The debate surrounding ""fake news"" versus ""real"" news is nothing new. Contrasting the rival yet complementary traditions of ""literary"" or ""new"" journalism in Britain and the US, this study explores the credibility of some of the ""great"" works of English literature.
Based on extensive surveys of news management, this behind-the-scenes examination of the contemporary newsroom reveals the manner in which both the marketing approach to news and the commercialization of news now threaten the values that have guided generations of journalists.
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