Böcker av Denis Diderot

Diese Hardcover-Ausgabe ist Teil der TREDITION CLASSICS. Der Verlag tredition aus Hamburg veröffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Großteil vergriffen oder nur noch antiquarisch erhältlich. Mit TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bücher zu verlegen ¿ und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Förderung der Kultur. Sie trägt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten.

This controversial eighteenth-century work was banned for many years because of its depiction of the cloistered fate forced upon many women. It has now been put under a modern theorist's microscope with the full critical apparatus that university students need.

Originally published in 1922, this volume contains a complete version of Diderot's Paradoxe sur le comedien, an essay on the nature of acting and theatre which first appeared posthumously in 1830. The essay is presented in French, with an editorial introduction and details on actors and actresses mentioned given in English.

In J. Robert Loy's smooth and accurate translation (the first in English except for a privately printed one of 1798), the reader can now discover the originality of Diderot's witty masterpiece. It is a book that no one interested in the evolution of modern fiction, or the ideas of the Enlightenment, will want to miss.

First published in 1953, this selection was created to provide the general reader and university students with the texts of Diderot's more important philosophical writings. The works are presented in French, with modernised spelling, and a brief bibliographical note in English precedes each one.

Together with Voltaire, Diderot was a remarkable figure of the French Enlightenment, as a philosopher, journalist and novelist. In this book, a young girl's enforced enclosure in a convent gives Diderot the chance to explore themes such as religious hypocrisy and sexual repression.

This volume presents a selection of the political writings of one of the most significant figures of the French enlightenment.

Denis Diderot (1713-1784) was among the greatest writers of the Enlightenment, and in Jacques the Fatalist he brilliantly challenged the artificialities of conventional French fiction of his age. Riding through France with his master, the servant Jacques appears to act as though he is truly free in a world of dizzying variety and unpredictability. Characters emerge and disappear as the pair travel across the country, and tales begin and are submerged by greater stories, to reveal a panoramic view of eighteenth-century society. But while Jacques seems to choose his own path, he remains convinced of one philosophical belief: that every decision he makes, however whimsical, is wholly predetermined. Playful, picaresque and comic, Diderot's novelis a compelling exploration of Enlightment philosophy. Brilliantly original in style, it is one of the greatest precursors to post-modern literature.

In 1758 Diderot's friend the Marquis de Croismare became interested in the cause c l bre of a nun who was appealing to be allowed to leave a Paris convent. Less than a year later, in an affectionate attempt to trick his friend, Diderot created this masterpiece - a fictitious set of desperate and pleading letters to the Marquis from a teenage girl forced into the nunnery because she is illegitimate. In these letters, the impressionable and innocent Suzanne Simonin describes the cruelty and abuse she has suffered in an institution poisoned by vicious gossip, intrigues, persecutions and deviance. Considered too subversive during Diderot's lifetime, The Nun first appeared in print in 1796 following the Revolution. Part gripping novel, part licentious portrayal of sexual fervour and part damning attack on oppressive religious institutions, it remains one of the most utterly original works of the many eighteenth-century.

One of the key figures of the French Enlightenment, Denis Diderot was a passionate critic of conventional morality, society and religion. Among his greatest and most well-known works, these two dialogues are dazzling examples of his radical scientific and philosophical beliefs. In Rameau's Nephew, the eccentric and foolish nephew of the great composer Jean-Philippe Rameau meets Diderot by chance, and the two embark on a hilarious consideration of society, music, literature, politics, morality and philosophy. Its companion-piece, D'Alembert's Dream, outlines a material, atheistic view of the universe, expressed through the fevered dreams of Diderot's friend D'Alembert. Unpublished during his lifetime, both of these powerfully controversial works show Diderot to be one of the most advanced thinkers of his age, and serve as fascinating testament to the philosopher's wayward genius.