estamos todos inclinados cuando describimos acontecimientos cuya influencia ha ejercido su poder activo sobre las facultades de la imaginación. Otra de las razones era que los incidentes dignos de ser mencionados resultaban de una naturaleza tan maravillosa que no podía esperar que se me diera crédito, ya que mis afirmaciones no tenían más base que ellas mismas (salvo el testimonio de un solo individuo, y éste mitad indio), aparte mi familia y mis amigos, quienes en el curso de mi vida tuvieron ocasión de alabar mi veracidad; pero, según todas las probabilidades, el gran público tomaría mis asertos como impudentes e ingeniosas mentiras. Debo también manifestar que mi desconfianza en mi talento como escritor era una de las causas principales que me impedían ceder a las sugestiones de mis consejeros.